wed 18/12/2024

friendship

Cruel Intentions, The Other Palace review - uneasy vibes, hit tunes and sparkling staging

Transgression was so deliciously enticing. Back in the Eighties when I saw Les Liaisons Dangereuses in the West End on three occasions, life was simpler – or so us straight white men flattered ourselves to believe. Consent was unproblematic for...

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The Big Life, Stratford East review - musical brings the joy and honours the past

Is there a healthier sound than that of laughter ringing round a theatre? There are plenty of opportunities to test that theory in Tinuke Craig’s riotous revival of The Big Life, two decades on from its first run at this very venue. Much has...

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Bronco Billy, Charing Cross Theatre - schmaltzy musical brings the feelgood factor just when it's needed

When entering a particular, well-populated region of MusicalTheatreLand, one has to check in a few items at the border. Weary cynicism, the desire for narrative coherence, that nerve that starts to throb when sentimentality oozes across the fourth...

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£1 Thursdays, Finborough Theatre review - dazzling new play is as funny and smart as its two heroines

It’s 2012 and the London Olympics might as well be happening on the Moon for Jen and Stacey. In fact, you could say the same for everyone else scrabbling a living in Bradford – or anywhere north of Watford – and we know what those left-behind places...

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Imposter 22, Royal Court Theatre review - ace on representation, less so on structure

The Royal Court’s collaboration with Access All Areas (AAA) may not be theatre’s first explicit embrace of the neurodiverse community on stage: Chickenshed has five decades of extraordinary inclusive work behind them and Jellyfish, starring Sarah...

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Stumped, Hampstead Theatre review - Beckett and Pinter, waiting for Doggo

Much of cricket comprises waiting – you wait on the boundary to hear news of the toss, you wait your turn to bat, you heed the call of your batting partner to wait to see if a run is on, you wait for the rain to stop. A friend once told me that he...

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The Shape of Things, Park Theatre review - the shape of what, exactly?

It’s been more than 20 years since the premiere of The Shape of Things, Neil LaBute’s prickly drama about couples and friends and the ways we change each other. And boy, does it show. Director Nicky Allpress and a talented young cast try their best...

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A Brief List of Everyone Who Died, Finborough Theatre review - 86 years, punctuated by fun and funerals

The family pet dies. It’s a problem many parents face, and when Gracie learns from her evasive father that her dog isn’t just gone, but gone forever, her five-year-old brain cannot process it and so begins a lifelong relationship with deaths,...

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Nostalgia review - returning to Naples after 40 years

“He’s my best friend, a brother,” says Felice Lasco (Pierfrancesco Favino) of his childhood buddy, Oreste Spasiano (Tomasso Ragno). After 40 years away, Felice, a successful, married businessman, has returned to Naples from Cairo to see his aged...

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Newsies, Troubadour Wembley Park Theatre review - bombastic musical let down by its songs

What do you mean you haven’t heard of the newsboys’ strike of 1899? It’s a classic David and Goliath story: a group of New York kids selling newspapers for Joseph Pulitzer (him of the prize), who take a stand when their boss tries to charge them 20...

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Yiyun Li: The Book of Goose - fame, reality and two teenage French girls

The Book of Goose, Yiyun Li’s fifth novel, is the gripping story of two teenage French girls and their intense, uneven friendship.On the surface, at least, it’s more accessible and light-hearted than some of her fiction, such as The Vagrants, an...

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Clutch, Bush Theatre review - new comedy-drama passes its test

Max is big and black and Tyler is slight and (very) white, an odd couple trapped in a dual-control car as Max barks out his instructions and Tyler prepares for his driving test. If their relationship is to get started, like the clutch of the...

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