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We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
CMAT knows how to make an entrance. The opening of this show, in common with the rest of her tour, featured her band assembling onstage…
As a disillusioned ex-admirer – like so many – it’s with a degree of dread that I approach Morrissey’s 14th solo album (the first for…
It’s that time of year again. The 2026 Formula 1 season kicks off in Melbourne this coming Sunday, and as night follows day, here’s the…
Birgitta Trotzig’s Queen is a strikingly poetic, persistently grim semi-fairy tale set at one of the edges of Europe: a strange, windswept…
I’ll never forget watching Tracey Emin reduce an audience to tears at the Royal Festival Hall. About 25 people were expected, but some 500…
The indomitable Nicolas Kent has devised a new theatre piece to prick our consciences and refocus our minds, after his sterling work on the…
The Somnambulist, the debut album from Lunar & The Deception, showcases a goth-leaning rock which is imbued with a good dash of the…
Pretty much any performance of Mahler’s “Resurrection” Symphony is a special occasion, but this one perhaps more so than most. For one…
Mark Simmons is, in the nicest possible way, an old-fashioned comic, in that he tells jokes. Puns, one-liners, slow-burners, delayed…