world music
Album: Catrin Finch & Aoife Ni Bhriain - Double YouSaturday, 25 November 2023
Two weeks ago, Welsh harpist Catrin Finch and Irish fiddler, violinist and Hardanger fiddle player Aoife Ni Bhriain entranced their audience at the Union Chapel in North London, playing from their new album, Double You, as part of the London Jazz... Read more... |
The Mongol Khan, London Coliseum review - unique operatic spectacle utterly overwhelms flaws in pacing and storyWednesday, 22 November 2023
“But that’s what they’re paying for!” replied my son as we, a little shellshocked by the previous three hours, skirted Trafalgar Square on the way home. I had reservations about some key components of the alchemy that produces great theatre, but... Read more... |
Jambinai & Leenalchi, Southbank Centre review - contrasting faces of contemporary Korean musicMonday, 13 November 2023
Friday’s double-header at the Queen Elizabeth Hall on the Southbank was not only one of the final gigs in this year’s K-Music Festival – entering its tenth year with an eclectic range of Korean artists and bands performing across London and beyond... Read more... |
Album: Mayssa Jallad - Marjaa: The Battle of the HotelsSaturday, 28 October 2023
Atmospherically and musically, the debut album from Lebanon’s Mayssa Jallad swiftly makes its case. It opens with a drifting, elegiac voice singing a wandering melody over a sound-bed including what sounds like a koto and a droning cello. The... Read more... |
Music Reissues Weekly: Ibrahim Hesnawi - The Father of Libyan ReggaeSunday, 15 October 2023
Initially, it doesn’t sound so unusual. The collection’s first song is titled “Never Understand.” Sung in English, it’s poppy reggae with a light feel, twinkling keyboard lines and a lengthy, rock-oriented guitar solo. The singer appears to be a fan... Read more... |
Album: Nitin Sawhney - IdentityFriday, 13 October 2023
Nitin Sawhney never fails to produce albums that draw on the talent of his brilliant friends, touch on issues of current urgency, and bridge musical styles with great deftness and in a way that avoids the frequent artifice of fusion.Perhaps more... Read more... |
theartsdesk on Vinyl 79: Primal Scream, Girl Ray, Mort Garson, Barbie, Nina Simone, Dengue Fever and moreThursday, 07 September 2023
VINYL OF THE MONTHAfrican Head Charge A Trip to Bolgatanga (On-U Sound)The latest album from percussionist Bonjo Iyabinghi Noah and On-U Sound producer-par-excellence Adrian Sherwood is stunning. 40-something years into their collaborative career,... Read more... |
Album: Erol Josue - Pelerinaj (Pilgrimage)Friday, 04 August 2023
I first saw Erol Josue on stage in Essaouria, Morocco, during the Gnawa Festival of 2011, when he fronted Jazz-Racine Haiti. The Haitian-born voudou priest turned R&B singer struck me as one of the most flamboyant frontmen ever to hit a... Read more... |
WOMAD Festival 2023 review - the party for the whole World spreads good vibes and almost escapes Soggy JulyWednesday, 02 August 2023
theartsdesk team arrived at the WOMAD site with a degree of trepidation this year. Coming at the end of one of the wettest Julys in recent memory and the day after a serious deluge, was it going to be another Womud?Fortunately, Thursday was a day... Read more... |
Album: Peter Culshaw - Music from the Temple of LightSaturday, 29 July 2023
Music from the Temple of Light has for its cover image a minimalist 17th century representation of Tantra. In this instance, a deep blue field bordering on black, scored by a golden yellow square, an arrow hanging down from the square’s centre, and... Read more... |
Glastonbury Festival 2023: Down to the Paradise CityThursday, 29 June 2023
TUESDAY 27TH JUNE 2023I wake up around 11.00, get outta bed around 12.00.My carcass has been ridden over by Immortan Joe’s entire fleet of vehicles from Mad Max: Fury Road. My inner head has been scooped out like a cantaloupe. Where my brain once... Read more... |
Peter Gabriel, OVO Hydro, Glasgow review - beaming with optimism and creativitySaturday, 24 June 2023
Even when Peter Gabriel is bleak, he has reasons to be cheerful. Early on in his set he opined that soon enough “none of us will have jobs anymore”, referring to the ongoing rise of artificial intelligence, although this was followed by him... Read more... |
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