spies
theartsdesk
There are films to meet every taste in theartsdesk's guide to the best movies currently on release. In our considered opinion, any of the titles below is well worth your attention.Enola Holmes ★★★★ Millie Bobby Brown gives the patriarchy what-for in a new Sherlock-related franchiseEternal Beauty ★★★★ Craig Roberts's fantasy conjurs surreal images and magnetic performancesI'm Thinking of Ending Things ★★★★ Charlie Kaufman's eerie road trip through love and lossLes Misérables ★★★★★ An immersive, morally complex thriller set in the troubled suburbs of present day ParisMax Richter's Sleep ★★★★ Read more ...
Tom Birchenough
Director Nick Green’s new three-parter follows on the heels of his A Dangerous Dynasty: House of Assad and comparisons are sure to be made between his two subjects. Though the finer degrees of political power-play – and the sheer quantity of attendant blood-letting – may vary, both investigate how the two autocratic regimes concerned came into being and how they have managed to enjoy such almost total power for so long (and look likely to continue to do so for the foreseeable future).The two stories share a central paradox, too, namely the personalities of their leaders. When Syria’s Bashar Read more ...
Marianka Swain
With counter-terrorism an urgent concern – and specifically how best to find, track and use the data of suspected threats, without sacrificing our privacy and civil liberties – it’s excellent timing for a meaty drama about the surveillance state. And the second half of this debut full-length stage work from Al Blyth, helmed by Hampstead AD Roxanna Silbert, comes excitingly close to being that play for today.However, you do have to wade through an overlong first half which, unfortunately, trips into every genre cliché going. The GCHQ computer whizzes who supply the security services with Read more ...
Marina Vaizey
That John le Carré! It turns out the agent isn’t so much running in the field as playing badminton. The master of the spy novel, of the foibles fantasies and sadnesses of our imperfect world – with the occasional excursion to excoriate Big Pharma and the like – has produced a magnificent slow burner. The short novel is predicated on Britain’s current mess, in which the country is betrayed by its own nostalgia and incipient xenophobia.Now in his 88th year this is Le Carré’s 25th novel. His last, A Legacy of Spies, was elegiac: a trip down memory lane to sort out an incident from the distant Read more ...
Adam Sweeting
Five episodes ago, BBC One's The Capture set off at a cracking pace with the apparent abduction and murder of barrister Hannah Roberts by army lance-corporal Shaun Emery. With Roberts’s help, Emery had been acquitted of killing a Taliban fighter in Afghanistan in cold blood, the defence’s case hingeing on a timing glitch in the video taken at the scene by Emery’s body-camera.It didn’t make sense that he’d want to bump off the woman who’d dug him out of a huge legal hole, especially as he’d also become more than slightly enamoured of her. The feeling between them appeared to be mutual. The Read more ...
Markie Robson-Scott
At the end of the first series, MI6 spy Eve (Sandra Oh) stabs psychopathic assassin Villanelle (Jodie Comer) in the stomach as they’re together on the bed in Villanelle’s gorgeous Paris flat ("chic as shit" according to Eve). “I really liked you! It hurts!” cries Villanelle. Series two doesn't mess about. It starts 30 seconds later, as Eve rushes down the spiral staircase, gasping, distraught, carrying a bloody knife.“I think I might have killed her,” Eve tells her crisp boss Carolyn (Fiona Shaw), who's on the phone from London. A couple in love, the man with an engagement ring at the ready, Read more ...
Adam Sweeting
Hallelujah! At last the BBC have commissioned a Stephen Poliakoff series that makes you want to come back for episode two (and hopefully all six), thanks to a powerful cast making the most of some perceptively-written roles.His most recent efforts, Dancing on the Edge and Close to the Enemy, were distinguished only by their contorted implausibility and woefully unconvincing characters. This time, he has drawn deeply on personal experiences of himself and his family, which seems to have helped him create rounded individuals it’s possible to identify with, amid a persuasive depiction of the way Read more ...
Adam Sweeting
Last year’s first season of Deep State featured cloak and dagger exploitations of chaos in the Middle East by the capitalist West and its intelligence services. Judging by its opening episode, this second iteration is about to do something similar, except moving the target area left and down a bit to Niger and Mali.An explosive start was mandatory, and was duly delivered with a bullet-spattered set-piece in a bar in Bamako, where a bunch of off-duty American undercover agents had their pool game interrupted by a squad of turbaned jihadists spraying them with AK-47s. This all kicked off when a Read more ...
Matt Wolf
The decades-long stage relationship between Judi Dench and Trevor Nunn translates to surprisingly little with Red Joan. This is veteran theatre director Nunn's first film since Twelfth Night in 1996. Top-billed in a supporting role, Dench brings her customary rigour and a continually fretful mien to this semi-fictionalised retelling of the plight of the so-called "granny spy", Melita Norwood, who was charged in 1999 with passing secrets to the Russians in their efforts to build an atomic bomb. (The film's actual source is Jennie Rooney's 2013 novel of the same name.) Caught unawares by Read more ...
Laura de Lisle
It's an ideal time to revive James Phillips's debut The Rubenstein Kiss. Since it won the John Whiting Award for new writing in 2005 its story, of ideological differences tearing a family apart, has only become more relevant. Joe Harmston directs a slick production at the Southwark Playhouse, which never quite manages to coalesce into something great.It's based on the lives of Ethel and Julius Rosenberg, the first US civilians to be executed for espionage after they allegedly passed information about the atomic bomb to the Soviet Union during the Second World War. The title refers to a real Read more ...
Adam Sweeting
It’s 1945 and World War Two is nearly over. Somewhere in England, Fiona Symonds (“Feef” to her friends) is training to be a spy and be dropped behind enemy lines. Her training involves such amusements as being woken in the night by having a bucket of water chucked over her, then being interrogated by two fake German officers.But the end of the war in Europe brings Feef’s dreams of covert derring-do to a sudden halt. Wrapped in the arms of her American lover Peter McCormick (Matt Lauria), she wistfully laments that she now won’t be able to parachute into Germany and blow up bridges. Perhaps Read more ...
Saskia Baron
As the priest said, "Understanding comes first, then forgiveness". Thus the rather enjoyable (if slightly overstretched) Mrs Wilson came to a not exactly happy, but certainly forgiving, ending. Ruth Wilson held the screen over three episodes of this period drama, playing her own real life grandmother Alison Wilson. But the story’s pivotal figure was her extraordinary grandfather, Alexander Wilson, who wove a tapestry of lies around his love life and probably his role as a British secret agent.Upon his death in 1963, Alison discovered that her husband had not just lied to her about divorcing Read more ...