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Fisun Güner

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Bio
Fisun is an art critic and writer and is the visual arts editor of theartsdesk. Her art writing has appeared in a range of publications, including The Spectator's Culture House blog, The Independent, Metro, The Evening Standard, New Statesman and Standpoint. You can follow her on Twitter @FisunGuner

Articles By Fisun Güner

Stanley Spencer and The English Garden, Compton Verney

Thursday, 18 August 2011 Read more...

theartsdesk MOT: The Railway Children, Waterloo Station

Monday, 15 August 2011 Read more...

Great Thinkers: In Their Own Words, BBC Four

Monday, 01 August 2011 Read more...

Magritte: The Pleasure Principle, Tate Liverpool

Thursday, 28 July 2011 Read more...

The Code, BBC Two

Thursday, 28 July 2011 Read more...

The Apprentice Series 7: The Final, BBC One

Sunday, 17 July 2011 Read more...

The Impressionists: Painting and Revolution, BBC Two

Sunday, 17 July 2011 Read more...

Jake or Dinos Chapman, White Cube Mason's Yard and Hoxton

Friday, 15 July 2011 Read more...

British Masters, BBC Four/ The World's Most Expensive Paintings, BBC One

Tuesday, 12 July 2011 Read more...

Thomas Struth: Photography 1978-2010

Sunday, 10 July 2011 Read more...

Art Gallery: The Worlds of Mervyn Peake

Tuesday, 05 July 2011 Read more...

Twombly and Poussin: Arcadian Painters, Dulwich Picture Gallery

Friday, 01 July 2011 Read more...

DVD: Don't Look Now

Friday, 24 June 2011 Read more...

Toulouse-Lautrec and Jane Avril: Beyond the Moulin Rouge, Courtauld Gallery

Thursday, 23 June 2011 Read more...

Betrayal, Comedy Theatre

Friday, 17 June 2011 Read more...

The Vorticists: Manifesto for a Modern World, Tate Britain

Wednesday, 15 June 2011 Read more...

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'We are bowled over!' Thank you for your messages... ...
That Bastard, Puccini!, Park Theatre review - inventive comi...

Before Luigi Illica wrote the libretti for Puccini’s Tosca and Madama Butterfly, he had joined the composer as the...

Hamlet, Buxton International Festival review - how to re-ima...

Ambroise Thomas’s version of Hamlet is the flagship production of this year’s Buxton International Festival and was always going to be a...

Friendship review - toxic buddy alert

The frenetic brand of humour that Tim Robinson brings to Friendship comes from a long lineage. There have...

Album: Slikback - Attrition

In the eternal now of the strobe-lit sweatbox, innovation functions in a different way to the rest of culture. Yes of course, the thrill of the...

Interview: Quinteto Astor Piazzolla on playing in London and...

“I still can’t believe that some pseudo-critics continue to accuse me of having murdered...

Sir Brian Clarke (1953-2025) - a personal tribute

Brian Clarke died on 1 July 2025, after a long illness. He was one of the most original British artists of our time – wide-ranging, ground-...

S/HE IS STILL HER/E - The Official Genesis P-Orridge Documen...

“I like guns. At school we had to fight with guns in the army cadets. I’m actually a first-class sniper. I could shoot people from half a mile...

Album: The Near Jazz Experience - Tritone

As the name suggests, the Near Jazz Experience owe a huge musical debt to jazz, but that’s not the full story by any means. For a start, the...

Billie Eilish, O2 review - power, authenticity and deep conn...

Billie Eilish may be one of the biggest names in new music, but here at the O2 Arena, she’s just Billie – the one who stares deep into your soul,...