matilda.battersby
Bio
Matilda has worked at The Independent online since 2009 and is also a regular contributor to Viewpoint magazine. She writes about art, theatre and new music.

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We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
Concertos where the soloist is a member of the orchestra are something of a Scottish Chamber Orchestra speciality. They’re always among…
In the 1920s, Sir Arthur Conan Doyle was as famous as it gets really, author of the beloved Sherlock Holmes stories, a polymath and a rare…
 Louis Couperin: The Complete Works Jean Rondeau (harpsichord, organ and artistic direction) (Erato) Image…
Anyone doubting Venom’s place on the highest level of the pantheon of Rock Gods might want to check out Sunn O)))’s recent, self-titled…
Contrast and variety are as vital in a three-ballet programme as in a well-built sandwich. Typically that might include textural interest,…
The Hallé Orchestra is still in many ways the well honed, burnished instrument created by Sir Mark Elder over his near quarter-century as…
It’s not uncommon to suggest that we live in a post-genre musical era – but all too rarely does the discussion then move on to how we might…
Those nostalgic for a time when the Haymarket offered big names in well-upholstered plays will have a field day at Grace Pervades, in which…
I’m a latecomer to John Robins and Elis James’s hugely popular podcast, having only started to listen during a period of illness last year…