book reviews and features
Joanna Walsh: Girl Online - A User Manual review - how 'beatifoul' it is to be online
Wednesday, 11 May 2022
Scrolling to the top of my Twitter DMs, most of which are from close friends or acquaintances, I notice the message request section flash “1”. It’s a signal I usually ignore, having learnt from... Read more... |
Laura Beatty: Looking for Theophrastus review - adventures in psychobiography
Friday, 06 May 2022
Laura Beatty is a kind of Shirley Valentine figure in contemporary English literature. A decade and a half ago she published an astonishing debut novel entitled Pollard about female... Read more... |
Emily St John Mandel: Sea of Tranquility review - time travel, pandemics and the simulation hypothesis
Tuesday, 26 April 2022
Emily St John Mandel’s wonderful novel of 2020, The Glass Hotel, featured people and places from her... Read more... |
Scholastique Mukasonga: The Barefoot Woman review - remembering Rwanda before 1994
Thursday, 14 April 2022
To read Scholastique Mukasonga’s memoir, The Barefoot Woman, beautifully translated from the French by... Read more... |
Extract: Catching Fire by Daniel Hahn
Tuesday, 12 April 2022
Daniel Hahn began his translation of Jamás el fuego nunca, a novel by experimental Chilean artist Diamela Eltit, in January 2021. Considering the careful, difficult but not impossible “... Read more... |
Alejandro Zambra: Chilean Poet review - from here to paternity
Tuesday, 05 April 2022
Time-honoured advice warns actors never to work with children or animals. Perhaps the literary equivalent should tell novelists not to invent other writers in their books. Especially poets. Unless... Read more... |
Extract: Where My Feet Fall - Going For A Walk in Twenty Stories
Tuesday, 29 March 2022
I began work on Where My Feet Fall a few months into the pandemic of 2020. After lockdown was announced we all became better walkers, and the collection took on greater resonance. ... Read more... |
Marianne Eloise: Obsessive, Intrusive, Magical Thinking review - bargaining with the devil
Wednesday, 23 March 2022
No mental health condition has become quite as kitsch as obsessive-compulsive disorder. Its tacky shorthands – the hand washing,... Read more... |
María Gainza: Portrait of an Unknown Lady review – queens of the unreal
Tuesday, 01 March 2022
It’s no surprise that the theme of fakes and forgery appeals so much to writers, who traffic in plausible illusions and often believe (in María Gainza’s words) that truth is “just another well-... Read more... |
Salley Vickers: The Gardener review - nature has other ideas
Tuesday, 01 March 2022
A garden is a space defined by its limits. Whatever its contents in terms of style and species, and however manicured or apparently wild its appearance, what distinguishes a garden from its... Read more... |
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
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Sheku Kanneh-Mason, Isata Kanneh-Mason, Wigmore Hall review...
I came to Isata and Sheku Kanneh-Mason’s Wigmore Hall recital on Saturday armed with a certain degree of scepticism. Not about the siblings’...
Simon Boccanegra, Opera North review - ‘dramatic staging’ pr...
Opera North have recently pioneered a way of presenting some big works which they call “dramatic concert stagings”, performing in concert halls as...
Mahler 8, LPO, Gardner, RFH review - lights on high
Transcendence is everywhere in Mahler’s most ambitious symphony, from the flaming opening hymn to the upper reaches in the epic setting of Goethe’...
Album: Car Seat Headrest - The Scholars
Following a tradition that reaches back to the The Who’s Tommy, bands and musicians with serious artistic ambition have created rock...
Music Reissues Weekly: The Hamburg Repertoire
The blurb on the front of the double-CD set The Hamburg Repertoire says it collects “The original recordings of songs...
Philharmonia, Alsop, RFH / Levit, Abramović, QEH review - mi...
“Let the music guide your imagination” was never going to be the slogan of the Southbank Centre’s Multitudes festival. Its 13 events...
Ben and Imo, Orange Tree Theatre review - vibrant, strongly...
Back in 2009, there were Ben and Wystan on stage (Alan Bennett’s The Habit of Art). Last year came Ben and Master David Hemmings (Kevin...
The Great Gatsby, London Coliseum review - lavish and lively...
In 2012, an eight-hour long version of F Scott Fitzgerald’s The Great Gatsby...
Stelios review - Athenian rhapsody in blues
The English title of a new film about the legendary singer-guitarist Stelios Kazantzidis, who popularised rebetiko, which is often called “the...