humour
Wonderville Magic and Cabaret review - fast-paced show delivers the promised wonderWednesday, 17 August 2022
There’s nothing quite like magic, live, up close and personal. Sure there are the TV spectaculars, the casino resort mega-shows and even The Masked Magician to pull back the curtains, but there’s a frisson in the air when the card that’s in your... Read more... |
The Tempest, Shakespeare's Globe review - occasional gales of laughter drown out subtletySaturday, 06 August 2022
Alexei Sayle, in his angry young man phase, once said that you can always tell when you’re watching a Shakespeare comedy, because NOBODY'S LAUGHING. That’s not entirely true, of course, but sometimes a director has to go looking for the LOLs and... Read more... |
Sister Act the Musical, Eventim Apollo review - the West End meets the WestwayThursday, 28 July 2022
If jukebox shows occupy one end of the musical theatre spectrum and Stephen Sondheim's masterpieces the other, Sister Act The Musical is somewhere in-between.We get songs we know (Alan Menken's score, heard first on the West End and then, in 2011,... Read more... |
Project Dictator, New Diorama Theatre review - anarchic satireThursday, 07 April 2022
When Rhum + Clay conceived this show, the idea of a comic becoming a political leader might have prompted thoughts of Boris Johnson's carefully cultivated buffoonery on "Have I Got News For You" and elsewhere. Since then, a certain Volodymyr... Read more... |
The Wife of Willesden, Kiln Theatre review - a saucy ode to BrentFriday, 19 November 2021
Zadie Smith might not be the only writer who can rhyme "tandem" with "galdem", but she’s the only one who can do it in an adaptation of Chaucer. In The Wife of Willesden, her debut play, a modern version of one of the Canterbury Tales, Smith’s... Read more... |
Pride & Prejudice* (*sort of), Criterion Theatre review - bursting with wit, verve, and loveThursday, 04 November 2021
“We haven’t started yet!” Hannah-Jarrett Scott, dressed in Doc Martens under a 19th-century shift, reassures us as she attempts to dislodge a yellow rubber glove from a chandelier in the middle of the set of Pride & Prejudice* (*sort of).... Read more... |
How to Survive an Apocalypse, Finborough Theatre review - millenarian millennialsMonday, 04 October 2021
Despite its painfully relevant title, How To Survive An Apocalypse was written in 2016. If only Canadian playwright Jordan Hall knew, eh? The end times aren’t just creeping but hurtling towards us, these days. Luckily for those weary of Covid... Read more... |
Claire-Louise Bennett: Checkout 19 review - coming to lifeMonday, 06 September 2021
Like any good writer, Claire-Louise Bennett loves lists. Lists are, after all, those moments when words, freed from grammar’s grip, can simply be themselves – do their own thing, show off, let loose. It doesn’t take much for Bennett to let one... Read more... |
The Toll review - once upon a time in west WalesSaturday, 28 August 2021
Budget constraints. In the hands of the right filmmakers, they can be a blessing in disguise, forcing creativity from simplicity. That’s exactly what works for The Toll, a dark comedy set in the wild west of these isles: Pembrokeshire.Michael Smiley... Read more... |
Album: Kurupt FM - The Greatest Hits (Part 1)Thursday, 19 August 2021
People Just Do Nothing is a mockumentary BBC TV series, now ended, about fictional Brentford pirate radio crew Kurupt FM. It’s also a comedy based entirely on the Dunning-Kruger Effect, in that the humour derives from the worldview of all the key... Read more... |
Wonderville, Palace Theatre review - magic and illusion family showThursday, 05 August 2021
Variety is a form of entertainment most usually seen on Saturday night television these days, but Wonderville is an attempt to bring it back into the West End. It's mostly a magic and illusion show, with a hefty slice of comedy, a bit of song and... Read more... |
Riders of Justice review - revenge, coincidence and the meaning of lifeThursday, 22 July 2021
All events are products of a series of preceding events. Or is life just a chain of coincidences? And if so, what’s the point in anything? Danish director Anders Thomas Jensen’s brilliantly inventive, genre-busting black comedy starts with a bicycle... Read more... |
