Episodes, Series 2, BBC Two | reviews, news & interviews
Episodes, Series 2, BBC Two
Episodes, Series 2, BBC Two
Matt LeBlanc, Stephen Mangan and Tamsin Greig return in Golden Globe winning culture-swap comedy

There have been some highly unlikely couplings in the long history of television comedy, but the one between Debbie from The Archers and Joey from Friends in the first series of Episodes ranked somewhere near the top of the list. If the viewers struggled to be convinced by that oddly implausible tryst, at least we weren’t alone.
It is Bev’s bout of improbable (and – as it transpired – unjustified) revenge sex which is destined to hang like a smoggy sky over series two of Episodes, the Golden Globe-winning BBC-Showtime co-production that first aired in 2011.
Morning gave Sean the kind of birthday kiss that could easily double as a Christmas present
In the first series, husband-and-wife writing/production team Bev and Sean Lincoln (Stephen Mangan) were poached by the Hollywood top brass to remake their thoughtful, BAFTA-winning UK sitcom Lyman’s Boys for US television. Fast forward a few weeks and they both had walk-on roles in a grandstand production of Dumbing Down in Beverly Hills: Richard Griffiths’ tea-smoked housemaster was replaced by Matt LeBlanc’s brash hockey coach; the title became simply Pucks!; at LeBlanc's suggestion, the original's unremarkable lesbian librarian was replaced by a rampantly unbuttoned bi-curious babe. In short, the lofty ideals of Lyman’s Boys went swiftly down the pan and the Lincolns’ relationship rapidly followed suit.
This opening episode caught up with the action four months later. Following positive feedback to the pilot from test audiences – everyone involved has the good grace to be astonished – Pucks! had been commissioned for a full series. The reviews of the first show were uniformly abysmal (“Pucks! sucks!” “LeBlanc shoots Le Blank!”) but the all-important ratings were through the roof.
Episodes hits the mark particularly well when its targets are the tawdry excesses of life in La La Land. There were some very funny industry-related gags, not least network boss Merc (John Pankow) and his PA-cum-mistress Carol (Kathleen Rose Perkins) having sex on his desk while roaring the ratings figures back at one another (“98 per cent retention! YES! YESSSS!”). Reliving the moment when Merc’s blind wife (a compellingly odd character) unzipped him during a private home screening of Pucks!, LeBlanc said, eyes still wide with the wonder of it all, “Getting jerked off while you’re watching yourself on TV - actors work their whole lives for that."
 But because Episodes is paced and pitched just a few revs beyond realism, the test for this series will be whether it can pull off (cue gormless guffawing from LeBlanc) the will-they-won’t-they aspect of Bev and Sean’s relationship. Tortured by what they have created – “Why didn’t we just stay at home?” – and yet still slowly being seduced by the lifestyle, the success of Pucks!, however short-lived, means they are destined – doomed – to prolong their stay in LA.
But because Episodes is paced and pitched just a few revs beyond realism, the test for this series will be whether it can pull off (cue gormless guffawing from LeBlanc) the will-they-won’t-they aspect of Bev and Sean’s relationship. Tortured by what they have created – “Why didn’t we just stay at home?” – and yet still slowly being seduced by the lifestyle, the success of Pucks!, however short-lived, means they are destined – doomed – to prolong their stay in LA.
The fact that the survival of a show they both hate is the only way they can be together is a neat double-edged sword. Working as a unit but living apart, the sense of estrangement and entrapment was poignantly expressed (on Sean’s birthday, Beverly got her PA to put his present in his car rather than present it herself). Aside from Sean's lingering hostility, there is a blonde, buxom and bold obstruction to their reconciliation in the form of LeBlanc’s co-star Morning (Mircea Monroe, pictured above right), who gave Sean the kind of birthday kiss that could have easily doubled as a Christmas present.
The cast are excellent value – new character Wendy (Scarlett Rose Patterson) looks promising as a terminally distracted PA - but at the moment only Greig seems to be playing for genuine emotional stakes. Portraying an exaggerated version of his on-screen persona, LeBlanc’s sweet, sex-obsessed shallowness is all that's required, but Mangan – a terrific comic actor - seems constantly to be toying with a smirk, devaluing some of the emotional currency you sense Episodes is striving for. Together, they’ve proved they can make us laugh; now - can they make us care?
Explore topics
Share this article
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £49,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more TV
 Down Cemetery Road, Apple TV review - wit, grit and a twisty plot, plus Emma Thompson on top form
  
