Reissue CDs
Music Reissues Weekly: Congo Funk! - Sound Madness from the Shores of the Mighty Congo RiverSunday, 14 April 2024
Brazzaville is on the north side of the Congo River. It is the capital of the Republic of the Congo. Kinshasa is on the south side of the Congo. It is capital of the Democratic Republic of the Congo, formerly known as Zaïre. The cities face each... Read more... |
Music Reissues Weekly: Patterns on the Window - The British Progressive Pop Sounds of 1974Sunday, 07 April 2024
Half-way through this three-CD set, the energy level suddenly shifts upwards. It’s just one track of the 67 collected, but in this context this basic, blunt recording stands on its own. Issued in October 1974, Dr. Feelgood’s debut single “Roxette”... Read more... |
Music Reissues Weekly: Status Quo - The Early YearsSunday, 31 March 2024
“So Ends Another Life” is strange. Very strange. The song’s dolefulness is immediately set up with a strummed guitar along the lines of the intro to The Bee Gees’ “New York Mining Disaster.” “In a world of agitation, there’s no time for compassion”... Read more... |
Music Reissues Weekly: Niney The Observer Presents Lightning and Thunder!Sunday, 24 March 2024
Winston Holness started his own record label in 1969. Missing a finger, he became known by many folks as Niney. Born 7 December 1944, he had lost a thumb in an accident at work. By the point his imprint debuted, he had sung on a Clement “Coxsone”... Read more... |
Music Reissues Weekly: The Mystic Tide - FrustrationSunday, 17 March 2024
Crashing chords are followed by a spindly, untrammelled solo guitar. After this subsides, the singer lays out the issue: “I try, I cry, I just can't see why. It's clear, she's near, the sights and sounds I hear.” He’s distressed, his anguish... Read more... |
Music Reissues Weekly: Groove Machine - The Earl Young Drum SessionsSunday, 10 March 2024
A few records changed music. One such was “The Love I Lost (Part 1)” by Harold Melvin & The Bluenotes. Issued as a single by the Philadelphia International label in August 1973, its release introduced what would become a major characteristic of... Read more... |
Music Reissues Weekly: Mark Eric - A Midsummer’s Day DreamSunday, 03 March 2024
In June 1969, The Beach Boys released “Break Away” as a single. A month earlier, they had announced they were leaving Capitol Records, who they had been with since 1962. The split with their long-term label came after the band sued for unpaid... Read more... |
Music Reissues Weekly: Blank Generation, Just Want To Be MyselfSunday, 25 February 2024
“I hate it, so I guess Eater have succeeded.” NME’s March 1977 appraisal of the debut single by UK punk's teen sensations was direct. In his trailblazing British punk fanzine Sniffin' Glue, Mark Perry was equally forthright when contemplating “... Read more... |
Music Reissues Weekly: Lou Christie - Gypsy BellsSunday, 18 February 2024
Lou Christie fancied offering some social comment. The lyrics of his May 1967 single “Self Expression (The Kids on the Street Will Never Give in)” tackled inter-generational conflict: “Papa I don't see things your way, Like choosin' my own religion... Read more... |
Music Reissues Weekly: Scott Fagan - South Atlantic BluesSunday, 11 February 2024
The album opens with “In my Head.” The lead instrument is an electric piano, over which a quavering, clenched voice sings. The closest comparison is Pearls Before Swine’s Tom Rapp, a similarly idiosyncratic singer. As the stately song unfolds,... Read more... |
Music Reissues Weekly: The Tornados - Love And Fury: The Holloway Road SessionsSunday, 04 February 2024
In summer 2022, one of the year’s most significant archive releases was issued. The Telstar Story was an eight track 10-inch EP focusing on the aural side of how The Tornados’ 1962 instrumental hit “Telstar” was created by independent producer Joe... Read more... |
Music Reissues Weekly: Fantastic Voyage - New Sounds For The European CanonSunday, 28 January 2024
In October 1977 Glasgow punk band Johnny & the Self Abusers decided to change their name. This was a problem for Chiswick Records, who were about to release their debut single. The records were pressed, the sleeves printed and the press release... Read more... |
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