wed 25/12/2024

installation

Southbank Centre, 2011 Season

Mahler, Mahler and anyone who even remotely knew Mahler. There is, of course, more to the South Bank's 2011 season listings than this but the great symphonic agoniser (and his many chums) forms the bedrock of the classical programming as we all go...

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Terje Isungset's Ice Music, Somerset House

Clichés about the frozen North aside, music from the Nordic countries is often described as redolent of glacial landscapes or icy wastelands. But the music of percussionist Terje Isungset goes further – his instruments are carved from Norwegian ice...

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Never the Same River (Possible Futures, Probable Pasts), Camden Arts Centre

Simon Starling’s wonderfully eccentric exhibition Never the Same River (Possible Futures, Probable Pasts) will inevitably mean more to those who have visited the Camden Arts Centre regularly over the years. Places gradually acquire a patina of...

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Bloomberg New Contemporaries, ICA

Johann Arens ('Untitled', above) 'steals the show with a video installation'

As I wandered round this year’s New Contemporaries at the ICA, a few yards away in Trafalgar Square, thousands of students braved the cold for the third time to protest against the Government’s proposed spending cuts on education. How many art...

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Philippe Parreno, Serpentine Gallery

'Invisibleboy', a 'docu-fantasy' about an illegal child immigrant conjuring up monsters in New York

Lovers of the beautiful game may already be familiar with the name Philippe Parreno, or at least with his best-known work. In 2006 he collaborated with artist Douglas Gordon (24-hour Psycho) on Zidane: A 21st-Century Portrait, a film that trained 17...

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British Art Show 7, Nottingham Galleries

'NUD CYCLADIC 10' by Sarah Lucas: 'Typical Lucas representations of the human body, its sexual habits, functions - and ridiculousness'

Nottingham always had an eye for beauty. When I was growing up near there, the boast was that its women were the most beautiful in England. Today, it could and should be boasting about Caruso St John’s magnificent concrete landmark adorned with...

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Art Gallery: The Museum of Everything

'Squirrels who smoke cigars, squabble and get up to mischief are among the many, some might say macabre, delights of Walter Potter’s world'

Whether you think the weird world of Walter Potter is cute or creepy, there’s little doubt that the Victorian taxidermist, and creator of humorous tableaux in which fluffy creatures enact human scenarios, has acquired some standing in the art...

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When will it end? Dust continues to spoil fun for visitors to Tate Modern

Ai Weiwei in his field of porcelain sunflower seeds. The seed, says the artist, symbolises the Chinese people

Three days after its closure, and just a few days after opening, Tate Modern is still to make an announcement over the future of Ai Weiwei's interactive Turbine Hall installation. Will the closure of the dust-emitting artwork be permanent? Or are...

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Alexander Ponomarev: Sea Stories, Calvert 22

Moored in Venice: One of Alexander Ponomarev's brightly festooned submarines

As well as being a great artist, Leonardo da Vinci designed machine guns, tanks and cluster bombs and worked out how to build a submarine; but so appalled was he by the potential of this last invention that he coded his notes to prevent anyone using...

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Turner Prize 2010, Tate Britain

There may be some who feel this year’s shortlist for the Turner Prize has done little to forge ahead with anything new, innovative and different. And then there may be others who will welcome the rather more established artists on this year’s list,...

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Darren Almond: The Principle of Moments, White Cube Mason's Yard

Norilsk: 'The most northerly city in the world and an Arctic wasteland where snow storms rage 130 days of the year'

Darren Almond’s ongoing fascination with far-flung places where extreme weather conditions prevail provides the inspiration for his current show at White Cube. The Principle of Moments consists of over 10,000 tiny photographs cataloguing the ever-...

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Gregor Schneider: Fotografie und Skulptur, Sadie Coles HQ

Gregor Schneider has an obsession with fetid interiors

Few artists can creep you out like Gregor Schneider. His work is scary and it’s absurd. But even as you giggle nervously when confronted with its less than subtle deployment of shock-horror tactics, a more profound disquiet creeps up on you....

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