Peter Quantrill
Bio
Peter has written about music ever since completing his studies in the Classics. He contributes regularly to Gramophone, the Catholic Herald and The Strad, as well as writing for the Salzburg Festival, Warner Classics, Opera and Pianist magazines, among others. He also made significant contributions to Help your Kids with Music (Dorling Kindersley, 2015) and 1001 Classical Recordings (Cassell, rev 2016).
Articles By Peter Quantrill
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Leif Ove Andsnes, Wigmore Hall review - colour and courage,...
Forthright and upright, powerful and lucid, the frank and bold pianism of Leif Ove Andsnes took his Wigmore Hall audience from Norway to Poland (...
American Primeval, Netflix review - nightmare on the Wild Fr...
It seems The Osmonds may not have been the worst outrage perpetrated on an unsuspecting public by the Mormons. American Primeval is set...
Chamayou, BBC Philharmonic, Wigglesworth, Bridgewater Hall,...
Top Brownie points for the BBC Philharmonic for being one of the first (maybe the first?) to celebrate the birth centenary of Pierre Boulez this...
The Maids, Jermyn Street Theatre review - new broom sweeps c...
There are two main reasons to revive classics. The first is that they are really good; the second is that they have something to...
Gala Preview Show, De Montfort Hall review - Leicester Comed...
Europe's biggest comedy festival, which showcases established stars,...
The Second Act review - absurdist meta comedy about stardom
Can any line from The Second Act be taken at face value? Not really. “I should never have made this film,” confides Florence (the starry...
Music Reissues Weekly: Celebrate Yourself! The Sonic Cathedr...
Yeti Lane’s second album The Echo Show was released in March 2012. The Paris-based duo’s LP was stunning: holding together overall, as...
