London
Ballet Shoes, Olivier Theatre review - reimagined classic with a lively contemporary feelMonday, 09 December 2024
Those with treasured battered copies of Noel Streatfield’s 1936 story of three young adopted sisters in pre-war London may have thrilled to the idea of a version coming to the National Theatre. But be warned: jolly though it is, it’s not the story... Read more... |
Hansel and Gretel, Shakespeare's Globe review - too saccharine a retelling for our timesSaturday, 07 December 2024
Growing up within a few hundred yards of a major dock, I hardly knew darkness or quiet – the first time I properly felt their terrible beauty was on the Isle of Man ferry in the middle of the Irish Sea, its voids still vivid half a century on.... Read more... |
Christmas with Connaught Brass, Milton Court review - delightful seasonal fare from Bach to BoulangerMonday, 09 December 2024
Connaught Brass is a quintet of twenty-something players rapidly establishing an enviable reputation, and on the evidence of what I heard yesterday that reputation is fully deserved: they really are superbly good. A well-stuffed Milton Court spoke... Read more... |
Blu-ray: JuggernautTuesday, 03 December 2024
That Juggernaut is as good as it is seems in hindsight to have been a happy accident. Inspired by a bomb hoax on the QE2 in 1972, the producers fired two directors (Bryan Forbes and Don Taylor) in succession before hiring Richard Lester in... Read more... |
The Lightning Thief: The Percy Jackson Musical, The Other Palace - all Greek to meSaturday, 30 November 2024
Percy Jackson is neither the missing one from Jackie, Tito, Jermaine, Marlon and Michael, nor an Australian Test cricketer of the 1920s, but a New York teenager with dyslexia and ADHD who keeps getting expelled from school. He’s a bit of a... Read more... |
EFG London Jazz Festival 2024 round-up review - from Korean noise to Carnatic soulMonday, 25 November 2024
November can be a month to hunker down for the onset of winter and its weather, and where better to do that than in one of the myriad venues across the capital hosting the annual London Jazz Festival and its hundreds of concerts, from cosy clubs... Read more... |
All's Well That Ends Well, Sam Wanamaker Playhouse review - Shakespeare at his least likeableMonday, 25 November 2024
"All’s well that ends well". Sounds like the kind of phrase a guilty parent says to a disappointed child after they’ve been caught in a white lie and bought them a bag of sweets to smooth things over. It’s a saying that betokens bad behaviour, a... Read more... |
King James, Hampstead Theatre review - UK premiere drains a three-pointerSaturday, 23 November 2024
Cleveland is probably the American city most like the one in which I grew up. Early into the icy embrace of post-industrialisation, not really on the way to anywhere, but not a destination either and obsessed with popular music and sports, it's very... Read more... |
[title of show], Southwark Playhouse review - two guys and two girls write about writing, delightfullyWednesday, 20 November 2024
Not just a backstage musical, a backroom musical!In the 70s, Follies and A Chorus Line took us into the rehearsal room giving us a chance to look under the bonnet to see the cogs of the Musical Theatre machine bump and grind as a show gets on its... Read more... |
Kenny Barron Trio, Ronnie Scott's review - a master of the coolMonday, 18 November 2024
Kenny Barron, revered as the best jazz pianist around, is a perfect gentleman and a master of “cool” – a quality once described in great depth by the American Africanist Robert Farris Thompson, in an article originally published in African Arts in... Read more... |
Bob Dylan, Royal Albert Hall review - cracked ritual from rock elderSaturday, 16 November 2024
Will Bob Dylan’s Never Ending Tour ever come to an end? Two years on from the last UK tour, he’s returned, with substantially the same band, once again mostly featuring material from his brilliant album Rough and Rowdy Ways (2020). He’s a little... Read more... |
Wolves on Road, Bush Theatre review - exciting dialogue, but flawed plottingSaturday, 16 November 2024
Cryptocurrency is like the myth of El Dorado – a promised land made of fool’s gold. Despite its liberatory potential, it frequently attracts sharks or, as the title of Beru Tessema’s new play indicates, hungry wolves that gobble up defenceless sheep... Read more... |
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