sat 19/04/2025

mental health

Smile 2 review - worthy follow up to runaway hit

No film tackles the knotty topic of inherited mental illness with as much gleeful abandon as Smile. Mental health has been a popular subtext in contemporary horror for the past decade, but Parker Finn's Smile felt refreshing in how unsubtle it was....

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Land of the Free, Southwark Playhouse review - John Wilkes Booth portrayed in play that resonates across 160 years

Straddling the USA Presidential elections, Simple8’s run of Land of the Free could not be better timed, teaching us an old lesson that wants continual learning – the more things change, the more they stay the same.We open on the Booth family kids...

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Knife on the Table, Cockpit Theatre review - gangsters grim, not glamorous

There’s a moment in writer/co-director, Jonathan Brown’s, gritty new play, Knife on the Table, that justifies its run almost on its own. Flint, a decent kid going astray, is "invited" to prove he’s ready for the next step in his drug-dealing career...

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The Band Back Together, Arcola Theatre review - three is a dangerous number

We meet Joe first at the keys, singing a pretty good song, but we can hear the pain in the voice – but is that the person or the performance? When Ellie walks in, he leaps up like a cat on a hot tin roof, nervous as a kitten, and we know –...

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Why Am I So Single?, Garrick Theatre review - superb songs in Zeitgeist surfing show

Going to the theatre can be a little like going to church. One communes on the individual level, one’s faith in the stories underpinned by a psychological connection, but also on the collective level, belief rising on a tide of shared emotions....

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The Silver Cord, Finborough Theatre review - Sophie Ward is compellingly repellent

One of the Finborough Theatre’s Artistic Director, Neil McPherson’s, gifts is an uncanny ability to find long-forgotten plays that work, right here, right now. He’s struck gold again with The Silver Cord, presenting its first London production for...

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Edinburgh Fringe 2024 reviews: L'Addition / Long Distance / The Sun, the Mountain and Me

L’Addition, Summerhall ★★★★ Bert and Nasi – or, more fully, writers/directors/actors Bertrand Lesca and Nasi Voutsas – are virtually Fringe royalty, having carved out a niche in recent years with playful, provocative shows that question...

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Shifters, Duke of York's Theatre review - star-crossed lovers shine in intelligent rom-com

Pete Waterman, responsible (some might prefer the word guilty) for more than 100 Top 40 hits, said that a pop song is the hardest thing to write. Boy meets girl; boy loses girl; boy gets girl back – all wrapped up in three minutes. Benedict Lombe’s...

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Edinburgh Fringe 2024 reviews: In Two Minds / My English Persian Kitchen

In Two Minds, Traverse Theatre ★★★★ Mother is finally getting her kitchen extension. It’s a lot of work, though, and it’ll take several weeks. So she’ll have to move in – temporarily – with her Daughter, in her city studio flat, while the work...

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Next to Normal, Wyndham's Theatre review - rock musical on the trauma of mental illness

We open on one of those suburban American families we know so well from Eighties and Nineties sitcoms - they’re not quite Homer, Marge, Bart, Lisa and Maggie, but they’re not far off. As usual, we wonder how Americans have so much space, such big...

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Miss Julie, Park Theatre review - Strindberg's kitchen drama still packs a punch

You have to tiptoe around the edge of the set just to take your seat in the Park’s studio space for Lidless Theatre’s Miss Julie. There’s a plain wooden table, a few utensils on it, wooden chairs and a small cabinet – not much, but, we’re smack...

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Multiple Casualty Incident, The Yard Theatre review - NGO medics in training have problems of their own

We open on one of those grim, grim training rooms that all offices have – the apologetic sofa, the single electric kettle, the instant coffee. The lighting is too harsh, the chairs too hard, the atmosphere already post-lunch on Wednesday and it...

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