New York
Marianka Swain
The movie adaptation of Lin-Manuel Miranda’s In the Heights was meant to hit cinemas this summer, but, in response to Covid-19, has been put back to 2021. Instead, we get the early release on Disney+ of Miranda’s Hamilton – filmed, NT Live style, with the original Broadway cast at three performances in June 2016, and now available to a wide audience for the first time. Who could say no to this? Stage director Thomas Kail also helms the film, and the result is an exhilarating, immersive experience of this dynamic musical about America’s forgotten Founding Father, who travels from Read more ...
Marianka Swain
A musical featuring two people who are physically separated? Jason Robert Brown’s work is a shutdown natural – as this new digital theatre version demonstrates. Lauren Samuels and Danny Becker, who play doomed lovers Cathy and Jamie, recorded their parts entirely in isolation, with Samuels (previously starring as Cathy in 2011 at Chiswick Playhouse) also directing.The result is a piece that firmly retains its theatrical DNA – in contrast to the Anna Kendrick and Jeremy Jordan-starring movie adaptation, which changed up the format to have the characters sharing space. Of course, current social Read more ...
Matt Wolf
As lockdown continues, National Theatre at Home has announced its final sequence of plays, and several of the very best are being saved for last. That certainly applies to this week's offering, Small Island, whose dissection of Britain's racist past couldn't be timelier. Broadway's Lincoln Center Theater, meanwhile, mined a bygone theatrical period in the comparably epic Act One, whilst the week's offerings also accommodate in-the-moment protest theatre, an acclaimed West African Hamlet, and a recent Olivier Award-winning actor playing a peacock, as you do. For more on the latest amalgam of Read more ...
David Nice
It's taken time, but at last we have two major musical figures speaking up for cultural institutions in dire straits. Following a crucial, detailed article by Charlotte Higgins in The Guardian, Simon Rattle and Mark Elder have finally taken up the cudgels as their colleagues in the theatre world have been doing for weeks.What remains devastatingly clear is that with government subsidy of cultural institutions running at 20 per cent rather than the 70 or 80 on the continent, the kind of socially-distanced events which are being so well managed in Germany, Sweden, Norway and Czechia - others Read more ...
Markie Robson-Scott
The first series of What We Do in the Shadows, Jemaine Clement and Taika Waititi’s mockumentary about vampires in Staten Island (a TV spin-off from their cult New Zealand-located film) was a joy, and although it’s a hard act to follow, it’s delicious to be reacquainted with these timeless Transylvanian transplants and their mission to conquer the Americas. At least, that’s what their master, a crumbling vampire baron, has told them to do. Trouble is, as Laszlo (plummy-voiced Matt Berry; Toast of London, The IT Crowd) noted in the last series, the New World is “fucking massive”. Best stick to Read more ...
Nick Hasted
Woody Allen’s filmography, like Michael Caine’s, is remorseless, accepting mediocre work to mine more gems than most. Even after his career and this film’s planned 2018 release became collateral damage to #MeToo and a revived child abuse allegation, he has kept directing. A Rainy Day in New York is a thorough résumé of late Woody flaws, but still sparks with residual brilliance.The octogenarian Allen is increasingly divorced from modern life and remotely realistic plots. Undeterred, he sends young lovers Gatsby (Timothée Chalamet) and Ashleigh (Elle Fanning, pictured below centre with Rebecca Read more ...
Matt Wolf
Featherweight is one thing, brainless is another. Can You Keep A Secret?, the romcom adapted by screenwriter Peter Hutchings from the 2003 novel by Sophie Kinsella, uneasily straddles the two until a conclusion that goes off the rails altogether and tumbles into the ludicrous. Alexandra Daddario plays Emma, one of these insecure chatterboxes you'd run a mile from in real life but whom we’re here apparently meant to find irresistible.That's certainly the effect Emma has on Jack (Tyler Hoechlin, stuck in the role of a walking pin-up), the smiling, hirsute stranger whom Emma ends Read more ...
David Nice
Maybe you can't compare incomparables, but it was instructive to watch this Broadway lockdown gala feting nonagenarian Stephen Sondheim a night after the Metropolitan Opera's galaxy of stars welcoming us into their homes. More slick, no doubt (once it started, an hour late), with all the accompaniments clearly heard and sassily done, equally blissful in its funny spots, but somehow less warm and spontaneous-seeming: odd that many of those opera singers on Saturday came across as more companionable than some of the more self-regarding or intense show folk here. But again, carping is unfair: Read more ...
David Nice
So many of the world's great opera singers inviting us to look through the keyhole at a carefully presented version of their lockdown lives over four very variable hours, such bad sound for the most part (Skype, like Zoom, catches the voice but loses the accompaniment). But that's not the point, nor would it be politic to pick out the few turkeys; these were all personable, supremely gifted human beings giving of their time and their artistry to raise money for New York's Metropolitan Opera (how the house has treated its artists and crew financially since lockdown is another matter altogether Read more ...
David Nice
A brutal Greek tragedy and a rococo Viennese comedy, both filtered through the eyes and ears of 20th century genius: what a feast on consecutive nights from the Metropolitan Opera's recent archive. There's been real thought behind the wealth of programming in the company's attempts to keep the world happy for free during lockdown, including a whole Wagner week. These two of the top masterpieces by Wagner's natural successor - "Richard the Third", as Strauss was dubbed, because there could be no second - both reminded us of what worked and what didn't when Robert Carsen's sort-of-1920s Read more ...
David Nice
One person playing one instrument from home to the edification and delight of thousands: it's been a constant in these confining days, and well meant even if the sound isn't always up to it, a necessary substitute for live communication on both sides. But this is something else: an education, a detailed sharing of love and consolation which makes me wonder why other musicians haven't taken up the challenge (maybe some have, but I haven't heard about it). The fact is that few can match Jeremy Denk's ease of playing as he talks, his infinite knowledge of the richest sets of piano music in the Read more ...
Markie Robson-Scott
“Crying never solves anything. Be strong.” An admonishment from a stern grandmother haunts this low key first feature film by Alan Yang (Parks and Recreation, Master of None), loosely based on his father’s 1950s immigrant experience of leaving Taiwan and coming to New York City (his father does the voice-over in the film) and on Yang’s own recent trip to Taiwan with his father.No tigers in evidence here, kings, tails or otherwise. It’s a gentle, elegiac Asian-American story of lost love and emotional repression, told, in Mandarin and English, from the perspective of a disappointed middle-aged Read more ...