Reissue CDs
Music Reissues Weekly: Lee 'Scratch' Perry and Friends - People Funny Boy: The Upsetter Singles 1968-1969Sunday, 08 September 2024
After the March 1969 UK release of the “Return of Django” single, prospective performers of the song could buy it transcribed as sheet music. On the record, the credit was “Upsetters.” For the sheet music, with its photo of a single person, the... Read more... |
Music Reissues Weekly: Peter Baumann - Phase by Phase: The Virgin AlbumsSunday, 01 September 2024
When the first solo album by Tangerines Dream’s Peter Baumann was released in the US in 1977, its promotion was striking. Press advertising (pictured below left) said “he possesses the infinite vision that has made his group one of the most... Read more... |
Music Reissues Weekly: Shadowplay - Touch and Glow, Eggs & PopSunday, 25 August 2024
Some pointers suggest how Finland’s Shadowplay might sound. They took their name from a Joy Division song. Their key founder member was Brandi Ifgray – born Visa Ruokonen. He had been in the final line-up of first-generation Finnish punk band Ratsia... Read more... |
Music Reissues Weekly: Having a Rave-Up! - The British R&B Sounds of 1964Sunday, 18 August 2024
“The Rollin' Stones are probably destined to be the biggest group in the R&B scene if it continues to flourish. They aren't the jazzmen who were doing trad 18 months back and who have converted their act to keep up with the times. They are... Read more... |
Music Reissues Weekly: White Noise - An Electric StormSunday, 11 August 2024
An Electric Storm opens with “Love Without Sound.” Once heard, it’s unforgettable. A disembodied voice which could be either female or male sings about making love without sound. There are female-sounding squawks and yelps. Revolving percussion... Read more... |
Music Reissues Weekly: Sex Pistols - Looking For a Kiss in KristinehamnSunday, 04 August 2024
After Sex Pistols have played “New York,” the fourth song in their set, someone from the audience shouts “Anarchy in the U.K.” "We've already played it, you fucking idiot" responds Sid Vicious. They have. It was the first song they did at... Read more... |
Music Reissues Weekly: Tomorrow's Fashions - Library Electronica 1972-1987Sunday, 28 July 2024
The conundrum central to library music is that it was not meant to be listened to in any normal way. Yet, in time, this is what happened. What ended up on the albums pressed by companies like Bruton, Chappell, De Wolfe and others was heard by... Read more... |
Music Reissues Weekly: Barry Ryan - The Albums 1969-1979Sunday, 21 July 2024
In April 1985, The Damned’s Dave Vanian was speaking with Janice Long on her BBC Radio 1 show. He said “Barry Ryan and Paul Ryan have been sadly forgotten. Everyone waxes lyrical about Scott Walker which is marvellous but this is absolutely superb.... Read more... |
Music Reissues Weekly: Atlanta - Hotbed of 70s SoulSunday, 14 July 2024
Michael Thevis made his money from pornography. In the Seventies, his Atlanta warehouses were stuffed with most of America’s porn. Nationally, Thevis was the main distributor. Looking for something less edgy to fund with his profits, he turned to... Read more... |
Music Reissues Weekly: Angelic Upstarts - Teenage WarningSunday, 07 July 2024
NME’s Paul Morley reviewed Angelic Upstarts’ debut album, the newly reissued Teenage Warning, in August 1979. He pointed out that they were “seen as the successors to Sham 69.”The assessment made sense. Their encore song was a version of Sham's... Read more... |
Music Reissues Weekly: Cluster - ZuckerzeitSunday, 30 June 2024
In 1974, two albums by German kosmiche musicians working with electronics became the first from the seedbed of what’d been dubbed Krautrock to explicitly embrace – and merge – melody and rhythmic structure. One was Kraftwerk’s Autobahn. The other... Read more... |
Music Reissues Weekly: The Cryin’ Shames - Please Stay, Do The Strum! - Joe Meek's Girl Groups and Pop ChanteusesSunday, 23 June 2024
Liverpool’s The Cryin’ Shames were responsible for two of mid-Sixties Britain’s most striking single’s tracks. The February 1966 top side “Please Stay” was so eerie, so wraithlike it came across as an attempt to channel the experience of making... Read more... |
