politics
Thomas H. Green
There is a three song segment midway through Manic Street Preachers’ set which suddenly ramps everything up. For this brief while, the performance and response in the sold-out, nigh-on-2000-capacity venue, elevates the concert from another decent gig on another tour in front of a devoted fanbase, to something more memorable and truly electric. It also sums up the Welsh rock stalwarts’ unlikely fusion of socially aware poetics and cheesy rock which, at its best, can be exuberant and touching.Having come onstage to what sounds like a looped house rejig of Frankie Goes To Hollywood’s last proper Read more ...
aleks.sierz
Hypocrisy. Is this the right word? I don’t mean the play, but the audience. Of course, in the middle of the current COVID 19 crisis, there’s bound to be a certain amount of discomfort when watching Larry Kramer’s 1985 modern activist classic about the AIDS epidemic, since both cost many thousands of lives, but it feels really odd to me to be in the middle of a National Theatre audience where only half are wearing their masks. So while everyone cheers this story about how selfishness has to be challenged in order to preserve public health, only half are acting unselfishly in keeping us all Read more ...
Thomas H. Green
When The Specials returned with their chart-topping 2019 album Encore, it was a wonderful surprise. As well as being their first in nearly four decades (excluding material by alternately named intermediary incarnations), it proved they were more than an endlessly touring heritage night out for ageing rude boys. Critics of their reappearance on the tour circuit claimed they were washed up without the band’s original driving force, Jerry Dammers. Encore, full of musical pep and socially conscious vim, proved this was not the case. Protest Songs 1924 – 2012 is an apt sequel.With the band now Read more ...
Guy Oddy
It’s almost 25 years since Alabama 3 unleashed their “sweet, pretty country acid house gospel music” on an unsuspecting world with Exile on Coldharbour Lane – one of the finest records of the late 20th Century. 12 albums later and with their first since 2016’s Blues, the band are still very much rooted in a world of urban weirdos and misfits, and this is all to the good.Step 13 is a largely up tempo, toe-tapping antidote to a Covid-damaged, post-Brexit Britain that doesn’t shy away from commenting on the political landscape, but nor does it hammer Alabama 3’s views down anyone’s throat either Read more ...
Matt Wolf
Displacement looms large over every quietly impressive frame of Limbo, writer-director Ben Sharrock's magnetic film about a young Syrian man called Omar (Amir El-Masry) who finds himself biding his time in the remotest reaches of Scotland on the way to some unknown new life. Adrift from his family, who have made their way to Turkey, and thrown into the company of a motley array of fellow asylum-seekers, Omar spends his days thinking back on the glorious music he once made on his beloved oud and dealing with locals who are happy enough to provide a lift. If only they didn't pepper their Read more ...
Nell Whittaker
In the opening poem of Samantha Walton's 2018 collection, Self Heal, the speaker is on the tube, that evergreen metaphor of capital's specific barrelling momentum. The tube "will help you see yourself properly for once, all the way through", the poem goes, ie. as one of urbanity's little facilitators, one automaton amongst many. The toll of this is self-negation: "it only takes a moment to cut a line into yourself gently / it's a wonder everyone isn't doing it." So the book, ostensibly about healing, opens with harm (the play is made explicit by the prefix "self"). We are not well; how Read more ...
Laura de Lisle
A lot’s changed since Kiln Theatre boss Indhu Rubasingham directed The Invisible Hand’s first UK outing in 2016, not least the theatre’s name (it was known as the Tricycle back then). But in Rubasingham’s capable hands, American Ayad Akhtar’s taut exploration of greed and blame still hits like a punch to the chest, ratcheting up the tension over two hours to an almost unbearable level.The premise is relatively simple. American banker Nick Bright (Daniel Lapaine, pictured below) has been kidnapped by accident – the unnamed organisation keeping him prisoner in rural Pakistan wanted his boss Read more ...
Veronica Lee
Mark Thomas comes on stage unannounced. It's not a show of humility – rather, he told us, amused at his own mistake, that his hearing isn't what it used to be and he had misheard his music cue. It was a modest start to his new show 50 Things About Us, which he is giving a runout at Soho Theatre before touring with it later in the year.It has been 18 months since he last gigged, but there were few signs of rustiness as Thomas described what has been happening to him during his enforced layoff from live performance. He developed Type 2 diabetes, for a start – “the kind you have to overeat for Read more ...
Thomas H. Green
Introduced by Brighton Festival 2021 Guest Director, poet Lemn Sissay, Josie Long, clad in blue denim dungarees and a black tee-shirt, initially hits the stage for a celebratory introduction. She’s here to perform her Tender show about pregnancy and childbirth, but this is her first show in well over a year, due to COVID-19, and she’s keen to say hello first. She’s excited and it’s contagious.Back in summer 2019 theartsdesk reviewed Tender in its original Edinburgh Fringe incarnation but tonight’s version is not a straight rerun. Pulling it from mothballs, Long is constantly aware that a lot Read more ...
Tim Cumming
Back in the mid-Eighties, BBC television started broadcasting The Rock'n' Roll Years, one of the first rock music retrospectives. Each half-hour episode focused on a year, with news reports and music intermixed to give a revealing look at the development of rock culture against the context of current affairs.That is more or less the basic template employed by the makers of Apple TV+’s new eight-parter, 1971 - The Year that Music Changed Everything, ballooning that half-hour to around about six hours of great music, incredible footage, and more great music. It’s loosely based on David Read more ...
Sarah Collins
Almost a year ago, in the midst of the first national lockdown, The Sunday Times broke the news that Boris Johnson had failed to attend five consecutive Cobra meetings in the lead up to the coronavirus crisis. The article went viral, reaching 24 million people in the UK and becoming the most popular online piece in the history of the paper. It was clear that as people lost their freedoms and feared for the lives of their loved ones, the Prime Minister’s reportedly relaxed attitude to the pandemic had triggered public outrage.The authors of the article, Jonathan Calvert and George Read more ...
Laura de Lisle
“The crocus of hope is, er, poking through the frost.” When he uttered that dodgy metaphor back in February, Boris Johnson probably didn’t predict that it would become the opening number of the third edition of Living Newspaper, the Royal Court’s anarchic, hyper-current series of new writing. Then again, there’s little BoJo does that the Living Newspaper writers can’t tear to pieces accompanied by a jazzy saxophone riff. There’s a new group of writers this time, providing short scenes stitched together into one big "newspaper", all set in different spaces within the Royal Court building Read more ...