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Bernard Hughes

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Bio
Bernard Hughes is a composer and writer, based in London.

Articles By Bernard Hughes

Donohoe, LPO, Orozco-Estrada, RFH review – wit aplenty in rare Stravinsky

Thursday, 22 March 2018 Read more...

Sonoro, Ferris, St Botolph-without-Bishopsgate review - intriguingly programmed launch concert

Wednesday, 07 March 2018 Read more...

Coates, Tenebrae, Short, Kings Place review - effective meeting of cello and choir

Monday, 18 December 2017 Read more...

Labèques, Aurora Orchestra, Collon, Kings Place review - good-natured Schubert and Mozart delight

Saturday, 25 November 2017 Read more...

Marnie, English National Opera review – hyped new opera doesn’t hit the heights

Sunday, 19 November 2017 Read more...

Total Immersion: Julian Anderson, Barbican review - BBC ensembles showcase leading British composer

Monday, 23 October 2017 Read more...

Angela Hewitt, Wigmore Hall review – Bach Partitas shine and sing

Thursday, 19 October 2017 Read more...

Tetzlaff, LSO, Rattle, Barbican review - a triumphant homecoming for the maestro

Friday, 15 September 2017 Read more...

Die Zauberflöte, Royal Opera review – enjoyable revival of much loved production

Wednesday, 13 September 2017 Read more...

Prom 24 review: Crebassa, Philharmonia, Salonen – thrilling performance of Adams masterpiece

Thursday, 03 August 2017 Read more...

Prom 22 review: Pygmalion, Pichon – theatrical take on Monteverdi's Vespers

Tuesday, 01 August 2017 Read more...

Prom 13 review: Rana, BBCSO, Davis – Malcolm Sargent tribute lacks punch

Tuesday, 25 July 2017 Read more...

Prom 1 review: Levit, BBCSO, Gardner - fizzing Adams finally ignites mixed First Night

Saturday, 15 July 2017 Read more...

Wosner, Aurora Orchestra, Collon, Kings Place

Saturday, 06 May 2017 Read more...

Trpčeski, LSO, Roth, Barbican

Friday, 31 March 2017 Read more...

Bryars and Reich, London Philharmonic Orchestra, RFH

Friday, 17 March 2017 Read more...

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'We are bowled over!' Thank you for your messages... ...
Classical CDs: Bells, birdsong and braggadocio

 

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Kiefer / Van Gogh, Royal Academy review - a pairing of oppos...

When he was a callow youth of 18, German artist Anselm Keifer got a travel grant to follow in the footsteps of his idol, Vincent van Gogh. Some...

Siglo de Oro, Wigmore Hall review - electronic Lamentations...

Siglo de Oro are a vocal ensemble who specialise in older music – and especially neglected older music – but they have also...

Album: Barry Can't Swim - Loner

Despite being Mercury nominated, Bazza’s hardly a household name. Nevertheless, his debut album ...

Jenny Saville: The Anatomy of Painting, National Portrait Ga...

When in the 1990s, Jenny Saville’s peers shunned painting in...

Hot Milk review - a mother of a problem

Rebecca Lenkiewicz’s Hot Milk, adapted from Deborah Levy’s 2016 Man Booker shortlistee, has been described as a "psychological drama"....

Glastonbury Festival 2025: Five Somerset summer days of musi...

MONDAY 30th JUNE 2025

“I think you’d better drive,” says Finetime, his face sallow, skull-sockets underscored by...

Tom Raworth: Cancer review - truthfulness

I recently heard a BBC Radio 4 presenter use the troubling phrase: "Not everyone agreed on the reality of that." Once the domain of Andre Breton’s...

Hill, Sky Documentaries review - how Damon Hill battled his...

Some world champion racing drivers make it look effortless, but it was never that way for Damon Hill. His path to the championship he won in 1996...