Edinburgh Fringe
Veronica Lee
Nick Helm Pleasance Dome ****What a pleasure it is that Nick Helm has returned to the Fringe after six years away after appearing in television comedies Uncle and The Reluctant Landlord.That’s the straightforward reason he has been a stranger to Edinburgh, but doesn’t explain his 18 months away from standup, or why the show is called Phoenix From the Flames. He tells us it’s because he was finally getting to grips with the depression he has suffered from all his life (he’s now 38).That sounds like a bummer way to start a comedy show, but this is Nick Helm, so of course it starts Read more ...
David Kettle
Chekhov famously pronounced that if you’re going to bring a gun on stage, you’ve got to use it. Is the same true for a chainsaw? To discover the answer, just head along to Meghan Tyler’s wild, over-the-top, gruesome Crocodile Fever at the Traverse Theatre.It’s tempting, in fact, to draw parallels between Crocodile Fever and David Ireland’s brutal but hilarious Ulster American last year, with its rape gags and casual racism. Not that either of those elements appear in this year’s outrageous offering (is a shocking comedy becoming a Traverse Fringe tradition?), but Crocodile Fever shares Read more ...
David Kettle
Who’d have thought a play about a homophobic hate crime could be so much fun? Well, maybe that’s overstating things a little. But there are certainly lighter moments in La reprise, provocative Swiss-born director Milo Rau’s production with his International Institute of Political Murder at the International Festival, which investigates the torture and killing of 32-year-old Ihsane Jarfi in Liège in 2012.In fact, it’s Rau and his ensemble’s careful judging and pacing of mood that make La reprise so effective, and so memorable too. From its disarmingly jokey opening – complete with barbed Read more ...
David Kettle
You can’t question Javaad Alipoor’s ambition. Ancient Mesopotamian empires, geological layers of chicken bones, the half-life of polysterene cups, Thomas Gainsborough, Susan Sontag, Iranian political history, gold iPhones, mallwave – all that and plenty more gets crammed into the mere hour of his breathless Rich Kids: A History of Shopping Malls in Tehran at the Traverse. And that’s even without mentioning the wordy narration, video projections, Instagram feeds, live video and multipanelled set he employs to get his ideas across.It all leaves you more than a bit bewildered. And indeed, if Read more ...
Veronica Lee
Josie Long The Stand ★★★★ It has been five years since Josie Long performed a full run at the Fringe, and in the meantime she has experienced a momentous event. She has had a daughter – whom she welcomed into the world, she tells us, with an impassioned speech about how it’s all gone to hell in a handcart, with a Tory Prime Minister and the climate-change emergency threatening to end the world before the wee one reaches adulthood.Of course she didn’t, but such are Long’s woke left-wing credentials that you could believe that she would.Her new show, Tender, is largely about pregnancy and Read more ...
David Kettle
Below the Blanket ★★★★ There’s a deep vein of melancholy running through Glasgow producing house Cryptic’s promenade installation Below the Blanket, which currently occupies several sites across Edinburgh’s Royal Botanic Garden. Bringing together the work of a clutch of artists, and blurring boundaries between the sonic and the visual (a fertile hinterland that Cryptic has made very much its own), Below the Blanket is inspired by northern Scotland’s Flow Country, a spellbinding and little-known landscape stretching across Caithness and Sutherland. Not only a vital environment Read more ...
David Kettle
Enough ★★★★ Immaculately turned out in winning smiles, navy and nylon, cabin crew Jane and Toni dispense comforting reassurance and flirty glances to passengers at 30,000 feet. Down on the ground, though, they’re juggling kids, kitchen colour-schemes and semi-rapist boyfriends. And what’s that age-old rumble coming from deep in the ground?Stef Smith’s quietly epic new two-hander at the Traverse might begin as a chucklesome comedy about staying calm, controlled and sexy a mile high in the air. But it ends as a guttural howl of fury and despair – at ancient grievances re- Read more ...
Veronica Lee
Ciaran Dowd ***At the Fringe last year, Ciaran Dowd won the Edinburgh Comedy Award for best newcomer for his show Don Rodolfo. Now he’s back with the follow-up, Padre Rodolfo. In this tall tale Don Rodolfo has stopped being the guy who puts “ass” into “assassin” and has found God. Rodolfo, using storytelling, mime and song, tells us how he has reached this point, how the Pope called him to Rome to attend a seminary. It was big change in his life, he says: “A lot more reading, a lot less rimming.”He was sorely tested by a nun who was sent to teach him the ways of the cloth. All this Read more ...
Veronica Lee
The highlight of 2018 for me was the return of two mighty sets of talents – Flight of the Conchords and The League of Gentlemen – and it was heartwarming to see that they had lost none of their sharpness, wit or love of performing in front of a live audience. In stand-up, while a lot of established comics were again producing the goods, one newcomer, a young Irishwoman, stood out. We lost some comedy legends this year, too – Ken Dodd, Barry Elliott of the Chuckle Brothers and Jim Bowen, who had all had a career resurgence as a new generation had discovered their work, are now, to borrow Dodd' Read more ...
David Kettle
Home ★★★★ Philadelphia-based theatre artist Geoff Sobelle has scored highly with two previous Edinburgh Fringe shows. Flesh and Blood & Fish and Fowl, way back in 2010, imagined the natural world wreaking ruthless vengeance on the mundanity of modern business in bizarre visual spectacles, while the smaller-scale The Object Lesson in 2014 was a more reflective work on objects and memory, with a jaw-dropping magic trick as its poignant conclusion.Home is Sobelle’s debut at the International Festival, and his most ambitious Edinburgh offering to date, presenting Read more ...
David Kettle
The Edinburgh International Festival scored quite a coup in securing the services of Bernstein protégée Marin Alsop and the Baltimore Symphony Orchestra on the very day of the great composer/conductor’s centenary – and for the festival’s penultimate concert of 2018. And with local legend Nicola Benedetti as violin soloist, there was an understandably expectant, almost carnival atmosphere in the packed Usher Hall. What we got, however, was a concert that was far more restrained – at times puzzlingly so – but more thoughtful, too.The most fun of the evening came in the form of four miniature Read more ...
David Kettle
There were two immediate casualties at Pierre-Laurent Aimard’s high-energy account of Messiaen’s monumental Des canyons aux étoiles… with the Scottish Chamber Orchestra at the Edinburgh International Festival.First was one of the strings in the Usher Hall’s Steinway grand, which finally gave way during the piece’s eighth movement. Well, it had been given really quite a pounding by Aimard, and went on to emit a prepared piano-like buzzing rattle until the end of the piece. Second – less crucially – was the handle of the percussion section’s wind machine, cranked so furiously to conjure Read more ...