film directors
Nick Hasted
The last of the old maestros is standing tall. Marco Bellocchio was a Marxist firebrand when he made his iconoclastic debut with Fists in the Pocket (1965). Now aged 84, he makes intellectually and emotionally muscular, hit epics about abused Italian power.The Red Brigades’ fatal 1978 kidnap of former, reforming Prime Minister Aldo Moro in Good Morning, Night (2003) was followed by Mussolini’s persecution of his mistress and illegitimate son in Vincere (2009), a haunted turncoat’s survival of the Sicilian Mafia’s apocalyptic Eighties in The Traitor (2019), and a return to Moro in the six-hour Read more ...
Adam Sweeting
Alex Garland’s fourth movie as writer/director is a chilling glimpse of an American dystopia, fortuitously timed for the run-up to the forthcoming US elections. However, it steers fastidiously clear of drawing any obvious Trump vs Biden parallels, though it’s difficult to imagine that it hasn’t imbibed any inspiration from the Maga mob’s insurrection at the US Capitol in 2021.Set in an imaginary near future, it’s the story of a group of news correspondents in the process of covering the civil war raging in the USA, in which the government forces are slugging it out with the Western Alliance, Read more ...
Nick Hasted
Faith and damnation frequently collide in Abel Ferrara’s films, drawing fiery performances from often starry casts. The New York master who made The Driller Killer and Bad Lieutenant now lives in Rome and, like his Pasolini, Padre Pio is a political period film set in his adopted land.With some chronological sleight of hand, Ferrara splices the life of the titular Franciscan priest, a mystic visionary eventually beatified for receiving the stigmata in 1918, and the October 14 1920 massacre of San Giovanni Rotondo, where 14 villagers protesting landowners’ overturning of their first free Read more ...
Nick Hasted
Who you going to call? Five films into the Ghostbusters franchise, every persuadable survivor from the ’84 original, plus the ad hoc, Paul Rudd-led Spengler clan introduced in the series-reviving Ghostbusters: Afterlife (2021). The low-key, humane, borderline dull result bears little tonal relation to that bombastic founding film.Ghostbusters: Frozen Empire inevitably ups the ante from the slow-burning Afterlife, with the Spenglers relocated from Oklahoma to the old Ghostbusters’ firehouse base, and an early, careening Manhattan ghost-hunt. Old bureaucratic nemesis Walter Peck (William Read more ...
Nick Hasted
Dennis Villeneuve’s Dune sequel is a sombre science-fiction spectacle that insists on the scale of cinema: erupting sandworms are Cecil B. DeMille colossal, the sound design centred on Hans Zimmer’s score thunderously enveloping. In a genre once jokingly called space opera, its grand aristocratic dynasties and passions justify the term.It also treats its 1965 Frank Herbert source as a classic novel, teasing out abiding themes from its proto-hippie era. Vietnam-style aerial gunships hover, and atomic warfare, religious faith and extremism, ecology and colonialism give the narrative sinew.We Read more ...
Markie Robson-Scott
Procul Harum’s “A Whiter Shade of Pale” is given a new lease on life in Mexican director Michel Franco’s moving, complex film, full of fine performances.Saul (a wonderful Peter Sarsgaard), who has early-onset dementia, plays the song constantly. It’s a kind of comfort blanket for him and his fading memory gives those loopy lyrics a new significance.The film starts with a slightly confounding, busy scene in which Sylvia (an unadorned Jessica Chastain), a care worker in an adult day centre, attends an AA meeting in a Brooklyn church with her teenage daughter Anna (an impressive Brooke Timber, Read more ...
Graham Fuller
Wim Wenders’ latest narrative film Perfect Days might seem an uncommonly mellow work by the maker of Alice in the Cities (1974), The American Friend (1977), Paris, Texas (1984), and Wings of Desire (1987), but it still finds the 78-year-old German director in existentially questing mode.The Oscar-nominated drama, Wenders' biggest box-office success, takes its title from Lou Reed’s “Perfect Day” and its Zen-like serenity from its protagonist Hirayama (affectingly played by Kōji Yakusho). A kind-hearted, middle-aged bachelor, Hirayama is employed as a cleaner of the architecturally diverse Read more ...
graham.rickson
Diving into this three-disc set of early films by maverick Polish director Jerzy Skolimowski leaves one reeling, an arresting reminder of the vibrancy and flair of so much 1960s Eastern European cinema.This isn’t a valedictory package: Skolimowski, now aged 85, is still active and his recent EO won the 2022 jury prize at Cannes. 1965’s Walkower (Walkover) was Skolimowski’s official debut feature, opening bleakly with an offscreen suicide and following the progress of Skolimowski’s filmic alter-ego Leszczyc, arriving in a grubby town dominated by a huge factory. A former engineering classmate Read more ...
Nick Hasted
“I feel as if I am live reporting from a shipwreck,” Dutch-Jewish journalist Philip Mechanicus wrote en route to his concentration camp murder. Steve McQueen’s four-hour reverie on Amsterdam’s Nazi occupation teases out the scars of that arbitrary, vicious time beneath his adopted home’s placid streets. Filming during 2020’s pandemic, this becomes a time-jumping double-portrait of his adopted home city, though the inexact mirroring often cracks.McQueen’s Dutch wife Bianca Sitgers’ book Atlas of an Occupied City (Amsterdam 1940-1945) led him to visit its addresses and use her text, which Read more ...
Nick Hasted
Weird, quirky Hollywood Werner can obscure the fierce visionary who warred with Kinski in the jungle. This is even true of many of his own features since moving to LA which, like his peer Wenders, usually pale next to his reverent, supernal documentaries. Thomas von Steinaecker’s conventional doc emphasises his latter-day, parodic cult stardom but, thanks to Herzog’s enthusiastic engagement, still gets valuably close to his heart.Star-studded talking heads including Christian Bale, Nicole Kidman, Robert Pattinson and Chloe Zhao offer makeweight superlatives, but it’s von Steinaecker’s Read more ...
Graham Fuller
The hefty Essex builder Keith Martin, who plays a version of himself, as do most of the non-professional actors in Mark Isaacs' comic docufiction This Blessed Plot, is no Olivier or Branagh. But he puts brio and a touch of bombast into the dying John of Gaunt’s famous monologue lauding his ailing England in Richard II.Keith (also a fence builder in Isaacs’ 2020 The Filmmaker’s House) performs the speech before the camera held by the protagonist Lori (Lori Yingge Yang), a young Chinese documentarist who has come to Thaxted to improvise a film.A former anthropology student of Isaac, Lori Read more ...
graham.rickson
Margaret Thatcher’s witless assertion that “there is no such thing as society” dates back to 1987; Ken Loach’s The Old Oak offers a belated but powerful rebuttal.His film highlights several discrete societies coexisting in a depressed Durham mining village. We meet a group of ex-miners who eke out pints in the titular pub, frustrated that the terraced houses they struggled to buy are now being bought up for a pittance by property companies. And there’s the coachload of Syrians who pitch up in the opening scenes, greeted with a mixture of bewilderment and open hostility. In between are people Read more ...