wed 26/06/2024

mental health

Luxor review - Andrea Riseborough stars in cathartic drama about healing old wounds

Zeina Durra’s sophomore feature arrives on our screens a decade on from her debut, The Imperialists Are Still Alive! It was worth the wait. Luxor is a subtle, low-key drama that possesses an atmosphere of meditative calm, exploring a life that has...

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Relic review – a deadly disappearing act

The bleak power of the Australian horror movie Relic, Natalie Erika James’s feature debut, derives from its masterful use of a simple metaphor. The creepy house wherein Kay (Emily Mortimer) and her daughter Sam (Bella Heathcote) first seek and are...

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LFF 2020: Supernova review – Stanley Tucci and Colin Firth shine as couple on the road

Unsurprisingly, there’s a lot of pleasure to be had watching Stanley Tucci and Colin Firth as a mature couple pootling around the UK in their humble camper van. They bicker about the satnav voice, argue the merits of the shipping forecast, and both...

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theartsdesk Q&A: Sally Anne Gross and Dr George Musgrave, authors of 'Can Music Make You Sick?'

Today is World Mental Health Day and of course that means an awful lot of hugs and homilies, thoughts and prayers, deep-breathing exercises and it’s-good-to-talk platitudes from people speaking from positions of immense privilege – ranging from the...

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Saint Maud review - creepy and strangely topical psychological horror

It only takes a few seconds of Saint Maud – dripping blood, a dead body contorted on a gurney, a young woman’s deranged face staring at an insect on the ceiling, an industrial clamour more likely to score the gates of hell than the pearly...

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Eternal Beauty review - imagination in every frame

Barring a few outliers, British indies tend to follow the same formula: serious subjects told seriously. Whether it’s a council estate, a rural farm, or a seaside town, you can always rely on that trademark tension and realism we Brits do so well....

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Playing Sandwiches & A Lady of Letters, Bridge Theatre review - the darkness dazzles, twice over

"Getting dark," or so comments Irene Ruddock (a pitch-perfect Imelda Staunton) in passing midway through A Lady of Letters, and, boy, ain't that the truth? Both this monologue, and the one that precedes it (Playing Sandwiches, featuring the mighty...

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Wayne Holloway-Smith: Love Minus Love review – powerfully excavating the tormented poet's psyche

Roughly two years since “the posh mums are boxing in the square” scooped first place in the 2018 National Poetry Competition, Wayne Holloway-Smith returns with Love Minus Love, his second full-length collection. The follow-up to Alarum (2017)...

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Sheridan Smith: Becoming Mum, ITV review - will motherhood be the gateway to a new life?

Apart from her acting abilities, the qualities which made Sheridan Smith a star were her authenticity and lack of pretension. Both shone brightly from ITV's affecting documentary, in which Smith assessed how her success affected her mental health...

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Spree review - a wild ride through social media madness

Allergic to that word “influencer”? Afraid that social media is the death of civilisation as we’ve known it? Then this movie may be for you.Despite its overt absurdity and compulsive over-the-topness, director Eugene Wobble Palace Kotlyarenko has...

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Matt Haig: The Midnight Library review - an uplifting modern parable

TW: This article discusses suicide, suicidal ideation, antidepressants and self-harm We first meet Nora Seed, “nineteen years before she decides to die”, as she plays chess in the school library with Mrs Elm, the matter-of-fact school librarian...

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Prodigal Son, Sky 1 review - meet Michael Sheen, psycho killer

We knew that Michael Sheen was a skilful and versatile actor, but lately he’s been getting dangerously good. Last year he roared into the third season of The Good Fight as the outrageous drug-fuelled lawyer Roland Blum, like an explosive fusion of...

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