tue 07/10/2025

London

Urchin review - superb homeless drama

Urchin feels like a genuine moment in British cinema. Thematically, it offers a highly original, thoughtful, affecting account of the endless cycle of misfortune and institutional ineptness that can trap someone in homelessness. At the same time, it...

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The Importance of Being Earnest, Noël Coward Theatre review - dazzling and delightful queer fest

Star casting has, since the pandemic, done much to restore the fortunes of commercial theatre. And, when they can pull off a similar deal, the same applies to subsidised venues. If the downside is that many smaller institutions get left behind, the...

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Lee Miller, Tate Britain review - an extraordinary career that remains an enigma

Tate Britain’s Lee Miller retrospective begins with a soft focus picture of her by New York photographer Arnold Genthe dated 1927, when she was working as a fashion model. The image is so hazy that she appears as dreamlike and insubstantial as a...

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Cinderella/La Cenerentola, English National Opera review - the truth behind the tinsel

When you go to the prince’s ball, would you prefer a night of sobriety or excess? Julia Burbach’s new production of Rossini’s Cinderella (La Cenerentola) for English National Opera frankly errs on the side of theatrical over-indulgence. The stage-...

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Goldscheider, Brother Tree Sound, Kings Place review - music of hope from a young composer

Last night’s concert at Kings Place was a programme of contemporary pieces – including several premieres – by horn superstar Ben Goldscheider and string quartet Brother Tree Sound, “curated”, as the current lingo has it, by young composer Ben Nobuto...

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Entertaining Mr Sloane, Young Vic review - funny, flawed but welcome nonetheless

Playwright Joe Orton was a merry prankster. His main work – such as Loot (1965) and What the Butler Saw (1969) – was provocative, taboo-tickling and often wildly hilarious. Now the Young Vic is staging a revival of his debut...

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50 First Dates: The Musical, The Other Palace review - romcom turned musical

About halfway through this world premiere, I realised what was missing. Where is the sinister lift, where are the long corridors and, most of all, WHERE IS MR. MILCHICK? 50 First Dates: The Musical may indeed be the sunnier cousin of Severance, but...

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Slow Horses, Series 5, Apple TV+ review - terror, trauma and impeccable comic timing

Fifth time around, Slow Horses continues to show the rest of the field a clean pair of heels. Or hooves. The adventures of Jackson Lamb (Gary Oldman) and his peculiar little band of secret service misfits have come to exert a fierce stranglehold on...

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Coldwater, ITV1 review - horror and black comedy in the Highlands

Scripted by Belfast-born playwright David Ireland, Coldwater is a smart and addictive thriller, which manages to squeeze some fresh twists out of its murderous narrative. It also benefits hugely from an excellent cast firing on all cylinders, while...

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Mark Hussey: Mrs Dalloway - Biography of a Novel review - echoes across crises

Writing in her diary just over 100 years ago on 19th June 1923, Virginia Woolf wrote: “In this book I have almost too many ideas. I want to give life & death, sanity & insanity; I want to criticise the social system, & to show it at work...

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Reunion, Kiln Theatre review - a stormy night in every sense

If you ever wanted to know what a mash up of Martin McDonagh and Conor McPherson, stirred (and there’s a lot of stirring in this play) with a soupçon of Chekhov, Ibsen and Williams looks like, The Kiln has your answer.Mark O’Rowe’s feuding family...

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BBC Proms: Steinbacher, RPO, Petrenko / Sternath, BBCSO, Oramo review - double-bill mixed bag

My final visit to the Proms for this year was a Sunday double-header of the RPO playing Respighi, Milhaud and Vaughan Williams at 11am and an evening concert of the BBC Symphony Orchestra and massed choirs in Gipps, Grieg and Bliss.The matinée...

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