TV
Andy Plaice
They’re calling it Dublin noir and, on first showing, there’s something very stylish about the BBC’s new three-part drama starring Gabriel Byrne. Pubs and cigarette smoke and long, smouldering looks help the cause. There’s plenty of rain too, and a lot of grey and blue in John Alexander’s film, broken up by flashes of colour and arresting, unusual camera angles.Based on the books by John Banville (writing as Benjamin Black), Quirke boasts an impressive cast including Michael Gambon and Geraldine Somerville, with screenwriting duties shared by Andrew Davies, who penned this episode, and Conor Read more ...
Adam Sweeting
There's a bit of Gene Hunt revisited in Peter Bowker's new three-part drama. Philip Glenister returns to the Manchester stomping grounds he patrolled in Life on Mars, and he even drives an Audi (though it isn't Hunt's celebrated Quattro). But this time he's not a cop.It's 15 June 1996, the Euro 96 football championships are just swinging into action, and the Stone Roses and New Order are on the soundtrack. Glenister plays successful businessman Daniel Cotton, doing his best to patch up a poisonous family rift between his father Samuel (Bernard Hill, pictured below) and wayward, wastrel Read more ...
Veronica Lee
It says something about your status in broadcasting when you inspire not only a Spitting Image puppet, but also have a Private Eye column named after you. Presenter, commentator, interviewer and quizmaster David Coleman, as the title says, really was quite remarkable, a broadcaster as well known as the sportsmen and women whose achievements he commented on for four decades, and celebrated for his distinctive style in front of a microphone.He died in December and this tribute, an updated version of Carl Doran's film aired in 2011 to celebrate Coleman's 85th birthday, was an affectionate run- Read more ...
Adam Sweeting
We've had endless waves of vampires, zombies and Frankenstein's monsters, so why not bundle them all together under the same doomily Gothic roof? Welcome to Penny Dreadful, created by writer John Logan and producer Sam Mendes (who previously worked together on the Bond movie Skyfall), in which we descend into a "demi-monde" of monsters and necromancy in Victorian London.Though the series is named after the lurid serial publications popular in the 19th century, which featured the likes of Sweeney Todd and Sexton Blake, the trickiest part here is picking your way through the reverberations from Read more ...
fisun.guner
The best, and funniest, interview I’ve ever read – and I confess it’s attained almost mythic status in my memory – was an interview with the Chapman brothers by Lynn Barber. The brothers notoriously run rings around respectful journalists, but Barber isn’t one of those. So as she tried to elicit some properly confessional stuff from the former YBA artists, the interview got more and more surreal. In fact, it was pretty much a car crash, but a car crash that, through some writerly alchemical process, turned into pure interview gold. That interview was genuinely cringe-making, in the best Read more ...
Adam Sweeting
For some reason this year's telly-Baftas felt a bit flat and weary. Host Graham Norton seemed to labouring for laughs (when he wasn't moaning about his own show not winning anything), and anything resembling a surprise was thin on the ground. When Aaron Paul, Breaking Bad's Jesse Pinkman, stepped onstage to present the Comedy and Comedy Entertainment award (one of the ones Graham Norton didn't win, since it went to A League of Their Own), at least you knew B Bad was going to win something. This turned out to be the International award, which was by far the strongest category of the night Read more ...
Sebastian Scotney
No quibble about the result. Pianist Martin James Bartlett deservedly became BBC Young Musician of the Year 2014 at Usher Hall in Edinburgh last night. The 17-year-old, a student at the specialist Purcell School in Hertfordshire, and at the Junior Department of the Royal College of Music took the title with a very strong performance of Rachmaninov's Rhapsody on a Theme of Paganini. He was watchful, alert to every nuance, playing idiomatically, and with a very convincing sense of the shape of the piece right through to the final pay-off. He also established a lively partnership with the Read more ...
Adam Sweeting
Swansea's much-mythologised son would have been 100 in October this year, but he died in New York in 1953, from a list of medical problems exacerbated by his colossal intake of alcohol. Thomas's doomed, chaotic trajectory could almost qualify as the first rock'n'roll death, since the New York that lionised him would soon hail the Beat poets, the Folk Revival and the Bob Dylan whose adopted name and freewheelin' versifying both bore Thomas's imprint.This film about his final days and death in New York was involving and hugely watchable, with Tom Hollander tackling the title role like a pocket- Read more ...
Florence Hallett
Last year, the German artist Georg Baselitz told Der Spiegel: “Women don't paint very well. It's a fact,” citing as evidence the failure of works by female artists to sell for the massive sums raised by their male counterparts. The amusing punchline to that story is that shortly afterwards a Berthe Morisot painting sold at auction for more than double the amount ever achieved by Baselitz himself. But be honest - come on, use your fingers - how many women artists can you think of? Because however much Baselitz’s misogyny appals you, the prospect of not one, but three programmes dedicated to Read more ...
Jasper Rees
How much is too much of quite a good thing? They – whoever they are – always say that two series is the platonic ideal for the perfectly formed sitcom. The example forever cited is Fawlty Towers, joined latterly by The Office. To that short list you could now add Rev, which after two series ceased to be a comedy in order to become something else. While nothing like as well shaped as any of the above, Episodes looked to have ingested that wisdom, having terminated its second series with a satisfactory clash of cymbals featuring a thunderstorm, a showdown and a reunion kiss. Where to now?The Read more ...
Matthew Wright
At least no one can accuse BBC comedy of an obsession with youth and relevance with this one. In airing a trial episode of Monks, an idea that’s been lurking in their ideas department for over ten years, the corporation’s comedy team is focusing on a lifestyle that was largely banished from English life by Henry VIII. There are some good jokes and amusing sketch-scenes, but their targets slap the forehead of obviousness every time, while the characters - especially Mark Heap’s angry and repressed deputy abbot Francis, Justin Edwards’ hapless loser Brother Bernard, and Angus Deayton’s satin- Read more ...
Adam Sweeting
After a tentative start, and several episodes of insipidity, Sarah Phelps's World War One nursing drama started to hit its straps just as series one reached its conclusion. The pace accelerated, the characters flung off their camouflage of tepid blandness, and suddenly everyone was struggling with crises, guilt and dark secrets.At heart The Crimson Field is a soap in uniform, with its manufactured climaxes and blithe leaps from implausible event to absurd coincidence, but it's powered along by a formidable cast whose acting has grown stronger by the TV hour. The final episodes were dominated Read more ...