Prokofiev
Classical CDs: Mandolins, multiphonics and multiple pianosSaturday, 09 November 2024
Brahms: Piano Sonata No. 1, Schubert: Wanderer Fantasy Alexandre Kantorow (piano) (BIS)I’d previously encountered pianist Alexandre Kantorow via his exuberant set of Saint-Saëns piano concertos, sparky, lovable performances conducted by his... Read more... |
Tetzlaff, BBC Philharmonic, Storgårds, Bridgewater Hall, Manchester review - something of a puzzleTuesday, 30 January 2024
Chief conductor John Storgårds’ first programme of 2024 in the Bridgewater Hall was notable for the visit of Christian Tetzlaff as violin soloist, but perhaps a little puzzling in the choice of Thomas Adès’ Violin Concerto as the vehicle for his... Read more... |
Classical CDs: Suits, serenades and flared trousersFriday, 13 October 2023
Bach: Goldberg Variations Víkingur Ólafsson (piano) (DG)Bach Goldberg Variations Reimagined Rachel Podger/Brecon Baroque (Channel Classics)It feels like ages since I’ve listened to Bach’s Goldberg Variations. I’m more team piano than team... Read more... |
Jerusalem Quartet, Wigmore Hall review - singing to make the heart leapWednesday, 31 May 2023
Conversation just before this concert started concerned Verdi’s Il trovatore and the truism that it needs “the four greatest voices in the world”. Whether or not the quartets we heard by Mozart, Prokofiev and Brahms demand the same in string terms,... Read more... |
Cinderella, Royal Ballet review - the first British ballet learns the language of flowersSaturday, 01 April 2023
The urge to redesign a heritage ballet is a curious one, given not just the expense but the fact that the main draw of an old ballet is the steps and the music, which stay the same whatever the stage dressing. The Royal Ballet was keen, however, to... Read more... |
Dmitri Alexeev, Leighton House review - shadows and light from a master pianistWednesday, 08 February 2023
You can brush aside any problems septuagenarian pianists may have in the toughest repertoire, especially if they give you more than glimpses of why they’re legends in the first place. Those were frequent from the masterly Dmitri Alexeev, long... Read more... |
Jansen, LSO, Noseda, Barbican review - hearts of darknessFriday, 27 January 2023
There’s life in the old overture-concerto-symphony format yet – especially if the conductor not only shapes every phrase but takes care over the number of string players needed for each work, the soloist lives every bar of a concerto you thought you... Read more... |
Prom 40, Moore, RPO, Petrenko review - orchestral clarity, and a persuasive trombonistWednesday, 17 August 2022
It does need saying: the RPO may receive less frequent plaudits than some of their London peers, but this is a fine and wonderfully responsive orchestra with a distinctive character.The string sections have a natural opulence and warmth in their... Read more... |
Classical CDs: Violins, timpani thwacks and a symphony of iron and steelSaturday, 15 January 2022
Gidon Kremer: The Warner Collection (Warner Classics)The words of dedication in Gidon Kremer’s autobiography, Between Worlds (2003) are chosen with care. The book is, he wrote, for “all those who are seeking their way”. The Latvian-born... Read more... |
Classical CDs: Two bass drums, three oranges and seven symphoniesSaturday, 30 October 2021
Prokofiev: The Symphonies Bergen Philharmonic Orchestra/Andrew Litton (BIS)The first CD alone (containing almost 87 minutes of music!) in this five-disc set should be enough to convince you to buy the whole thing. Andrew Litton’s Bergen... Read more... |
Romeo and Juliet, Birmingham Royal Ballet & Royal Ballet review - a storming start to the seasonWednesday, 13 October 2021
Two households, both alike in dignity … and both launching their respective seasons with a production of Kenneth MacMillan’s Romeo and Juliet. For neither the Royal Ballet nor its midlands sibling Birmingham Royal Ballet is this a surprising... Read more... |
Gabriela Montero, Kings Place review - improvising to a Chaplin classic is the icing on a zesty cakeSaturday, 09 October 2021
As the Statue of Liberty appears in Charlie Chaplin’s The Immigrant, our improvising pianist proclaims “The Star-Spangled Banner”, only for it to slide dangerously. The passengers on the ship taking them to a new life are brutally cordoned by the... Read more... |
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