violin
Goosby, RSNO, Bringuier, Usher Hall, Edinburgh review - lyrical colour and dynamic brillianceThursday, 27 April 2023
When a publication as venerable as Gramophone features an artist on its front cover, it’s a surefire sign that they’ve hit the big time. This month that honour fell to young American violinist Randall Goosby and, coincidentally, he was the soloist... Read more... |
Jansen, LSO, Noseda, Barbican review - hearts of darknessFriday, 27 January 2023
There’s life in the old overture-concerto-symphony format yet – especially if the conductor not only shapes every phrase but takes care over the number of string players needed for each work, the soloist lives every bar of a concerto you thought you... Read more... |
Batiashvili, Philharmonia, Shani, RFH review - Nordic mystery, Alpine tragedyFriday, 09 December 2022
Sibelius and Mahler so often figure as the irreconcilable chalk and cheese of turn-of-the-century orchestral writing that it can be a salutary experience to hear them together on one bill.For sure, the Finn – whose Violin Concerto Lisa Batiashvili... Read more... |
Batiashvili, Philadelphia Orchestra, Nézet-Séguin, Edinburgh International Festival 2022 review - classy playing, mismatched programmeMonday, 29 August 2022
For the penultimate concert in the Philadelphia Orchestra’s residency at the Edinburgh Festival, the chosen repertoire was evidently considered so obscure that the box office managers didn’t even try to sell any tickets in the Usher Hall’s cavernous... Read more... |
Baráti, Bournemouth SO, Riveiro Böhm, Lighthouse, Poole review - a quartet of musical child prodigiesTuesday, 10 May 2022
Although the composer singled out as the flagship promotional hook for the Bournemouth Symphony Orchestra’s concert was the “Brilliant Mendelssohn”, the programme also highlighted Mozart, Schubert and Britten to complete a quartet of musical child... Read more... |
Faust, English Baroque Soloists, Gardiner, St Martin-in-the-Fields review – gusto and graceMonday, 25 April 2022
More than half a century has passed since John Eliot Gardiner’s choir and orchestras first won their historically-informed licence to thrill. A feverish Saturday night at St Martin-in-the-Fields proved that Gardiner and the English Baroque Soloists... Read more... |
Kang, National Symphony Orchestra, Bihlmaier, National Concert Hall, Dublin review - hats off, another top conductorSaturday, 09 April 2022
Dublin is feted as the city of the word, peaking on Bloomsday, 16 June, in celebration of Ulysses’ centenary. Yet its concert and opera scene is broadening in brilliance. Had I known before yesterday that the vivacious Peter Whelan and his Irish... Read more... |
Philippens, BBCSSO, Wigglesworth, Usher Hall, Edinburgh review - peace and triumph side by sideMonday, 14 March 2022
Mark Wigglesworth is a semi-regular guest with the BBC Scottish Symphony Orchestra, and he’s hugely experienced in the opera world, which might explain why my expectations were so high for his Wagner in this concert. In the event, though, I didn’t... Read more... |
Fischer, LPO, Søndergård, RFH review - poised Mozart, lean and hungry StraussThursday, 03 February 2022
Mozart’s early violin concertos are precociously well-tailored and full of fun ideas, but are they “teenage masterpieces”, as Julia Fischer asserts? That special honour goes to the likes of Mendelssohn’s Octet and the most famous of Schubert’s 1815... Read more... |
First Person: Pavel Šporcl on Paganini and the Czech violin traditionSaturday, 29 January 2022
It is taken for granted today that Paganini is almost a God-like figure for violinists. After all, he epitomises the ultimate virtuoso figure, both as someone whose technique outshone (so we are told!) every other player of his time, and who oozed... Read more... |
Classical CDs: Two clarinets and stereo snare drumsSaturday, 29 January 2022
Handel: Six Concerti Grossi Van Diemen’s Band/Martin Gester (BIS)I wanted to hear this disc purely on the basis of the group’s name. My instincts didn’t let me down. Martin Gester and Van Diemen’s Band, (based, naturally, in Tasmania) give... Read more... |
Baeva, Ulster Orchestra, Rustioni, Ulster Hall, Belfast review - magic from an Italian star conductorWednesday, 03 November 2021
At last! The eagerly awaited first opportunity in the new 2021-22 Belfast concert season to catch up with the Ulster Orchestra’s Chief Conductor, Daniele Rustioni has arrived. He took up his appointment for the new autumn season in 2019, but the... Read more... |
