Young Vic
A Face in the Crowd, Young Vic review - lame rehash of a 1950s film satireMonday, 30 September 2024
It’s hard to work out why Kwame-Kwei Armah chose to end his tenure at the Young Vic by directing this soggy musical by Elvis Costello (songs/lyrics) and the American playwright Sarah Ruhl (book). Was it because of it seemed to be a warning... Read more... |
Passing Strange, Young Vic review - exuberant pocket musical with a thoughtful coreWednesday, 22 May 2024
From New York’s Public Theater, the venue that nurtured Hamilton, comes another estimable pocket musical, Passing Strange. It was first staged in 2008, to Tony-nominated acclaim, and it shows. Its forthright cheek and irreverence are refreshing and... Read more... |
Nachtland, Young Vic review - German black comedy brings uneasy humour and discomfiting relevanceThursday, 29 February 2024
If Mark Twain thought that a German joke was no laughing matter, what would he make of a German comedy? That quote came to mind more than once during Patrick Marber’s production of Marius von Mayenburg’s 2022 play, Nachtland. I know it’s... Read more... |
The Homecoming, Young Vic Theatre review - Pinter's disturbing masterpiece is given a low-key revivalWednesday, 06 December 2023
As the audience enters, thick mist envelopes the thrust stage and jazz music fills the theatre. The set, designed by Moi Tran, consists of a sparsely furnished but spacious room, backed by a staircase. It is a place in the past but also anywhere and... Read more... |
Untitled F*ck M*ss S**gon Play, Young Vic review - committed and important play let down by heavy-handed writingWednesday, 27 September 2023
Seldom can a title have given so much away about the play to follow, not just in terms of the subject matter but also in terms of the sledgehammer approach to driving home its points. Kimber Lee, who won the inaugural Bruntwood Prize for Playwriting... Read more... |
Beneatha's Place, Young Vic review - strongly felt, but unevenFriday, 07 July 2023
Trauma is the source of identity politics. In the case of African-Americans, the experience of brutal slavery, exploitative colonialism and violent racism are defining experiences in their history.Although many recent black dramas have contested... Read more... |
Further Than the Furthest Thing, Young Vic review - small island longingsSaturday, 18 March 2023
Some plays are instantly forgettable, others leave a tender fold in the memory. I well remember seeing Zinnie Harris’s evocatively titled Further Than the Furthest Thing in 2000, and marveling at its strange beauty and linguistic flair. Now revived... Read more... |
Mandela, Young Vic review - baffling bio-musicalFriday, 09 December 2022
As bio-musicals continue to have their heyday, it makes sense for the Young Vic to throw its hat in the ring and champion a work about the hugely influential Nelson Mandela. But this new musical about the South African anti-apartheid activist and... Read more... |
Best of Enemies, Noel Coward Theatre review - opposites attract, sort ofSaturday, 03 December 2022
Opposition (and history) are the apparent mainstays of the ceaselessly busy James Graham, and he conjoins the two to riveting effect in Best of Enemies.Telling of the televised 1968 debates between William F Buckley and Gore Vidal during that year's... Read more... |
Who Killed My Father, Young Vic review - Hans Kesting excels in this solo showFriday, 09 September 2022
A bare interior with tarnished walls, a single bed, and an oxygen tube. The stage seems to have been set for a Beckett play, but the figure who comes to inhabit this dejected enclosure for 90 minutes is grounded in a far different world.Powerful... Read more... |
Chasing Hares, Young Vic review - militant mix of politics and fantasyWednesday, 27 July 2022
While Britain is experiencing a "summer of discontent", with inflation, strikes and other conflicts, it is odd that so few plays are as overtly political, and as overtly resonant as Sonali Bhattacharyya’s Chasing Hares, which won the activist... Read more... |
Oklahoma!, Young Vic review - a stunning, stripped-down version of the classic musicalSaturday, 07 May 2022
No surreys, fringes or corny chap-slapping: the Rodgers and Hammerstein revival that has arrived at the Young Vic from New York, trailing a Tony award, is no ordinary makeover. Daniel Fish, its director, has spent the best part of 15 years stripping... Read more... |
- 1 of 9
- ››
