punk
Classic Albums: Tears for Fears, Songs From The Big Chair, BBC Four review - anatomy of an anthemSaturday, 15 February 2020
Roland Orzabal, co-founder and lead guitarist of Tears for Fears, laughs to himself often during this documentary — the latest in the BBC’s often-excellent, always-forensic Classic Albums series. “I agree, I agree, it sounds great,” says Orzabal. He... Read more... |
CD: Green Day - Father of All MotherfuckersFriday, 07 February 2020
Without wanting to get into what constitutes punk, we can, at least, agree that brevity is to be lauded? Right? Good, because at 26 minutes, Green Day’s 13th studio album, Father of All Motherfuckers, is a volley delivered at velocity. That’s... Read more... |
Reissue CDs Weekly: The Best of 2019Sunday, 29 December 2019
Earlier this year, the Peter Laughner box set was more than an archive release. Its diligence and scale forced a wholesale reinterpretation of the evolution of America’s punk-era underground scene. What it collected – aurally and in its book –... Read more... |
theartsdesk on Vinyl 55: Peaky Blinders, Graham Coxon, 2 Tone, Redrago, Gary Numan, The Clash and moreMonday, 16 December 2019
Britain is unpleasant to look at right now, ugly and foolish, so why not lock down with some tuneage. Below is the best plastic that’s hit theartsdesk on Vinyl over the last month, all genres, all the time. Watch out for the forthcoming Christmas... Read more... |
IDLES, Barrowland, Glasgow review - rowdy and raucous, but with heartThursday, 05 December 2019
As the number of sweaty bodies increased towards the front of the Barrowland stage, IDLES singer Joe Talbot had a direct message. “Keep safe” he implored on several occasions, like a concerned dad warning his kids, or perhaps a shepherd guiding his... Read more... |
Fontaines DC, SWG3, Glasgow review - Irish rockers let down by shaky soundSaturday, 23 November 2019
Time moves fast in the music business. It has only been a matter of months since Fontaines DC were playing the far smaller confines of King Tut’s Wah Wah Hut in Glasgow, and here they were at a sold out SWG3, celebrating the success of debut album “... Read more... |
Iggy Pop, Barbican review - proto-punk legend goes jazz... sort ofFriday, 22 November 2019
A few years ago it would have been hard to envisage proto-punk maniac Iggy Pop being a star feature of the EFG London Jazz Festival. His last few albums, though, have been heavily flecked with jazz, and let’s not forget that as far back as The... Read more... |
Reissue CDs Weekly: The Clash - London CallingSunday, 17 November 2019
In a first for this column, what’s cropping up is a cassette reissue. The Clash’s third album is so familiar, going into what it is or was in any depth is redundant but it’s worth considering what’s going on here.London Calling was originally issued... Read more... |
Reissue CDs Weekly: The RaincoatsSunday, 27 October 2019
Rough Trade’s first album was Stiff Little Fingers’s Inflammable Material. The label followed up its February 1979 release with Swell Maps’s A Trip to Marineville, The Raincoats’s eponymous debut, Cabaret Voltaire’s Mix-Up and Essential Logic’s Beat... Read more... |
Black Flag, The Mill, Birmingham review – hardcore punk originators come up trumpsThursday, 10 October 2019
Prior to this week, it had been 35 years since hardcore punk firestarters Black Flag had set foot in the UK. That said, it was not without some trepidation that I made my way to one of Birmingham’s more compact venues to see a band who had once been... Read more... |
Alice Cooper, The Stranglers, MC50, Brighton Centre review - a triple-headed blast of vintage rockWednesday, 09 October 2019
The Ol’ Black Eyes is Back Tour celebrates Alice Cooper’s 50 years using his stage name. He’d been around under other names before 1969 but Alice Cooper – originally the title of the band rather than the man – achieved success as the Seventies began... Read more... |
CD: The Menzingers - Hello ExileWednesday, 02 October 2019
Punk rock, more so than any other genre, comes with a built-in age limit. There’s only so long you can play weeknights at basement venues for a share of the door and travel expenses; only so many years your back can withstand so many nights on... Read more... |
