design
We Made It: Stufish Entertainment ArchitectsSunday, 21 February 2016
While most set designers come from an art or theatre background, Ric Lipson has parlayed his architectural training into an unusual skillset: designing not just what goes on inside entertainment venues, but the buildings themselves. At his studio... Read more... |
Vogue 100, National Portrait GalleryMonday, 15 February 2016
When it got too hard to ship the original American edition across the Atlantic during the Great War, British Vogue appeared as a sister publication in the Condé Nast empire. The first issue in September 1916 announced in its editorial: “The time has... Read more... |
We Made It: Stage Designer John NapierSunday, 08 November 2015
It may seem like a long way from Shakespeare to Siegfried and Roy, but John Napier has had a remarkable career in which high and low art come together and share the applause. So not only has the theatre designer staged a magic show in Vegas, he’s... Read more... |
The World of Charles and Ray Eames, BarbicanFriday, 06 November 2015
Chairs, chairs, chairs, as far as the eye can see. Plywood or plastic shells, some decorated with hilarious drawings of jolly nudes by Saul Steinberg (main picture), others in all the colours you can imagine – stacks, in rows, alluring and all so... Read more... |
Gravity Fatigue, Hussein Chalayan, Sadler's WellsFriday, 30 October 2015
If you thought the era of the impresario died with Diaghilev, think again. Alistair Spalding, chief executive of Sadler's Wells, has commercial and artistic vision in spades, and masterfully combines them in his operation at the Wells. Witness last... Read more... |
We Made It: Ballet costumier Anna WillettsMonday, 31 August 2015
This year Birmingham Royal Ballet celebrates 25 years in the city, during which time the company has presented more than 130 different ballets. Over the years, Birmingham Royal Ballet has worked with some of the biggest names in theatrical design,... Read more... |
We Made It: Artist Grande DameSaturday, 08 August 2015
One of the lessons we consistently learn from the makers and creators featured in We Made It is that necessity truly is the mother of invention. By negotiating their way around unfamiliar media and techniques, fighting against their limitations... Read more... |
We Made It: Stage Technician Tom RobinsonFriday, 10 July 2015
If you’ve read any of the glowing reviews for the current revival of Caryl Churchill’s cloning play A Number, you’ll know all about the extraordinary set. Produced at the Nuffield in Southampton last year and transferred to the Young Vic this week,... Read more... |
Painting Paradise: The Art of the Garden, The Queen's GallerySaturday, 28 March 2015
The young, rather homely yet grand gentleman is lounging under a tree, behind him a formal knot garden. His costume is extravagant and rich, and his hat is charming. This exquisite 1590s miniature by Isaac Oliver, watercolour on vellum, titled... Read more... |
Anarchy and Beauty: William Morris and His Legacy, National Portrait GalleryTuesday, 28 October 2014
Can you sense a person's life through a sequence of objects? Not to mention influence and legacy? Biographical exhibitions are fascinating, not least because they also tell us something about looking back through the filter of the present. And... Read more... |
Dreaming the Impossible: Unbuilt Britain, BBC FourTuesday, 13 August 2013
Blame the weather: it works every time. In 1858, the long hot summer thwarted the building of an 11-mile glass-covered network of roads and railways that would have linked all existing London stations, crossed the river in three places and, it was... Read more... |
Eames: The Architect and the PainterThursday, 02 August 2012
A friend of mine has an Eames lounge chair that he treats with enormous reverence and claims is the comfiest seat ever made. I simply don’t get it; with its bent plywood shell and black leather upholstery, this 1956 American design classic looks to... Read more... |
