tue 28/06/2022

London

Bangers, Soho Theatre review - sizzling gig theatre

Is gig theatre the latest sugar rush? Okay, it ups the brain’s serotonin levels and charges around your body like a crazy electric current, but amid the joyous nerve reactions does the music speak louder than the words?These questions won’t bother...

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First Person: director Richard Wilson on a musical midsummer night film premiere

In today’s near-normal times it is easy to forget how hard COVID-19 had hit the music industry, especially for touring orchestras like the Academy of St Martin in the Fields. Masked, socially-distanced performances; streamed concerts from empty...

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Suspect, Channel 4 review - a stylised remake of a Danish psychological drama

Suspect has a simple premise: a detective goes on a routine visit to a mortuary where an unidentified young woman has been taken after being found hanged. Suicide is the initial judgment: the cop, Danny Frater (James Nesbitt), grills the pathologist...

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Pistol, Disney+ review - Punk history repeats itself as farce

The fact that John Lydon has complained so long and so loudly about director Danny Boyle’s TV drama about the Sex Pistols has only served to pump up interest in the project.“I'm the one that wrote those songs, right. I gave them their image. I gave...

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Cornelia Parker, Tate Britain review – divine intelligence

Cornelia Parker’s early installations are as fresh and as thought provoking as when they were made. Her Tate Britain retrospective opens with Thirty Pieces of Silver (pictured below left: Detail). It’s more than 30 years since she ran over a...

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Lotus Beauty, Hampstead Theatre Downstairs review – uneasy mix of comedy and tragedy

Theatre is slowly recovering from the effects of the pandemic, and many shows which were cancelled because of the first lockdown are now finally getting a staging. The latest is Satinder Chohan’s Lotus Beauty, her loving portrait of a Punjabi family...

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My Fair Lady, London Coliseum review - tasteful revival powered by stirring performances

First staged in 2018, Bartlett Sher’s Lincoln Center Theater production of My Fair Lady is London’s latest import from Broadway, coming here hot on the heels of Oklahoma!. In returning to the city where its story is set, Lerner and...

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Berrut, ECO, Guzzo, Cadogan Hall review - Schubert with a smile

I came for the Schubert and it didn’t disappoint. Which was good, as the Mozart and Stravinsky did, a little. I came to know Schubert’s Fifth Symphony only relatively recently, fell in love with it instantly and, with the zeal of a convert, love it...

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Walter Sickert, Tate Britain review - all the world's a stage

Who was Walter Sickert and what made him tick? The best way to address the question is to make a beeline for the final room of his Tate Britain retrospective. It’s hung with an impressive array of his last and most colourful paintings. Based on...

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The Misfortune of the English, Orange Tree Theatre review - don't fret, boys, it's only death

“We all make history, one way or another.” But some of us make more history than others, and a group of 27 English schoolboys who got lost in Southern Germany in 1936 haven’t made much, unfortunately. Scottish playwright Pamela Carter has brushed...

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Ten Percent, Amazon Prime review - a hit and miss British makeover of the French comedy 'Call My Agent'

When the English-language version of Dix Pour Cent (aka Call My Agent!) was announced, my cafe au lait went down the wrong way. The French TV comedy about machinations at a top-flight Parisian talent agency is a miraculous mix of insouciant charm,...

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For Black Boys Who Have Considered Suicide When The Hue Gets Too Heavy, Royal Court review - Black joy, pain, and beauty

The title is so long that the Royal Court’s neon red lettering only renders the first three words, followed by a telling ellipsis. But lyrical new play For Black Boys Who Have Considered Suicide When the Hue Gets Too Heavy lives up to its weighty...

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