feminism
The Camera Is Ours - Britain's Women Documentary Makers review - four decades of directors rediscoveredThursday, 02 June 2022
The Camera Is Ours features films made from 1935-1967 by women like Marion and Ruby Grierson, Evelyn Spice and Margaret Thomson, whose names should be engraved in the history of British film-making.Ever heard of them? Probably not as, surprise,... Read more... |
Girl on an Altar, Kiln Theatre review - machismo, murder and motherhood in mesmerising mythSaturday, 28 May 2022
Playwrights return to classical myths for two main reasons – to shine a light on how we live today and because they're bloody good yarns.Marina Carr's re-telling of Clytemnestra's story is boldly innovative in its conception and execution, but... Read more... |
Legally Blonde, Regent's Park Open Air Theatre review - a joyous Gen-Z musical makeoverWednesday, 25 May 2022
The 2001 Reese Witherspoon-starring film Legally Blonde, upon which Heather Hach, Laurence O’Keefe and Nell Benjamin’s peppy Broadway musical is based, was something of a Trojan horse: a bubblegum-pink comedy with a feminist spine.Now Lucy Moss, co-... Read more... |
Lotus Beauty, Hampstead Theatre Downstairs review – uneasy mix of comedy and tragedyMonday, 23 May 2022
Theatre is slowly recovering from the effects of the pandemic, and many shows which were cancelled because of the first lockdown are now finally getting a staging. The latest is Satinder Chohan’s Lotus Beauty, her loving portrait of a Punjabi family... Read more... |
The House of Shades, Almeida Theatre review - Anne-Marie Duff blazes in Beth Steel's excoriating new dramaWednesday, 18 May 2022
Anne-Marie Duff blazes across the stage like a meteorite in Beth Steel’s excoriating drama about the changes sweeping through a Northern mining town over the course of five decades. As Constance Webster, a frustrated miner’s wife, her angry energy... Read more... |
The Patient Gloria, Brighton Festival review - an electric exploration of the control and manipulation of womenSaturday, 14 May 2022
The psychology of female desire in 1960s California, was a field awash with voyeurism and exploitation. This brilliant play uncovers not only the bizarre story of Gloria Szymanski, but catholic hypocrisy and everyday sexism too, with a nod to third... Read more... |
Joanna Walsh: Girl Online - A User Manual review - how 'beatifoul' it is to be onlineWednesday, 11 May 2022
Scrolling to the top of my Twitter DMs, most of which are from close friends or acquaintances, I notice the message request section flash “1”. It’s a signal I usually ignore, having learnt from past mistakes that what ends up in this screened-off... Read more... |
Murina review - her father, her jailerWednesday, 13 April 2022
Murina, the suspenseful first feature written and directed by the Croatian filmmaker Antoneta Alamat Kusijanoviće, depicts a cruel dance that three of the four participants can't or won't stop. Its instigator, a father and husband in thrall to his... Read more... |
Tom Fool, Orange Tree Theatre review - testing family valuesTuesday, 22 March 2022
It’s not hard to see, watching Tom Fool at the Orange Tree Theatre, why Franz Xaver Kroetz is one of Germany’s most staged playwrights.Born in Munich in 1946, he’s known for unflinching portrayals of poverty and what it does to people. Directed... Read more... |
Hive review - how a group of Kosovan widows rebuilt their livesWednesday, 16 March 2022
As the air echoes with wars and rumours of wars, Hive has the potential to strike a chord resonating way beyond its Kosovan setting. The factually-based story is set in the aftermath of the Balkan conflicts of the late 1990s, after Serbian forces... Read more... |
Two Billion Beats, Orange Tree Theatre review - bursting with heartThursday, 24 February 2022
“You could read at home,” says Bettina (Anoushka Chadha), Year 10, her school uniform perfectly pressed, hair neatly styled. “You could be an annoying little shit at home,” retorts her sister Asha (Safiyya Ingar), Year 13, all fire and fury in Doc... Read more... |
Never Not Once, Park Theatre review - disappointing UK debut for a feminist award-winnerMonday, 21 February 2022
Carey Crim’s 2017 play arrives from the US at north London's Park Theatre trailing a feminist playwriting award for its dissection of what happens when a smart college senior raised by two women starts to question her parentage. Eleanor wants to... Read more... |
