jillian.edelstein
Bio
Jillian photographed the Truth and Reconciliation Commission in South Africa for the New York Times and many other stories for The New Yorker, Vogue and Vanity Fair among others. Her portraits were recently exhibited at the National Portrait Gallery.
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We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
The opening track – “Ālibek’agnimi” (“አልበቃኝም” in its original title) – is a cool, close-to six-minute soul instrumental on which the…
The pitch for this movie might have been “Heat meets Miami Vice”, and it’s to the credit of writer/director Joe Carnahan that the finished…
Humour is a good way of defusing tense situations. You know, social embarrassments, personal difficulties and existential puzzles. In the…
Brendan Fraser’s mournful, basset-hound face finds a loving home in this affecting fable from director/writer Hikari. Fraser plays Phillip…
State of Statelessness is the brainchild of the Drung Tibetan Filmmakers’ Collective based in Dharamshala, home to the Dalai Lama and…
I have enjoyed Scenes From Above (Blue Note) more than any other album from Julian Lage since Modern Lore (Mack Avenue, 2018). There are…
Our most adventurous guitarist never does anything twice, at least not in quite the same form. Days after a recital in Dublin's Royal Irish…
We might simply call it a dilemma, but Hollywood screenwriters call it a “crisis decision”, or maybe sometimes a “swivel”. It’s when there’…
Such is the USA administration’s overwhelming saturation of the news cycle that, even with the comforting presence of an ocean between, it’…