Debussy
Classical CDs: Chorales, cathedrals and hardwood floorsSaturday, 20 July 2024
Beethoven: Diabelli Variations, Debussy: Préludes George Lepauw (piano) (Orchid Classics)Beethoven and Debussy don’t often share column space, but listening to these albums in succession proved to be an enjoyable experience. George Lepauw... Read more... |
Classical CDs: Cigars, cognac and tarantulasSaturday, 16 March 2024
Bloch: Schelomo, Bruch: Kol Nidrei, Dohnányi: Konzertstück Tim Posner (cello), Berner Symphonieorchester/Katharina Müllner (Claves)You know that some releases will be good within just seconds of pressing play. Here, the seductive, rich tone of... Read more... |
Morison, Big Noise Wester Hailes, RSNO, Søndergård, Usher Hall, Edinburgh - shimmering delicacy and surging swellSaturday, 09 March 2024
While it is an incontrovertibly good thing that the classical music world has set about rediscovering the work of neglected female composers, not all rediscoveries are equally worthy of being found. Particularly on a day like International Women’s... Read more... |
Radulović, Hallé, de la Parra, Bridgewater Hall, Manchester review - fun for the youngThursday, 25 January 2024
Back on home ground, the Hallé begin 2024 in Manchester with a repeated programme. I heard the first of three performances this week. It includes one piece they played only 10 days ago on a tour in Spain with the orchestra’s new principal... Read more... |
Classical CDs: Smocks, sins and sea swellSaturday, 13 January 2024
LICHT: 800 Years of German Lieder Anna Lucia Richter (mezzo-soprano), Ammiel Bushakevitz (hurdy gurdy, harpsichord, clavichord, fortepiano, piano) (SWR2/Challenge Classics)LICHT, 800 Years of German Lieder, from Anna Lucia Richter and Ammiel... Read more... |
Classical CDs: Fireworks, floods and unpleasant glimpsesFriday, 31 March 2023
Debussy: Piano Works Volume 2 Dennis Lee (piano) (ICSM Records)I’m a huge fan of Colin Matthews’ idiomatic orchestral transcriptions of Debussy’s Préludes, so much so that it’s been a good few years since I’ve listened to the piano originals.... Read more... |
Classical CDs: Deserted churches, funeral marches and a Cornish lifeboatSaturday, 11 February 2023
Vaughan Williams: Fantasia on a theme by Thomas Tallis, Elgar: Introduction and Allegro etc Sinfonia of London/John Wilson (Chandos)John Wilson has done it again! He is, at breakneck speed, building an extraordinary catalogue of... Read more... |
Hough, Hallé, Elder, Bridgewater Hall, Manchester online review - brassy, bouncy optimismFriday, 16 April 2021
Sir Mark Elder is back with the Hallé for the latest (and penultimate) filmed concert in their “Winter Season” of 2020 and 2021, including the world premiere of Huw Watkins' Second Symphony. He introduces it from the Bridgewater Hall foyer, and... Read more... |
Oslo Philharmonic, Mäkelä online review - focus, flair and midwinter heartbreakThursday, 10 December 2020
Artists’ management Harrison Parrott has started a concert streaming platform called Virtual Circle on emusiclive.com, launched two days ago and only available as a live event - no catch-ups. Watching its debut concert - the Oslo Philharmonic with... Read more... |
Classical CDs Weekly: Debussy, Respighi, The Red Book of OssorySaturday, 15 August 2020
Debussy: Images, Prélude à l'après-midi d'un faune Hallé/Sir Mark Elder (Hallé)That Debussy used the Geordie folksong The Keel Row in the first of his three Images for Orchestra is well known, and careful listening makes one realise that he... Read more... |
Louis Schwizgebel, Fidelio Orchestra Café review – gilt-edged postcards from around the worldFriday, 31 July 2020
A front-rank pianist only takes on Musorgsky’s Pictures at an Exhibition in full confidence of being able to handle the massive bells and blazing chants of its grand finale, “The Great Gate of Kiev”. To risk it in a far from large café space adds to... Read more... |
Javier Perianes, QEH review - not a Spanish fire-eater but a world-class poetWednesday, 17 April 2019
Expect no cliches about toreador pianism. Red-earth flamboyance is not Javier Perianes' style, and the seven dances he offered in his programme - eight including an encore - by fellow Spaniard Manuel de Falla were not the most consistently engaging... Read more... |
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