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We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
The conundrum of five women, three of them men, is the same as it was in the last Serse I witnessed, in the more intimate surroundings of…
O Glengarry, where is thy sting? That's likely to be one response to the bewildering Old Vic revival of David Mamet's defining (and…
Bach: The Complete Keyboard Concertos Mahan Esfahani (harpsichord/director), Britten Sinfonia, leader Jacqueline Shave (Hyperion…
Beginning with “The Ground Above” and closing with “Otherside”, there’s an ambient, otherwordly, disembodied feel to Beth Orton’s new album…
William Kentridge’s production of Monteverdi’s L’Orfeo marks a double début at Glyndebourne – neither the director nor the opera,…
Nineteen-ninety-five was the dawn of the internet for most people, and the same year saw the release of the first Toy Story movie. Yet…
Currently on show at the Barbican is a video that makes your hackles rise. Two “savages” are on display in a cage surrounded by punters who…
The best playwrights create word magic – and when that happens, you can’t miss it. Other writers produce journalism, or teaching materials…
Fans of classic Hollywood movies are liable to suffer a stab of frustration these days, when polls or vox pops canvas people’s favourite…