mythology
carole.woddis
It’s like waiting for a number 19 bus. You hang around for half an hour then two come along at once. So it is just now with plays either written by women or featuring women’s lives. While Amelia Bullimore’s sparky three-hander Di and Viv and Rose is storming audiences in Hampstead, Mehmet Ergen, the dynamic Turkish-born founder of both Southwark Playhouse and the Arcola, is continuing to make waves in unfashionable Hackney and Dalston.Directed by Ergen and written by Leyla Nazli, Mare Rider offers up a hallucinatory and disturbingly revisionist feminist fable for our time. The title character Read more ...
David Nice
Much more regularly than the seven years it takes the Flying Dutchman's demon ship to reach dry land, the Zurich Opera steamer moors at the Southbank Centre. None of its more recent concert performances up to now has branded itself on the memory as much as its 2003 visit, when chorus and soloists stunned in Wagner's Tannhäuser. This one will, though: and the wonder of it is that Bryn Terfel's surely unsurpassable Dutchman, condemned to the seas for all eternity unless saved by the faithful-until-death love of a good woman, had other singers to match him.In the first act, the great Wagnerian Read more ...
Aleks Sierz
Finding the mythic echoes of the ancient Greeks in stories about the modern world is not just confined to past greats such as TS Eliot, but is also used by contemporary adapters of old tragedies. Yet Colin Teevan’s new play, which shadows the lives of Irish navvies working in England with echoes from Greek tragedy, goes one better. Asked by the director Lucy Pitman Wallace to rewrite the Oedipus myth through the lens of Krapp’s Last Tape, the playwright has come up with The Kingdom.Teevan’s ambitious idea is to marry stories from the great migrations of Irish workers to England, from the 19th Read more ...
David Nice
Dissatisfied housewives who eventually stand by their men joined jewelled hands in a divine evening of operatic decadence. Suppressed Bianca all but steps over the body of her strangled lover to get at the muscles of her killer husband in Zemlinsky’s A Florentine Tragedy, taking its cue from the deep purple imagery of Oscar Wilde’s story. And in Richard Strauss’s Die Frau ohne Schatten (The Woman without a Shadow), the Dyer’s Wife readily gives up her dreams of sacrificing motherhood and taking up with a fantasy toyboy when domestic violence looms. Dodgy premises both, and unlikely subjects Read more ...
igor.toronyilalic
Les Troyens is one of music's mythical beasts. The greatest opera that few will have ever seen. Until recently the epic was considered so demanding that it was thought unstageable. David McVicar's new production for the Royal Opera House is only the second in its history. So for most of us last night will have been the first chance to witness the five-hour masterpiece in its original French. It is amid the murmuring woodwinds that the most memorable musical truth of Troyens is to be foundBeyond the fact that the cast is huge, however, (the opera house were fielding the largest Read more ...
Gwyneth Lewis
Like many students, I read the Oresteia by Aeschylus as an undergraduate as part of a compulsory Tragedy paper. A while ago I was asked would I do a new version of the Oresteia. I’m not a Greek scholar so I feel I have no authority to offer a "translation". However, I was up for writing a completely new play.Aeschylus’s Oresteia tells of Agamemnon returning from the Trojan war and being murdered by his wife Clytmnestra because he sacrificed their daughter Iphigenia as part of the campaign. In Aeschylus, Clytemnestra is a wicked man-woman who upstages her husband, takes a lover and is later Read more ...
Adam Sweeting
It sounded like a good idea at the time - go and see colossal special-effects epic at an IMAX cinema in 3D. There was even a fleeting pre-show visit from the stars, Liam Neeson and Sam Worthington, who play Zeus and his son Perseus respectively. However, having just about managed to say "Hello, enjoy the film," the pair of them couldn't get out of there fast enough.Perhaps they felt that nothing they could say would help, because Wrath of the Titans is a baffling mash-up of Greek mythology which seeks to batter the viewer into stupefaction with an almost continuous barrage of monsters, Read more ...
David Nice
Among the many singularities of Pasolini’s films, the proportions of his narrative structure have to be the strangest. Here we, like the young Jason who grows before our eyes, get a six-minute introductory lecture from the hero's foster centaur which tells us what to look out for in the obscurities that follow: all is sacred, nature is never natural, myth and ritual are a living reality, this is a story of deeds, not thoughts. Then there’s hardly any dialogue for the next hour or so: look away, if you’re squeamish, at the climax of the chthonic rituals to which Medea's Colchians who guard the Read more ...
hilary.whitney
The stage musical The Lion King has been seen by nearly 10 million people in the UK - almost 60 million worldwide – and Lord only knows how many must have seen Walt Disney’s animation. I have a friend who reckons he has seen it at least 26 times and a female acquaintance who firmly believes that curling up in front of the DVD is the cure-all for heartache – well, we can’t all write songs like Adele - but until recently, The Lion King had completely passed me by. I couldn’t even have hummed so much as a crotchet and a quaver of Elton John and Tim Rice's Oscar-winning song “Can You Feel the Read more ...
Adam Sweeting
The Conan yarns are familiar from novels, comics and TV series, but most of all from the early-Eighties Arnold Schwarzenegger movies, Conan the Barbarian and Conan the Destroyer. In this new remake, the title role is stretched around the pneumatic bulk of Jason Momoa, the half-Hawaiian and half-Irish veteran of the celebrated cheesecake opera Baywatch.Plot-wise, it's a point-and-go revenge saga with an added long arc of ancestral evilMomoa doesn't look as if he likes to waste time studying the Method or boning up on the Nouvelle Vague, but he fills a Conan-sized 3D hole on the screen. Yet Read more ...
Adam Sweeting
This wasn't only the series finale, but the last ever episode of Camelot, since the American Starz network has decided to scrap plans for further seasons. It's not hard to see why. After a fairly promising start, Camelot spent several instalments staggering around aimlessly, as if writers and directors had been beheaded by King Arthur's Excalibur. Annoyingly, this tenth and final episode offered belated flashes of what the show might have been.At last, Arthur himself, played by the aggravatingly petulant Jamie Campbell Bower, began to - if you will - grow a pair. His ridiculous but heroic Read more ...
fisun.guner
Some years ago the Dulwich Picture Gallery invited Howard Hodgkin to exhibit alongside the Old Masters in their collection. I am not a fan of this vastly overrated artist, but even a diehard enthusiast must have found the juxtaposition cruel. How could Hodgkin’s crudely daubed, splishy-sploshy canvases (I exempt from the description a few works painted at the highpoint of his career in the mid-Seventies) bear scrutiny against works by Rubens or Rembrandt? They couldn’t, and the exhibition was a car crash. So how will an artist whose works appear similarly unrestrained and unstructured fare in Read more ...