feminism
Mrs President, Charing Cross Theatre review - Mary Todd Lincoln on her life aloneWednesday, 05 February 2025
The phenomenal global success of Six began when two young writers decided to give voices to the wives of a powerful man, bringing them out of their silent tombs and energising them and, by extension, doing the same for the women of today. Its... Read more... |
Cymbeline, Sam Wanamaker Playhouse review - pagan women fight the good fightSaturday, 25 January 2025
There’s not much point in having three hours worth of Shakespearean text to craft and the gorgeous Sam Wanamaker Playhouse as a canvas if you merely intend to go through the motions, ticking off one of the canon’s less performed works. The question... Read more... |
An Interrogation, Hampstead Theatre review - police procedural based on true crime tale fails to ring trueSaturday, 25 January 2025
In a dingy room with dilapidated furniture on a dismal Sunday evening, two detectives prepare for an interview. The old hand walks out, with just a little too much flattery hanging in the air, leaving the interrogation in the hands of the up-and-... Read more... |
Albums of the Year 2024: The Last Dinner Party - Prelude to EcstasyFriday, 03 January 2025
Does absolutely everything have to get more difficult with each passing year? Apparently so. The amount of time I’ve spent deciding which of the many truly excellent albums I’ve reviewed this year should get the ‘top prize’ has, frankly, been... Read more... |
Best of 2024: Visual ArtsMonday, 30 December 2024
I thought I might never be able to say it’s been a great year for women artists, so forgive me for focusing solely on them.Things were kickstarted with a retrospective of Barbara Kruger (Serpentine Gallery) who uses words and images to illuminate... Read more... |
Albums of the Year 2024: Amelia Coburn - Between the Moon and the MilkmanFriday, 13 December 2024
I’ve known for some time that Ariel Sharratt & Matthias Kom’s Never Work is my Album of the Year. This lividly witty, no-filler take-down of workplace servitude arrived on vinyl in May. The creation of two Canadian indie-folkies (from The... Read more... |
Nightbitch review - Mother's life as a dogFriday, 06 December 2024
Rachel Yoder says she wrote her debut novel Nightbitch as a reaction to Donald Trump’s first term as President, with what she saw as its consequent mood-shift in America towards “traditional values and women staying home, taking care of the kids.”It... Read more... |
theartsdesk Q&A: filmmaker Payal Kapadia on 'All We Imagine as Light'Friday, 06 December 2024
Payal Kapadia’s lyrical fiction feature debut All We Imagine as Light, which received the Grand Prix at Cannes in May, is now accruing end-of-year prizes. This week, the New York Film Critics Circle and the voters for the Gotham Awards (which... Read more... |
Album: Lauren Mayberry - Vicious CreatureThursday, 05 December 2024
Amid the electro-rock crunch of “Sorry, Etc”, Lauren Mayberry spits out, “I killed myself to be one of the boys/I lost my head to be one of the boys/I bit my tongue to be one of the boys/I sold my soul to be one of the boys”. The singer for... Read more... |
Olga Tokarczuk: The Empusium review - paranoid proseTuesday, 22 October 2024
In his first of a series of meditations on the sickness that was consuming him, John Donne reflected upon the special kind of paranoia that attends the ill individual. Each person is, by virtue of "being a little world", supremely conscious of a... Read more... |
Since Yesterday review - championing a neglected female music sceneMonday, 21 October 2024
Since Yesterday: The Untold Story of Scotland's Girl Bands is one of those films that, perhaps embarrassingly, feels very necessary. An examination of the history of solely all female bands in Scotland since the 1960s, it is a great demonstration of... Read more... |
MaXXXine review - a bloody star is bornWednesday, 10 July 2024
Mia Goth’s mighty Maxine finally makes it to Hollywood in Ti West’s brash conclusion to the trilogy he began with X (2022), which has become a visceral treatise on film’s 20th century allure, and the bloody downside of dreaming to escape.X riffed on... Read more... |
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