mon 06/05/2024

feminism

Seraphina Madsen: Aurora review - the tarot won’t save us

“There is another world… a way of perceiving that is chaotic and awesome and terrifying,” announces Seraphina Madsen’s cigarillo-smoking, telepathic cat.Lecturing a teenage coven on the art of sorcery and how to tap into the powers of the “Unseen...

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Album: Gina Birch - I Play My Bass Loud

The Raincoats are one of those revered names that I never believed I would witness live. (See also: Hole, Elastica and, until their last UK tour, extraterrestrial kooks the B52s). But in late 2019, there was a surge of activity from the godmothers...

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Sylvia, Old Vic review - great leads, rambling story

For many years, I would ask groups of students to vote in elections because “it’s important to honour those who gave up so much to ensure that the likes of us can”. Some would nod, others would shrug, a few might have inwardly scoffed – too...

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Smoke, Southwark Playhouse review - dazzling Strindberg update

A play’s title can be an almost arbitrary matter – there’s no streetcar but plenty of desire in that one for example – and it might have crossed Kim Davies’ mind to call her play Ms Julie, since it is a reimagining of August Strindberg’s...

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Album: Billy Nomates - Cacti

As second-wave feminism vouched in the late 1960s, the personal is political. For Billy Nomates, the moniker of Sleaford Mods-approved musician Tor Maries, that sentiment is rife.Entrenched in her eponymously titled debut in 2020, the songwriter...

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Music Reissues Weekly: Guerrilla Girlsǃ - She-Punks & Beyond 1975-2016

In December 1977, the music weekly Sounds included an article about the County Durham punk band Penetration. By Jon Savage, it was headlined The Future Is Female. The same four words would be used by the band for their promotional badges.Penetration...

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Hakawatis: Women of the Arabian Nights, Sam Wanamaker Playhouse review - magical stories by candlelight

Do you remember how the 1001 Nights ends? You know how it starts: Scheherazade has been married to a king who kills his brides the day after he marries them. She tells him a story so good that he simply has to know what happens next, and she...

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Courtney Barnett, Brighton Dome review - canny, poetic singer shows she can rock out with the best

There’s a disconnect between Australian singer-songwriter Courtney Barnett on record and in concert. On record, especially on her latest album, her dryly-stated, touching emotional lyricism is to the fore, but in the live arena you’re as likely to...

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Album: Witch Fever - Congregation

Witch Fever are a seething punk outfit from Manchester whose debut album rampages at the patriarchy with unbridled fury. The tone throughout is summed up in “Sour”, wherein grimy, gloomy riffin’ is accompanied by oblique references to Christianity,...

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London Film Festival 2022 - women's voices powerfully to the fore

Coming towards the end of the year, the London Film Festival generally has a “the best of the rest” feel to it, offering an excellent overview of the year’s releases. And what this edition shows is an encouraging, and very satisfying expression of...

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Ride, Charing Cross Theatre review - A true story of female empowerment

Who tells your story? Something of a theme in new musicals since Hamilton posed the question in those long ago pre-Covid, pre-inflation days. In Ride, the once famous cyclist who had hardly ever ridden a bike, Annie Londonderry, circumvents the...

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Album: Neneh Cherry - The Versions

Initially, the weird thing about this is it’s being released as a Neneh Cherry album rather than a compilation of artists doing Neneh Cherry covers, which is what it is. That said, awareness slowly grows of a kindred sensibility to recent Neneh...

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