Hannah Hutchings-Georgiou

Articles By Hannah Hutchings-Georgiou

Dineo Seshee Raisibe Bopape: (ka) pheko ye / the dream to come, Kiasma, Helsinki review - psychic archaeology Monday, 08 January 2024 Read more...	'The people behind the postcards': an interview with Priya Hein, author of 'Riambel' Tuesday, 03 October 2023 Read more...
Beatriz Milhazes: Maresias, Turner Contemporary review - the taste and sight of Brazil Thursday, 03 August 2023 Read more...	Matter as Actor, Lisson Gallery review - living in a material world Friday, 09 June 2023 Read more...
Seraphina Madsen: Aurora review - the tarot won’t save us Tuesday, 28 March 2023 Read more...	Wilhelmina Barns-Graham: Paths to Abstraction, Hatton Gallery, Newcastle review - secret worlds revealed Saturday, 25 March 2023 Read more...
Sonia Boyce: Feeling Her Way, Turner Contemporary review - a feedback loop of musical union Saturday, 18 February 2023 Read more...	10 Questions for writer and translator Saskia Vogel Wednesday, 21 December 2022 Read more...
Savala Nolan: Don't Let It Get You Down review - finding voice in the liminal Thursday, 29 September 2022 Read more...	Amalie Smith: Thread Ripper review - the tangled web we weave Wednesday, 03 August 2022 Read more...
10 Questions for art historian and fiction writer Chloë Ashby Saturday, 11 June 2022 Read more...	Joanna Walsh: Girl Online - A User Manual review - how 'beatifoul' it is to be online Wednesday, 11 May 2022 Read more...
Scholastique Mukasonga: The Barefoot Woman review - remembering Rwanda before 1994 Thursday, 14 April 2022 Read more...

latest in today

'We are bowled over!' Thank you for your messages... ...

Music Reissues Weekly: The Earlies - These Were The Earlies

The reappearance of These Were The Earlies for its 21st-anniversary is a surprise. Although The Earlies' debut LP received a maximum-...

Hamlet, National Theatre review - turning tragedy to comedy...

The National’s latest production of ...

France, LPO, Gardner, RFH review - the sound of other worlds
Even in the 21st century, it may not take that long for an outlandish literary experiment to jump genres and become an established musical classic...

Like Water for Chocolate, Royal Ballet review - splendid dan...
Christopher Wheeldon has mined a new seam of narrative pieces for the...

Lee Miller, Tate Britain review - an extraordinary career th...
Tate Britain’s Lee Miller retrospective begins with...

Rohtko, Barbican review - postmodern meditation on fake and...
It’s truly thrilling to see the Barbican embracing big concept long-form theatre again, seeking out productions that are as conceptually...

Lee, Park Theatre review - Lee Krasner looks back on her lif...
Like fellow New Yorker, Lee Miller, Lee Krasner changed her given name, the better to be accepted into what she called "The Boys...

Ariodante, Opéra Garnier, Paris review - a blast of Baroque...
The revival of Robert Carsen’s production of Handel’s Ariodante at the...

Classical CDs: Voice flutes, flugelhorns and froth

...