jazz
Matthew Wright
The Barbican brought two of the great originals of contemporary music together last night. Ralph Towner and Egberto Gismonti are temperamentally very different, but complement one another wonderfully, in an inspired piece of programming. Both are stylistically polyglot, straddling contemporary classical technique as well as jazz and, in Gismonti’s case especially, a range of folk idioms. Like two paths taking different routes up a mountain, they have both reached peaks of remarkable musical achievement, but taken different routes, and offered different views along the way. Read more ...
Matthew Wright
Bach, Duke Ellington and free jazz improvisation met at Cafe OTO last night, and joyously warped some minds. Composer Alexander Hawkins’ BBC Radio 3 commission, the nonet piece "One Tree Found", was part of last year’s Baroque Spring season. It takes the three-part structures of Bach’s trio sonatas for organ, adds echoes of Duke Ellington’s (known, Hawkins notes, as "The Hot Bach" at the height of his fame) numerous three-way orchestrations, and completes the creation with improvisations both contemporary and baroque in style.Last night’s was only its second London performance, but thanks to Read more ...
Kieron Tyler
A woman tramps the streets of Paris looking for a man. It’s night. It’s raining. She pops into bars asking for him. Everyone knows who he is. He’s been seen, but not recently. Earlier, early in the evening, she was supposed to meet him but he hadn’t turned up. She doesn’t know it, but he’s stuck in the lift of an office block. He thought he’d be in and out of the building in moments. While trapped, the car he’d parked across the street has been taken by a leather-jacketed young tough who brings his girlfriend from a florist’s along for the joyride.Lift to the Scaffold has three strands, Read more ...
Kieron Tyler
Finland’s Jaakko Eino Kalevi, who played his debut British show last November, heads up theartsdesk’s latest regular round-up of what’s come down from the north. A spellbinding display of individualistic pop, the London outing coincided with the arrival of his first non-Finnish release, the Dreamzone EP.Deadpan and stood at his ancient synth, he was accompanied by a drummer and sax player. The rhythms rarely deviated from the beat of Michael Jackson’s “Billie Jean”. The hollow sax evoked Chris Rea or the white-bread soul-pop of Hall & Oates. The whole enfolded like dub. Kalevi barely Read more ...
Matthew Wright
The pared-down beauty and integrity of this remarkable new album is all the more exciting given the quantity of stylistic clutter typically associated with its two principal genres, jazz and soul. Showing excellent taste and artistic self-confidence, McFarlane has stripped away warbling vocal ornaments, stale generic phrasing and redundant backing tracks, trusting the assured, true-grained timbre of her voice to carry the emotional weight of her potent and original writing.A handful of these songs are surely destined to endure in the repertoire. They balance McFarlane’s exposed voice and Read more ...
Kieron Tyler
Dory Langdon: My Heart is a HunterAs a singer-songwriter, Dory Previn’s reputation rests on the extraordinary quartet of albums she made for United Artists in the opening years of the Seventies. This, her debut album, was issued in 1958. Commenting on his reaction to hearing “The Lady With The Braid” from 1971’s Mythical Kings & Iguanas for the first time, Jarvis Cocker said “I remember very vividly first hearing this record. I had moved to London. I was living in this squat and I was trying to put a curtain rail up. I was listening to the radio and it’s one of those moments where Read more ...
Matthew Wright
The musical concept behind this constellation of international stars at Ronnie Scott’s last night was simple. Take a sextet of some of the world’s finest improvising jazz musicians, give them either a funky groove, gentle swing or a bass-fired post-bop beat, and ample space to improvise. Sit back and enjoy the sonic fireworks.Russian alto saxist Zhenya Strigalev is only half a dozen years out of music college, but has already played extensively in three cities, moving to London from St. Petersburg to study, then on again to New York in 2010, where he recruited most of Smiling Organizm. He’s Read more ...
joe.muggs
In a world where everyone is expected to be a “brand”, Gilles Peterson sets some very interesting precedents. Probably best known as a radio DJ – currently on BBC 6 Music, plus his globally syndicated Worldwide show – he also remains as in demand to play in clubs as at any time in his 25-year career, he runs the Brownswood label, and has his own Worldwide Festival, currently with winter and summer editions in different locations in France plus four years running in Singapore and one in Shanghai. And somehow his individual personality remains at the heart of all of this.His annual award show Read more ...
peter.quinn
In jazz, 2013 belonged to Wayne Shorter. In recognition of a remarkable six-decade career as a saxophonist, educator and composer, Shorter, who turned 80 in August last year, received a lifetime achievement award from the Thelonious Monk Institute of Jazz – only the second time in the Institute’s history that it has bestowed such an honour (Quincy Jones being the first recipient in 1996). There were yet more awards from the Jazz Journalists Association: Lifetime Achievement in Jazz, Soprano Saxophonist of the Year, and Small Ensemble of the Year. Then there were the numerous headline Read more ...
Matthew Wright
The Sons of Kemet’s peculiar forces of two drummers, tuba and reeds have been on the road for over two years now, their performances landing on an unsuspecting crowd like a petrol bomb on seasoned timber. With the tuba playing as part of both the rhythm and horn sections, the Sons can deploy both massive rhythmic firepower and potent melodic edge. It’s an intense and compelling sound, exploring the triangular musical dialogue between North and West Africa, the Caribbean, and New Orleans, in a musical language primed with exploding dance hooks and entwined with spiralling North African melody Read more ...
Kieron Tyler
Various Artists: German Measles Vol 1 – Flames of Love / German Measles Vol 2 – Sun Came Out at SevenFor the years between The Beatles inventing themselves in the clubs of Hamburg and the evolution of what was dubbed Krautrock, Germany’s popular music scene hasn’t gained much of an international profile subsequently. It’s understandable, but a pity. Just as the Fabs inspired countless wannabe beatsters in Liverpool and beyond in Britain, they did the same in the country which had as great a hand in their training as the UK. The two German Measles albums don’t dwell on local stars like Read more ...
peter.quinn
Now in its eighteenth year, the Scottish National Jazz Orchestra (SNJO) demonstrated last night why it's considered one of Europe’s finest big bands. Brilliantly directed by tenor sax player Tommy Smith and featuring the great Brian Kellock on piano, the band performed music from their acclaimed In The Spirit of Duke released earlier this year. The recording not only features some of the greatest music written in the last century but also captures the Ellington Orchestra sound down to the tiniest detail.Ellington’s suites have long been part of SNJO's repertory programmes, so the Duke's music Read more ...