fri 16/08/2024

teenage

Trinity, ITV2

Secondary school teachers accused of not pointing their brighter students towards Oxbridge might feel vindicated by ITV2’s Trinity - although the messages were a little mixed. On the one hand the fictional elitist university college in this new teen...

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The Cut (episode three), BBC Switch

Last night the latest segment of the BBC’s new online soap for teens played on computer screens across the land. OK, if we’re splitting hairs, it wasn’t technically last night. The show is streamed every afternoon at ten past five. However, the...

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The Cut (episode one), BBC Switch

Appointment-to-view content. That’s what they’re calling it. Not drama. Not soap. Content. Which you have to make an appointment to view. Although you actually don’t because it’s all on the iPlayer but let's let that pass. Here I am on BBC Switch, 8...

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Fish Tank

It is, as the best cinema should be, always all about the image. Andrea Arnold's films are born, she says, with just this: a visual imprint - strong, unsettling, inexplicable. The stories then slowly unfurl in her mind from that starting point. On...

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Punk Rock, Lyric Hammersmith

Is youth wasted on the young? Well, precious few grown-ups who watch Simon Stephens's new drama, Punk Rock, will develop a sudden urge to be a teenager again: his portrait of a group of middle-class youngsters is every parent's nightmare. They are...

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Film: Adventureland

Superbad was a modern-day coming-of-age comedy with inexplicable 1970s trimmings (the title, groovy credits sequence, Richard Pryor references and so on). Now its director, Greg Mottola, has made a period piece proper in the form of Adventureland,...

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theartsdesk Q&A: Actor Michael Caine

Michael Caine has made more than 100 films: from Zulu, The Ipcress File, Alfie and Get Carter to The Italian Job and Educating Rita. He won best supporting actor Oscars for Hannah and Her Sisters and The Cider House Rules. This interview dates from...

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Lolita, National Theatre

Adrian Lyne met controversy in the cinema with it head on, while Vladimir Nabokov's novel prompted one of the resounding Broadway flops of Edward Albee's stage career. (Trust me: I am among the few who caught its 1981 New York run.) So here is...

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