mark.pappenheim
Bio
Mark was arts editor and music critic of the Independent and has written on music for the Daily Telegraph, Evening Standard, Daily Express, BBC Music Magazine, Classic FM Magazine and Opera magazine among others. He has been editorial consultant to the BBC Proms since 1998 and edited programmes for Glyndebourne, WNO, the Barbican and the Brighton Festival.

articles by mark.pappenheim

latest in today

“She said her life was like a motorway… dull, grey, and long.” The lyrics of “Like a Motorway,” from Saint Etienne’s February 1994 album…
What can you do with lots of big sheets of white paper, three rolls of Sellotape and a couple of torches? These are items from the “props…
Attending the tale of Sweeney Todd was my introduction to musical theatre. I was in my early 20s and a friend of mine had invited me to the…
Is this the near-future? The premise of Ann Droid is that in place of our over-stretched social services, before long we may find ourselves…
  Saxophobia: Celebrating the Sax Craze of the 1920s Chad Smith (alto and C-melody saxophones), Sinfonia of London/John Wilson (…
The only break in the flow comes just before the last song, “Toppling.” There’s a need to tune the guitar, so what – until this point – is…
These days, Alfie Agnew is a Maths professor at California State University Fullerton. Back in the 1980s, however, he was singer and…
It’s a sobering thought that had Marianela Nuñez joined the Paris Opéra Ballet at 16 instead of the Royal Ballet, she would have been…
Sarah Kane’s Cleansed is a love story whose heart has been torn open on barbed wire. Yes, that’s what it feels like. Sounds intense? Okay,…
For the current edition of the Venice Biennale, the Bulgarian Pavilion serves as the headquarters of The Federation of Minor Practices, a…