emma.simmonds
Bio
Emma is a film and TV critic whose words have appeared in Time Out, Radio Times, The Observer, Empire, Total Film, Little White Lies, The Spectator, Virgin Movies, MovieMail and Popmatters, amongst many others. She is also a contributor to the London, New York and Glasgow volumes of the World Film Locations book series. She is The List magazine's current Film Reviews Editor and The Arts Desk's former Film Editor.
latest in today
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Concertos where the soloist is a member of the orchestra are something of a Scottish Chamber Orchestra speciality. They’re always among…
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Louis Couperin: The Complete Works Jean Rondeau (harpsichord, organ and artistic direction) (Erato)
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Anyone doubting Venom’s place on the highest level of the pantheon of Rock Gods might want to check out Sunn O)))’s recent, self-titled…
Contrast and variety are as vital in a three-ballet programme as in a well-built sandwich. Typically that might include textural interest,…
The Hallé Orchestra is still in many ways the well honed, burnished instrument created by Sir Mark Elder over his near quarter-century as…
It’s not uncommon to suggest that we live in a post-genre musical era – but all too rarely does the discussion then move on to how we might…
Those nostalgic for a time when the Haymarket offered big names in well-upholstered plays will have a field day at Grace Pervades, in which…