thu 06/03/2025

surrealism

Nina Conti: Whose Face Is It Anyway?, Brighton Dome review - a melee of jubilant spontaneity

“I really am the repository for all your shit,” Nina Conti’s famous Monkey hand puppet tells her. Monkey may have a point.The brilliance of Conti’s ventriloquism is that it seems to burst, unedited, from her id. Filth, surrealism and lightning-fast...

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Album: Tunng - Love You All Over Again

This is Tunng’s ninth album, their first in five years, and marks their 20th anniversary by consciously going full circle to the gentle sound sculpture and folk melody of their earliest work. It is also thrown into fascinating relief by...

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Lie Low, Royal Court review - short sharp sliver of pain

Faye is okay. Or, at least she says she’s okay. But is she really? And, if she really is, like really okay, why is she seeking help for her insomnia?As Irish playwright Ciara Elizabeth Smyth brings her ward-winning Fringe Festival play, Lie Low, to...

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The Beast review - AI takes over the job centre

Adaptations of Henry James have often failed to click over the years. The author’s private, introspective works – sightseeing trips around people’s souls – seem hard to transpose into a crowded gathering where someone keeps yelling “Action!”.So it’s...

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Nachtland, Young Vic review - German black comedy brings uneasy humour and discomfiting relevance

If Mark Twain thought that a German joke was no laughing matter, what would he make of a German comedy? That quote came to mind more than once during Patrick Marber’s production of Marius von Mayenburg’s 2022 play, Nachtland. I know it’s...

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All of It/Hope Has a Happy Meal, Royal Court review - surreal pleasures

The summer season at the Royal Court, London’s premiere new writing venue, features two plays which imaginatively explore the human condition using elements of the surreal and the dystopic as well as the real. Or, to put it more accurately, both...

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The Good Person of Szechwan, Lyric Hammersmith review - wild ride in hyperreality slides by

As the UK undergoes yet another political convulsion, this time concerning the threshold for ministers being shitty to fellow workers, it is apt that Bertolt Brecht’s parable about the challenges of being good in a dysfunctional society hits London...

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Album: Aksak Maboul - Une aventure de VV (Songspiel)

One of the greatest things a musical artist can achieve is world building. That is, creating a distinctive type of environment, language and coordinates for everything they do such that the listener is forced to come into the musical world, and to...

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Dreaming Walls: Inside the Chelsea Hotel review - intriguing portrait of the end of an era

The documentary Dreaming Walls: Inside the Chelsea Hotel has captured a particular moment in time. A few long-term residents of the legendary building at 222 West 23rd Street in Manhattan are still hanging in there after several years of...

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Earwig review - Little Miss Saliva Teeth

Like her first two features, Lucile Hadžihalilović’s Earwig is an oneiric coming-of-age drama that uses body horror imagery as a metaphor for the daunting unknowns – sexual and emotional – to be encountered in adulthood.Eschewing narrative logic,...

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Venice Biennale 2022 review - The Milk of Dreams Part 1: The Giardini

Cecelia Alemani's vision for The Milk of Dreams, the International Exhibition at the Venice Biennale 2022 had me excited – and perplexed – from the moment I heard about it.Never mind the national pavilions which tend to dominate...

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Doctor Strange in The Multiverse Of Madness – not strange, not mad

The Marvel Cinematic Universe is at its most radical and corporate here; maybe decadent is the word. We start with surgeon turned sorcerer Doctor Strange (Benedict Cumberbatch) threatened then slaughtered in a cosmic chase sequence. It’s just a...

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