mark.pappenheim
Bio
Mark was arts editor and music critic of the Independent and has written on music for the Daily Telegraph, Evening Standard, Daily Express, BBC Music Magazine, Classic FM Magazine and Opera magazine among others. He has been editorial consultant to the BBC Proms since 1998 and edited programmes for Glyndebourne, WNO, the Barbican and the Brighton Festival.

articles by mark.pappenheim

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We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
In the delirious and exhilarating Sephardic dance that finished their concert devoted to the Jewish, Muslim and Christian music of…
We tend to indulge hagiography when it comes to biopics of pop icons. To get the rights to their music, producers often have to let the…
There are few concert experiences as satisfying as hearing cornerstone works of the Romantic repertoire played with energy, commitment and…
Before last night's still-shocking saga of a downtrodden soul began, Southbank Artistic Director Mark Ball came on to tell us that while…
It must be exhausting to be a member of Belfast hip-hop crew, Kneecap. Having already recorded a debut album and fistful of fine singles…
In Mark Jenkin’s Cornish cinema, lost boats, drowned men and ways of life wash back in with the tide, nothing truly gone. Where his feature…
Last year, Paul Weller compiled a collection of his favourite soul tracks. A highlight of That Sweet Sweet Music was Jon Lucien’s affecting…
Decades are never neat: they don’t simply go from 1 to 10, or 0 to 9. So it is with the Swinging Sixties, which actually began – like…
I have to confess, I hadn’t been sure what to expect when I heard about The Art of Fugue staged with acrobats. This latest collaborative…