  
    
      Mick Herron's female private investigator gets a stellar adaptation
  
  
    
      Down Cemetery Road, Apple TV review - wit, grit and a twisty plot, plus Emma Thompson on top form
  
  
    
      Mick Herron's female private investigator gets a stellar adaptation
  
     theartsdesk Q&A: director Stefano Sollima on the relevance of true crime story 'The Monster of Florence'
  
  
    
      The director of hit TV series 'Gomorrah' examines another dark dimension of Italian culture
  
  
    
      theartsdesk Q&A: director Stefano Sollima on the relevance of true crime story 'The Monster of Florence'
  
  
    
      The director of hit TV series 'Gomorrah' examines another dark dimension of Italian culture
  
     The Monster of Florence, Netflix review - dramatisation of notorious Italian serial killer mystery
  
  
    
      Director Stefano Sollima's four-parter makes gruelling viewing
  
  
    
      The Monster of Florence, Netflix review - dramatisation of notorious Italian serial killer mystery
  
  
    
      Director Stefano Sollima's four-parter makes gruelling viewing
  
     The Diplomat, Season 3, Netflix review - Ambassador Kate Wyler becomes America's Second Lady
  
  
    
      Soapy transatlantic political drama keeps the Special Relationship alive
  
  
    
      The Diplomat, Season 3, Netflix review - Ambassador Kate Wyler becomes America's Second Lady
  
  
    
      Soapy transatlantic political drama keeps the Special Relationship alive
  
     The Perfect Neighbor, Netflix review - Florida found-footage documentary is a harrowing watch
  
  
    
      Sundance winner chronicles a death that should have been prevented
  
  
    
      The Perfect Neighbor, Netflix review - Florida found-footage documentary is a harrowing watch
  
  
    
      Sundance winner chronicles a death that should have been prevented
  
     Murder Before Evensong, Acorn TV review - death comes to the picturesque village of Champton
  
  
    
      The Rev Richard Coles's sleuthing cleric hits the screen
  
  
    
      Murder Before Evensong, Acorn TV review - death comes to the picturesque village of Champton
  
  
    
      The Rev Richard Coles's sleuthing cleric hits the screen
  
     Black Rabbit, Netflix review - grime and punishment in New York City
  
  
    
      Jude Law and Jason Bateman tread the thin line between love and hate
  
  
    
      Black Rabbit, Netflix review - grime and punishment in New York City
  
  
    
      Jude Law and Jason Bateman tread the thin line between love and hate
  
     The Hack, ITV review - plodding anatomy of twin UK scandals
  
  
    
      Jack Thorne's skill can't disguise the bagginess of his double-headed material
  
  
    
      The Hack, ITV review - plodding anatomy of twin UK scandals
  
  
    
      Jack Thorne's skill can't disguise the bagginess of his double-headed material
  
     Slow Horses, Series 5, Apple TV+ review - terror, trauma and impeccable comic timing
  
  
    
      Jackson Lamb's band of MI5 misfits continues to fascinate and amuse
  
  
    
      Slow Horses, Series 5, Apple TV+ review - terror, trauma and impeccable comic timing
  
  
    
      Jackson Lamb's band of MI5 misfits continues to fascinate and amuse
  
     Coldwater, ITV1 review - horror and black comedy in the Highlands
  
  
    
      Superb cast lights up David Ireland's cunning thriller
  
  
    
      Coldwater, ITV1 review - horror and black comedy in the Highlands
  
  
    
      Superb cast lights up David Ireland's cunning thriller
  
     Blu-ray: The Sweeney - Series One
  
  
    
      Influential and entertaining 1970s police drama, handsomely restored
  
  
    
      Blu-ray: The Sweeney - Series One
  
  
    
      Influential and entertaining 1970s police drama, handsomely restored
  
     I Fought the Law, ITVX review - how an 800-year-old law was challenged and changed
  
  
    
      Sheridan Smith's raw performance dominates ITV's new docudrama about injustice
  
  
    
      I Fought the Law, ITVX review - how an 800-year-old law was challenged and changed
  
  
    
      Sheridan Smith's raw performance dominates ITV's new docudrama about injustice 
  
    
Add comment