rave
caspar.gomez
PrologueOn Thursday 26 June I arrive at a cloudy but warm Glastonbury Festival, set up camp, eat sausages, chase after DJ Richie Hawtin for an interview that never happens, then acclimatise, settle, let this hedonist Mecca do its work on me…Friday 27 JuneIt starts as spotting. Then it lets go. The sound of droplets pattering against the outer skin of the brown four-person tent becomes a regular tattoo. I lie within, waiting out the mind-fuzz of yesterday’s cider, whisky and chemicals, munching on a breakfast of Morrisons Cheese Savouries (which are, incidentally, addictive). I wonder if 2014 Read more ...
Joe Muggs
It's an understatement to say that the massive revival of fortunes of club music in the 2010s has had its ups and downs. It's been a time of chaotic glut, of excess and spectacle – thanks particularly to the American “EDM” (electronic dance music) wave, which has seen egos, assholery and unnecessary fireworks that make the 90s UK superstar DJ era seem like a gentle Sunday afternoon stroll in the park – but also of diversification and fertility. And one particularly interesting phenomenon has been musicians who've picked up certain threads which the diminished scenes of the 1990s had left off. Read more ...
Joe Muggs
When drum'n'bass emerged from hardcore rave's interactions with London's pirate radio culture, 20-odd years ago, it created some of the most radical grassroots music ever to come out of the British Isles. It came in such a white heat explosion of underground, transforming repeatedly and rapidly through different iterations its first few years, that nobody could have predicted that it would reach a commercial high-point two decades on. Yet here we are with the likes of DJ Fresh creating chart toppers, d'n'b's top rank of DJs still touring the world to arena crowds, and a whole range of new Read more ...
James Williams
It was a carnival-like atmosphere and a packed house for the transatlantic trendsetters Major Lazer in Camden. Recent show reports suggested a more maximal and bombastic vibe from Diplo and his current sidekicks Jillionaire and Walshy Fire, but while the addition of these two stalwarts of the Caribbean music scene would suggest that the show was to be a faithful homage to the vibes of a Kingston dancehall or Trinidadian J’ouvert, this was sadly not the case.Support came from hometown hero Ms Dynamite, whose set was high on both energy and great songs. Crowd favourite "Wile Out" set the tone Read more ...
Joe Muggs
I have to admit I was That Hipster with Underworld: loved them circa 1991, stopped being intensely interested around the first album, diverged almost completely after “Born Slippy” went supernova circa 1995. It was wonderful the way that Karl Hyde bodged together torn up fragments of overheard conversations into his rave-dada lyrics to express the delirium of the rave era, but as the band's instrumental film soundtracks started to become the most interesting thing about them, perhaps foolishly I wrote him off as a one-trick pony, never again to repeat the inspiration of “Mmm Skyscraper I Love Read more ...
Thomas H. Green
It became clear, midway through support act Toddla T that this was going to be a bit special. With a view from the front of the first tier balcony, I could see the melee below and the two balconies above. The Shepherd’s Bush Empire is a gorgeous 109 year old theatre that’s been a music hall and BBC studio in its time but no-one was sitting down tonight, far from it. Those on the upper tiers were leaning forward over the balconies, whooping and waving their arms, everyone everywhere seemed to be moving. I turned to my companion and ventured, “This is a bit like a rave.” Within a short time I Read more ...
Thomas H. Green
In 2009 Orbital returned too soon. Dance music icons Paul and Phil Hartnoll only called it a day a little over four years previously so it was hardly a magnificent comeback. The resulting live shows smelt more of tax bills than art. Fair enough, we all have to live, but it was a shame to see such a great creative pairing fizzle rather than shine.Orbital ruled dance music throughout the Nineties. Their self-titled “brown” album remains an all-time great and the decade’s other four albums were also astonishing, even beautiful - lush listening music that turned into a driven foot-moving sonic Read more ...
Kieron Tyler
Remember Primal Scream’s woozy “Higher Than the Sun”? It’s a fair bet Mauro Remiddi does. His debut album as Porcelain Raft drifts through 10 foggy songs as disconnected, yet warmly melodic, as that era-defining excursion through the ether.Italian born and America-dwelling, Remiddi has been through a few musical incarnations. He’s played klezmer for the Berlin Youth Circus, was pianist for a New York tap-dance show and in the Sixties-ish band Sunny Day Sets Fire. Where he’s landed up is familiar, but still satisfying. As well as nodding towards the rave/indie crossover, he’s got the chillwave Read more ...
Joe Muggs
Justice – pronounce it “Joosteece”, for they are as French as they come – deconstruct the opposition between style and substance. Everything about them is preposterous, from the hipster facial hair via the rock-pig antics in their A Cross The Universe tour “documentary” DVD to the way that almost the entirety of their musical palette is cribbed from their countrymen and close associates Daft Punk. They are masters of the big, empty gesture taken to ridiculous extremes, of blustering noise and gut-punching beats made strangely friendly, of the reduction of both rock and rave music to a Read more ...
Thomas H. Green
The Chemical Brothers have long had one of the most vital shows around. It’s a visual spectacular that can only be likened to peak-time Pink Floyd or Jean-Michel Jarre, yet precision-tooled, without the bombast of those acts. Their long-term visual designer, Adam Smith, is mostly responsible and now he’s shot a concert film of the electronic duo’s appearance at the Fuji Rock Festival in Japan last year. Smith has directed a few bits and bobs before, notably the BBC adaptation of Little Dorrit, and he’s the perfect choice to take the Chemical Brothers experience into the cinema.He doesn’t, Read more ...
Joe Muggs
Against all the odds, I find myself going into 2012 with a strong sense of optimism. And the reason? I am a born-again rave zealot. I saw it at Outlook Festival in Croatia, I saw it at Sónar in Barcelona, and I saw it at the Big Chill where I was running a stage; participatory, constructive, creative partying, where the crowds go not just to be entertained but to plug into something bigger, to be part of something.Now, I love Kanye West's music with all my heart, but the sight of his latest whining pseudo-breakdown on stage at the Big Chill just seemed like the latest peeling away of the Read more ...