Peter Quantrill
Bio
Peter has written about music ever since completing his studies in the Classics. He contributes regularly to Gramophone, the Catholic Herald and The Strad, as well as writing for the Salzburg Festival, Warner Classics, Opera and Pianist magazines, among others. He also made significant contributions to Help your Kids with Music (Dorling Kindersley, 2015) and 1001 Classical Recordings (Cassell, rev 2016).
Articles By Peter Quantrill
latest in today
Orbital, O2 Institute, Birmingham review – the techno titans...
On Friday evening, dance veterans Orbital touched down in Birmingham to celebrate two of the most significant and acclaimed albums in rave culture...
Fern Brady, Netflix Special review - sex, relationships and...
An appearance on Taskmaster and the publication of her acclaimed memoir Strong Female Character have helped propel Fern Brady...
Album: The Lemon Twigs - A Dream is all we Know
The Lemon Twigs aren’t shy about telegraphing their inspirations. A Dream is all we Know, their swift follow-up to last May’s ...
Götterdämmerung, LPO, Jurowski, RFH review - outside looking...
Four years embracing pandemic, genocide and rapid environmental degradation predicted by Wagner’s grand myth have passed before the Southbank Br...
Music Reissues Weekly: Warsaw - Middlesbrough 14th September...
Edinburgh’s Rezillos were booked to play Middlesbrough’s Rock Garden on Wednesday 14 September 1977. “I Can’t Stand my Baby,” their debut single,...
theartsdesk Q&A: Marco Bellocchio - the last maestro
The last of the old maestros is standing tall. Marco...
Testmatch, Orange Tree Theatre review - Raj rage, old and ne...
Cricket has always been a lens through which to examine the legacy of the British Empire. In the 1930s, the infamous Bodyline series saw the new...
I.S.S. review - sci-fi with a sting in the tail
Earthrise, the 1968 Apollo 8 photograph of our small island of a planet, taken from the Moon’s surface, transformed our vision of our...