reggae
Guy Oddy
Toots Hibbert may have invented the term “reggae” with his 1968 hit “Do the Reggay” but he has never felt boxed in by the genre. During his almost 60-year singing career, he may have recorded some of the greatest ska and reggae tunes of all time, from “Monkey Man” to “Pressure Drop” and “54-46, That’s My Number”, but has also dipped his toe into soul music and even tried his hand at a version of John Denver’s “Country Roads”. Got to be Tough is similarly a fine musical stew that takes from all quarters, never sags and is heavily flavoured with socially conscious lyrics throughout.Things kick Read more ...
Guy Oddy
Hot Shot 2020 has been billed as a rerub of Shaggy’s colossal turn of the century release Hot Shot. It’s not quite an accurate description of an album that has already been released in three different forms and shifted nine million copies though. In fact, this version only has six tracks in common with the original and adds cover versions, re-recordings of some of Mr Boombastic's other huge hits, like “Oh Carolina” and, of course, “Boombastic”, and a few other odds and sods. However, taken on its own terms as a grab bag of Orville Burrell’s musical highlights, it hits the spot on a relaxed Read more ...
peter.quinn
Whether performing with the ground-breaking Jazz Warriors big band (which he co-founded in the 1980s) or Marque Gilmore and DJ Le Rouge in Project 23, taking the lead roles in Julian Joseph’s jazz operas Bridgetower and Shadowball, or emceeing one of the legendary Metalheadz nights at Blue Note, Hoxton Square, Cleveland Watkiss has been one of the most unfailingly creative, daringly protean artists on the UK jazz scene. For his 60th birthday celebration as part of this year’s EFG London Jazz Festival, the award-winning vocalist, actor, composer, broadcaster and educator performed Read more ...
joe.muggs
If there was ever a documentary that needed you to have good speakers on your TV setup – or good headphones if you're watching on computer or tablet – this is it. It maybe goes without saying that reggae needs good bass reproduction to appreciate, and in the case of this one the constant pulse of classics and obscurities was absolutely vital to the structure of the piece. It is such a well constructed film that it almost works as a piece of music in its own right, the basslines interweaving with endless bravura Jamaican anecdotalising to create a steady, intoxicating flow of impressions and Read more ...
Veronica Lee
Madonna is the queen of reinvention and Madame X, her 14th studio album, marks another new brilliant, bonkers chapter in her 37-year career. The 13-track CD (15 on the deluxe version) was inspired by a recent spell living in Lisbon, where she clearly imbibed the Portuguese diaspora's music. Madame X is stuffed with influences, with African drumbeats and Latin grooves to New York club sounds and big ballads, taking in a bit of Cape Verde batuque and Puerto Rican reggaeton too.It's a mixed bag: there are some bangers including “Come Alive”, which is made for live performance and will fill the Read more ...
Kathryn Reilly
Here they come again – the band most adept at capturing the mood of an era in catchy, critical three-minute songs. Just at the very point we need them most, the original ska-punk popsters surface and their message is as deeply relevant as it was four decades ago. But is this a 40th anniversary or a number one album tour? Or both?In these unprecedented times, receiving political commentary from near-pensioners seems strangely apt (remaining original members frontman Terry Hall, guitarist Lynval Golding and bass player Horace Panter are 60, 67 and 65, respectively). It’s a turn of events Read more ...
Thomas H. Green
Record Store Day is tomorrow which means that your local record shop will be packed with all sorts of exclusive, limited edition goodies as well as major label cash-ins. There are hundreds of releases but many aren't available before the day itself so below are the ones that theartsdesk on Vinyl got their hands on this year. Dive in.theartsdesk on Vinyl's RSD ChoiceHot 8 Brass Band Working Together EP (Tru Thoughts)The look of this release fairly shouts Record Store Day Special. In a transparent plastic sleeve embossed with the band name/logo in gold, it’s a bright blue transparent 12”. On Read more ...
joe.muggs
Everything about this mixtape oozes confidence. It crams 12 tracks plus interludes – all produced by Andre “Shy FX” Williams – into barely more than half an hour. It happily leaves “Roll the Dice”, the single which conquered club and radio and featured Lily Allen, until last. As well as roots reggae, carnival marching bands, lyrically and rhythmically brutal bashment and lashings of the drum'n'bass that Shy FX is best known for, it traverses creepy-crawling avant pop, modernist R&B and moody off-centre hip hop, yet never loses the sense of being a focused party soundtrack. And Read more ...
Barney Harsent
Birmingham’s reggae veterans UB40 are a band who have often worn their politics on their sleeves, and the title of their new album is taken from Jeremy Corbyn’s Labour Party mantra. The parallels between the two have already been noted, of course. After a turbulent time, a split saw a new man thrust into the spotlight while divisions raged and claims were made over who had the rights to the soul of a British institution. Sound familiar? In fairness to Duncan Campbell, brother of former singer Ali, he seems to have adapted to his role rather better than the current Labour leader (fair Read more ...
Thomas H. Green
The Specials were era-defining, making this a hugely anticipated album for many. On paper they’ve released a bunch of albums since the Eighties but their discography is misleading. Encore is their first major work in decades. It’s a big ask for it to match their iconic status, akin to when The Stooges and Kraftwerk reappeared with new music decades after their legendary prime. It succeeds in places but does not – and, of course, never could – match the impact of their early work.On their first two albums The Specials brilliantly embodied the unfettered possibility of a vital and uniquely Read more ...
joe.muggs
Rob Smith & Ray Mighty are truly the unsung heroes of British bass music. Coming out of the same cultural melting pot in Bristol that gave us Massive Attack, Tricky, Portishead and mega-producer Nellee Hooper, they looked to be among the city's big successes when they first emerged in 1987. Their debut single, a cover of the Bacharach / David classic "Anyone who had a Heart" on their own Three Stripe label was a club success, they produced Massive Attack's debut single "Any Love", and Fresh 4's 1989 rave and chart hit cover of "Wishin' on a Star".However an uncomfortable major label deal Read more ...
Thomas H. Green
Enough hyping! This month, without further ado, let’s head straight to the reviews…VINYL OF THE MONTHLOR Lunar Orbit Rendezvous (Lo Records)With Public Service Broadcasting’s The Race for Space making a noise only three years ago (and First Man doing the rounds at the cinema), who’d have thunk there was an appetite for more moon landing-based electronica. Maybe there is, maybe there isn’t, but Belfast DJ-producer LOR has gone for it anyway, with a deliciously warm and quirky two sides of technotronic goodness. A lunar orbit rendezvous is the process by which astronauts travel from their Read more ...