thu 10/10/2024

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Why Am I So Single?, Garrick Theatre review - superb songs in Zeitgeist surfing show

Going to the theatre can be a little like going to church. One communes on the individual level, one’s faith in the stories underpinned by a psychological connection, but also on the collective level, belief rising on a tide of shared emotions....

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Album: Charli XCX - Brat

Charli XCX has been making scrambled eggs of pop for a decade. She’s written songs for/with artists including, but far from limited to, Lady Gaga, Iggy Azalea, Giorgio Moroder, Selina Gomez, BTS, David Guetta, Ty Dolla $ign, Blondie, Gwen Stefani,...

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Do Not Expect Too Much From the End of the World review - bonkers in Bucharest

Filmmakers of note make long movies for different reasons. Sometimes they may want the viewer to be so immersed in the movie they become “kidnapped” by it, to borrow an idea from Susan Sontag. (Epics by auteurs like Greece’s Theo Angelopoulis or...

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FLIP!, Summerhall Edinburgh review - sassy, satirical parable

You can almost feel the energy blazing off the stage in this fast, furious and fiercely funny two-hander from writer Racheal Ofori and Newcastle-based Alphabetti Theatre. Don’t blink or you’ll miss a crucial plot twist, or a nifty swerve into new...

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The Doctor, Duke of York's Theatre review - Juliet Stevenson will see you now

Robert Icke is an expert in corporate tragedy. I don’t mean that in a bad way - just that he has a penchant for taking classics (Hamlet, The Oresteia, Mary Stuart) and transporting them, with the help of designer Hildegard Bechtler, to the frosted-...

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Albums of the Year 2021: PinkPantheress - to hell with it

In 2021 TikTok became the most visited website in the entire world. Spending too much time on TikTok is probably bad for all sorts of geopolitical, ethical and spiritual reasons. But if you want to understand how we listen to and discover music in...

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Zola review - high-energy comic thriller tackles sex work

It’s hard to imagine a movie more of its time than Zola, as it takes on sex, race, the glamorisation of porn and the allure of the ever-online world. For 90 minutes we are embedded in the lives of two young American sex workers and it’s a wild ride...

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ANNA X, Harold Pinter Theatre review - lacking in substance

There just isn’t enough there, with ANNA X. Daniel Raggett’s production is the third and final of the RE:EMERGE season at the Harold Pinter Theatre, with Emma Corrin of Lady Di fame in the lead. The graphic design – the brightly-striped faces of...

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Julia Bell: Radical Attention review - a clear rendering of our withering attention spans

You go out for a walk and leave your devices at home; your head feels a little bit clearer. But when you get back and plonk yourself in front of a screen, has anything really changed? Our unhealthy, deliberately engineered dependence on technology,...

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theartsdesk Q&A: Sally Anne Gross and Dr George Musgrave, authors of 'Can Music Make You Sick?'

Today is World Mental Health Day and of course that means an awful lot of hugs and homilies, thoughts and prayers, deep-breathing exercises and it’s-good-to-talk platitudes from people speaking from positions of immense privilege – ranging from the...

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John Lanchester: Reality, and Other Stories review - campfire spooks for the digital age

What do you do when your phone rings, but you know the person ringing isn’t alive? In many ways, the cleverly named Reality, and Other Stories is a collection of ghost tales. But they are updated for the present day. John Lanchester meets his reader...

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Gabriel Pogrund & Patrick Maguire: Left Out review - story of Corbynism from 'Glastonbury to catastrophe'

Readers of Left Out may be surprised to find out how much of party politics is conducted over WhatsApp. The Labour Party under Jeremy Corbyn had an encrypted chat for every occasion – whether it was to smear a colleague, to slime the “scumbag” press...

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