soul music
Katie Colombus
There is an inevitable change that comes with moving from the realms of self-produced bedroom blubstep to slickly-produced West Cali smoothness that will cause chaotic realms of loss of self, fans and at some level, originality. But let’s not forget – this is surely what Blake has always been aiming for. Yes, Assume Form has a degree of soullessness that is a stark contrast to his self-titled first album – but that’s part of the journey from angsty, bleak, indie-dubstep to successful, Mercury Prize-winning musician.The level of collaboration on this album (Metro Boomin, Travis Scott, Moses Read more ...
Kieron Tyler
Without the necessary distance, characterising last year through its pop music is a mug’s game. A gulf of 50 years would bring some perspective. Nonetheless, in spite of that interval there are difficulties in creating a fitting soundtrack to 1968 – especially when using its singles as the emblematic markers.The difference between pop and rock had been codified in 1968, and the album was the chosen means of expression for many musicians. Even so, regardless of the emergence of underground or album-format shows and stations, song-centric pop radio was still the means to reach a wider audience Read more ...
joe.muggs
Egbert Nathaniel Dawkins III – Aloe Blacc – is one shrewd dude. He's extremely adept at reaching out beyond the confines of his natural beat of funk and soul, whether that's credible (covering The Velvet Underground's “Femme Fatale”) on his breakthrough 2010 Good Thingsalbum or commercial (co-writing and singing the late Swedish EDM gigastar Aviicii's “Wake Me Up” can't have done his bank balance any harm, what with going to number one in 22 countries). And of course nobody ever went bankrupt releasing a Christmas album... And yet, extraordinarily, he has always avoided having any Read more ...
joe.muggs
Rob Smith & Ray Mighty are truly the unsung heroes of British bass music. Coming out of the same cultural melting pot in Bristol that gave us Massive Attack, Tricky, Portishead and mega-producer Nellee Hooper, they looked to be among the city's big successes when they first emerged in 1987. Their debut single, a cover of the Bacharach / David classic "Anyone who had a Heart" on their own Three Stripe label was a club success, they produced Massive Attack's debut single "Any Love", and Fresh 4's 1989 rave and chart hit cover of "Wishin' on a Star".However an uncomfortable major label deal Read more ...
peter.quinn
After failing to make the charts on its release 50 years ago this month, Astral Weeks has long since passed into pop mythology, its unique amalgam of jazz, folk and soul influences inspiring musicians, writers and filmmakers alike.Martin Scorsese said that he based the first 15 minutes of Taxi Driver on the album, Rickie Lee Jones has called it “still daring, still innovative”, Bruce Springsteen, who chose “Madame George” when he was a guest on Desert Island Discs, stated that the album “made me trust in beauty, it gave me a sense of the divine”, while in the 1979 anthology Stranded: Rock and Read more ...
theartsdesk
Disc of the Day reviews new albums, week in, week out, all year. Below are the albums to which our writers awarded five stars. Click on any one of them to find out why. Baxter Dury, Etienne de Crécy and Delilah Holliday - B.E.D. ★★★★★ A small but perfectly sleazy work of sweary, cynical brillianceBob Dylan - More Blood, More Tracks ★★★★★ The fourteenth volume in the Bootleg Series is a keeperBrad Mehldau Trio - Seymour Reads the Constitution! ★★★★★ Prolific improvising pianist creates the apotheosis of the piano trioThe Breeders - All Nerve ★★★★★ Kim and Kelly Deal - plus Read more ...
joe.muggs
Knowing a deceased artist's archives are available for re-release is a double-edged sword. Will there be a shoddy flood of any and every old bit of tat a la Jimi Hendrix? Will there be half-arsed, half-finished and even fake songs bodged together by trashy but popular modern dance remixers like Michael Jackson? Will the vaults just stay infuriatingly locked? With the impossibly prolific, but often self-indulgent Prince, it is doubly worrying: who has the rights? What will the quality control filter be like?Well, thank all that is holy, on the evidence of this release they're taking the right Read more ...
Matthew Wright
Back in 2014, Kandace Springs was the upcoming star of modern soul, mentored by Prince: she closed his 30th anniversary Purple Rain concert. Then, with her first album Soul Eyes, she was heralded as an important jazz vocalist. The release talks of Indigo as “marrying all the different things”. It’s what the rest of us call a mishmash.These songs are an eclectic assortment of covers, alongside a handful of originals composed with her long-standing production team Evan Rogers and Carl Sturken. There’s no doubting the potential of her vocal talent. Her timbre is warm, her phrasing and Read more ...
mark.kidel
Peyroux made her name by channelling the sultry sensuality and soul of Billie Holiday and breathing new life into well-known songs written by others - notably Elliott Smith and Leonard Cohen.She still brings enchantment to covers, but has increasingly found her own distinctive voice, without losing that element of sensual magic - those long drawn-out notes - inherited from the great Lady Day.Her new album is drawn strongly together by impeccable arrangements and production, studio expertise and inspiration that provides the album with welcome variety, as well as a touch of melancholy Read more ...
Ellie Porter
“We have come here tonight,” announces Mavis Staples, “to bring you some joy, happiness, inspiration - and positive vibrations!” It’s a declaration that the irrepressible Mavis, celebrating her 79th birthday today, routinely makes at her concerts - and she never fails to deliver.Tonight is the second of two sold-out nights at Islington’s beautiful Union Chapel, a much-loved venue that’s perfect for Mavis’ brand of joyous, reverent and powerful music and one she clearly adores. She’s played here a few times, including a special show on her 75th birthday in 2014. “It’s my birthday,” she Read more ...
Owen Richards
Lamp Lit Prose is the ninth Dirty Projectors album since 2003, an incredibly prolific output for any artist. All the more impressive when you consider it’s the project of producer/songwriter David Longstreth, who also finds time to collaborate with artists such as Rihanna, Kanye, Paul McCartney and Solange. Such a notable CV befits an act as innovative as Dirty Projectors, and their latest release further demonstrates the talent on show.“Change is the only constant law” sings Longstreth, an appropriate lyric as Lamp Lit Prose is a journey of shifting influences. Tracks range from folk and Read more ...
Adam Sweeting
It was only a year ago that Nick Broomfield’s Whitney: Why Can’t I Be Me was released. Kevin Macdonald’s new documentary about the rise and hideous demise of one of pop’s greatest stars was made with the blessing of her family, but doesn’t shed significantly more light than the Broomfield version. In fact a couple of Broomfield’s interviewees who don’t appear here were more illuminating than some who do.It’s true that this time Whitney’s mother Cissy is interviewed, though she talks about the young Whitney (or Nippy, as she was always known within the family) with a great future ahead of her Read more ...