theartsdesk
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Minority Report, Lyric Hammersmith Theatre review - ill-judg...
Towards the end of David Haig’s new adaptation of Philip...
Mitski, Usher Hall, Edinburgh review - cool and quirky, yet...
It was her 2018 album Be the Cowboy which saw Mitski propelled to stardom status. Laurel Hell, which followed in 2022...
Two Strangers (Carry A Cake Across New York), Criterion Thea...
Small-scale shows, nurtured in offbeat places, are becoming all the rage in the...
Queyras, Philharmonia, Suzuki, RFH review - Romantic journey...
As he approaches his 70th birthday, Masaaki Suzuki has not just travelled into pastures new but proved himself thoroughly at home in them. The...
Nadine Shah, SWG3, Glasgow review - loudly dancing the night...
First Nadine Shah raised hopes, then dashed them. “I’ve never had a dance off onstage before,” she observed at one point, impressed by the shapes...
Expressionists: Kandinsky, Münter and the Blue Rider, Tate M...
In 1903, Wassily Kandinsky painted a figure in a blue cloak galloping across a landscape on a white horse. Several years later the name of the...
Blu-ray: The Dreamers
Isabelle (Eva Green) leans over, her long hair catches fire from a candle, and Matthew (Michael Pitt) devotedly snuffs it out. She doesn’t miss a...
Orbital, O2 Institute, Birmingham review - the techno titans...
On Friday evening, dance veterans Orbital touched down in Birmingham to celebrate two of the most significant and acclaimed albums in...
Fern Brady, Netflix Special review - sex, relationships and...
An appearance on Taskmaster and the publication of her acclaimed memoir Strong Female Character have helped propel Fern Brady...