mon 24/02/2025

mental health

Hamlet, Royal Shakespeare Theatre - Luke Thallon triumphs as the state succumbs to storms

The date, projected behind the stage before a word is spoken, is a clue - 14th April 1912. “Why so specific?” was my first thought. My second was, “Ah, yes”.Sure enough, Akhila Krishnan’s video and Adam Cork’s sound floats us on a sea of troubles,...

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Three Sisters, Sam Wanamaker Playhouse review - Chekhov's anatomy lesson on the human condition

Russia.It’s impossible to be ambivalent towards that word, that country, indeed that idea, one so very similar to our own, yet so very different. You feel it in Moscow, where I spent a week exactly 40 years ago. Like London, it is a vast city,...

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Second Best, Riverside Studios review - Asa Butterfield brings the magic

Your response to Barney Norris’s one-man play, based on David Foenkinos’s bestselling novel as translated by Megan Jones, probably depends on which of the Gens is yours. The Gen Zs might turn a nose up, Joanne Rowling something of a discredited...

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Mrs President, Charing Cross Theatre review - Mary Todd Lincoln on her life alone

The phenomenal global success of Six began when two young writers decided to give voices to the wives of a powerful man, bringing them out of their silent tombs and energising them and, by extension, doing the same for the women of today. Its...

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The Lonely Londoners, Kiln Theatre review - Windrush Generation arrive in a London full of opportunities, but not for them

As something of an immigrant to the capital myself in the long hot summer of 1984, I gobbled up Absolute Beginners, Colin MacInnes’s novel of an outsider embracing the temptations and dangers of London.Written a couple of years earlier and set a...

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The Maids, Jermyn Street Theatre review - new broom sweeps clean in fierce revival

There are two main reasons to revive classics. The first is that they are really good; the second is that they have something to say about how the world is changing, perhaps more accurately, how our perception of it is changing. Both are true of...

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Kemah Bob, Soho Theatre review - Thailand, massage and mental health

Kemah Bob is a regular on television and radio panel shows and well established on the comedy circuit, but Miss Fortunate is her full-length debut. And what a debut; a personal story – ostensibly about the holiday from hell – that manages to riff on...

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Burnt Up Love, Finborough Theatre review - scorching new play

Mac is in prison for a long stretch. He is calm, contemplative almost, understands how to do his time and has only one rule – nobody, cellmate or guard, can touch the photo of his daughter, then three years old, attached to his wall. Though he...

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How To Survive Your Mother, King's Head Theatre review - mummy issues drive autobiographical dramedy

It is unsurprising to learn in the post-show Q&A that each audience receives Jonathan Maitland’s new play based on his 2006 memoir differently. My house laughed a lot (me especially) but some see the tragic overwhelming the comic, and the laughs...

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Smile 2 review - worthy follow up to runaway hit

No film tackles the knotty topic of inherited mental illness with as much gleeful abandon as Smile. Mental health has been a popular subtext in contemporary horror for the past decade, but Parker Finn's Smile felt refreshing in how unsubtle it was....

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Land of the Free, Southwark Playhouse review - John Wilkes Booth portrayed in play that resonates across 160 years

Straddling the USA Presidential elections, Simple8’s run of Land of the Free could not be better timed, teaching us an old lesson that wants continual learning – the more things change, the more they stay the same.We open on the Booth family kids...

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Knife on the Table, Cockpit Theatre review - gangsters grim, not glamorous

There’s a moment in writer/co-director, Jonathan Brown’s, gritty new play, Knife on the Table, that justifies its run almost on its own. Flint, a decent kid going astray, is "invited" to prove he’s ready for the next step in his drug-dealing career...

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