documentary
graham.rickson
Taxi Tehran fits neatly into a recent tradition of films set entirely in cars; Jim Jarmusch’s Night On Earth comes to mind, as well as Abbas Kiarostami’s Ten. Initially we’re led to believe that we’re watching a fly-on-the-wall documentary, assembled from dashboard footage shot on a cheap digital camera by director Jafar Panahi as he drives a taxi through the streets of Tehran. There’s inevitably more to it; that the various passengers’ conversations are scripted becomes quickly apparent, despite the winningly natural performances which Panahi draws from his uncredited cast.Already banned Read more ...
Jasper Rees
This debate about the future of the BBC might be missing the point. In the black corner scowls the Dark Lord of Swingeing Arts Cuts John Whittingdale, while in the fluffy corner is everyone who doesn’t want anything to change. By their “I heart Lyse Doucet” shall you know the latter. We’re all of us, on both sides of the fence, of a certain vintage. The kids, who like it or not seem an absolute dead-cert shoo-in to inherit the future, haven’t got a dog in this fight. Why? Because they don’t watch TV. Any more than they buy newspapers. They watch YouTube. If they like the BBC it’s as a Read more ...
Marina Vaizey
One novel and two movies, but the BBC cheekily claims that this three-part series was inspired by Deborah Moggach’s 2004 novel These Foolish Things, and the pair of films The Best Exotic Marigold Hotel – but not related. How did the programme-makers come up with this, and keep a straight face?We have here a contrived documentary, taking eight sexagenerians and septuagenerians, from the delightful and diminutive character ballet dancer Wayne Sleep and the horizontally challenged, formidably intelligent actress Miriam Margolyes, to the singer Patti Boulaye and newscaster Jan Leeming to Jaipur, Read more ...
Marina Vaizey
China’s tumultuous recent past attempted to selectively obliterate the history of one of the world’s great and ancient civilisations, with the neatly complementary result in the past several decades of a huge upsurge in Chinese studies, East and West, from publications to exhibitions to enormous advances in archaeology. At the same time, a sense of preserving the material past has been threatened by urban development, a habit copied perhaps from the West.And here comes a six-part television history, sprawling and ambitious, of the past 4,000 years masterminded and narrated by Michael Read more ...
Adam Sweeting
A year ago, Channel 4 aired Jamie Roberts's documentary Angry, White and Proud, the result of a year Roberts spent getting to know members of far-right splinter groups. Now here's the follow-up, this time the result of two years' research into Islamic extremism in Britain.Amid the mountain of hair-raising material he came away with was the revelation he kept until last (except it had already been trailed fairly heavily, but never mind). This was that the man he'd come to know as Abu Rumaysah, who lived in Walthamstow and used to make a living by renting out bouncy castles for children's Read more ...
theartsdesk
It's hard to disagree with Matthew Wright, in his brisk analysis of the shortcomings of British crime drama (see below). He notes how flashes of inspiration are smothered by skimpy budgets and the timidity of commissioning editors. The disastrous anti-climax of London Spy was a classic example. A British Sopranos seems further away than ever.But all is not lost, and as our picks of the year show, there has still been plenty of great stuff to watch, from the finely-woven historical drama of Wolf Hall to the dark and daring Jessica Jones or the comic touch of Mackenzie Crook and Peter Kay. Read more ...
Mark Kidel
There was a time when the BBC provided a creative context – free of the anxiety-fuelled micro-management that characterises commissioning today – that gave a great deal of space to original and experimental film-making. While the pioneering work of French documentarians in the 1950s and 1960s was subsidized by an enlightened state, British documentary made advances thanks to public (and later commercial) television.Subtitled "The Evolution of the British Documentary", this well-curated BFI compilation of BBC films from 1951-1967 pays homage to a variety of films and TV programmes that provide Read more ...
Marina Vaizey
The New Yorker Peggy Guggenheim (1898-1979) was the classic poor little rich girl: insecure, a woman with scores, perhaps hundreds of lovers, longing for love, the writer of tell-all memoirs. What sets her apart is that she was also the creator of one of the world’s greatest collections of modern and contemporary western art. There are not only her massive donations to a variety of museums, but the legendary Peggy Guggenheim collection in her Venetian palazzo on the Grand Canal, one of the most visited modern museums in the world, with some 326 works of art by 100 different artists. La Read more ...
Kieron Tyler
The story of the Soviet Union’s ice hockey team's pivotal role in relations with North America is fascinating. Its players were not just sportsmen. They were also in the army and integral to their home country's portrayal of itself on the world stage. Central to the Cold War battle of wills, the seemingly unbeatable team was a propaganda tool and, after perestroika, its members played for American and Canadian teams. Russia had infiltrated its adversaries. The Werner Herzog-produced documentary Red Army tells this tale.The film is packed with characters. Chief among them is Vyacheslav Fetisov Read more ...
Marina Vaizey
"Exhibition on Screen" is a logical extension of the recent phenomenon of screenings of live performances of opera and theatre. Initiated with the Leonardo exhibition of 2012 at London’s National Gallery, this is its third season, and the format remains unchanged: a specific show provides the pretext for a bespoke film that goes beyond the gallery walls. Acting as an introductory biography, it interweaves the narration of an artist’s life and work with an illuminating visit to the exhibition; the high-definition, large-screen experience of the cinema more than trumps television, computer or Read more ...
Jasper Rees
Nearly 20 years ago the West End was in a lather of excitement about a show called Voyeurz. A "musical revue" set in a nightclub on Manhattan, it was all about a young girl venturing into the uncharted caverns of her own sexuality, and it was opportunistically crammed with hot sapphic action. It tanked. Its producer and co-director was Michael White, known to his legion of chums as Chalky.Voyeurz was a last throw of the dice for White. An impresario always on the lookout for the unexpected artistic gamble, he coughed up the money for Oh! Calcutta! and The Rocky Horror Show, for Dame Edna Read more ...
Adam Sweeting
By the end of the 1960s, Steve McQueen was at the top of the Hollywood heap. Star turns in The Great Escape, The Thomas Crown Affair and Bullitt had established him as the King of Cool, a self-contained anti-hero whose minimalist, watchful performances radiated a mysterious sex appeal.But, as this haunting documentary by Gabriel Clarke and John McKenna explains, the instinctively rebellious McQueen had a burning desire to throw off the shackles of the big studios. Thus he formed his own production company, Solar Productions, and, funded by a deal with Cinema Center Read more ...