Czech
theartsdesk in Brno: Czech 100th feted through Janáček and SmetanaSaturday, 08 December 2018
Five of Leoš Janáček's 10 operas are staples of the worldwide repertoire. Two I'd never seen on stage, so the slice I chose of the19-day festival devoted to all of them for the second time in the history of Brno, the cultured Moravian capital... Read more... |
DVD/Blu-ray: Invention for DestructionTuesday, 20 November 2018
Karel Zeman’s Invention for Destruction (Vynález zkázy) was, for many years, his best-known film in the West, dubbed into English three years after its 1958 premiere as The Fabulous World of Jules Verne by an enterprising Hollywood producer. Both... Read more... |
Classical CDs Weekly: Beethoven, Cage, JanáčekSaturday, 17 November 2018
Beethoven: Symphonies 2 and 7 Wiener Symphoniker/Philippe Jordan (WS/Sony)Philippe Jordan’s cheery face adorns this third volume of Beethoven symphonies from Vienna’s other orchestra, setting the tone fairly well. These are overwhelmingly... Read more... |
Olga Tokarczuk: Drive Your Plow over the Bones of the Dead review - on vengeful natureSunday, 09 September 2018
In a small town on the Polish-Czech border where the mobile signal wanders between countries’ operators and only three inhabitants stick it out through the winter, animals are wreaking a terrible revenge. The bodies of murdered men, united in their... Read more... |
P.E.Caquet: The Bell of Treason review - the sacrifice of CzechoslovakiaSunday, 26 August 2018
It was 80 years ago next month that Neville Chamberlain returned with the good news of peace in our time. The Munich Agreement was greeted as a triumph for the appeasers. The price Britain had to pay was a minor stain on its conscience: the... Read more... |
DVD/Blu-ray: Black PeterFriday, 24 August 2018
Fifty years after the 1968 Soviet invasion that so brutally interrupted it, the Czech New Wave really is a gift that keeps on giving. It still astounds that such a sheer variety of cinema was created in so short a time – really just six or seven... Read more... |
Edinburgh Festival 2018 review: Zimerman, LSO, Rattle - fizzing chemistrySaturday, 11 August 2018
It was Simon Rattle’s first visit to the Edinburgh International Festival for – well, really quite a few years. And the first of his two concerts with the London Symphony Orchestra drew, perhaps predictably, a capacity crowd in the Usher Hall, for... Read more... |
Blu-ray: Intimate LightingTuesday, 29 May 2018
From the way that Czech director Ivan Passer remembers the genesis of this, his 1965 debut feature, in the 2006 interview that comes with this Second Run rerelease, Intimate Lighting happened practically by accident. A scriptwriter friend had put an... Read more... |
Milos Forman: 'The less you know about yourself, the happier you are'Tuesday, 17 April 2018
The second thing I noticed about Miloš Forman, who has died at the age of 86, was the spectacular imperfection of his English. All those decades in America could not muffle his foghorn of a Bohemian accent, nor assimilate the refugees from Czech... Read more... |
From the House of the Dead, Royal Opera review - Janáček's prison oddity prompts hot tearsThursday, 08 March 2018
A political prisoner is brutally initiated into the life of a state penitentiary, and leaves it little over 90 minutes later. Four inmates reveal their brutal past histories with elliptical strangeness - each would need an episode of something like... Read more... |
Capuçon, Philharmonia, Järvi, RFH review - Dvořák in blazing focusFriday, 02 February 2018
You can't have too much Dvořák in a single evening, at least not when the works in question operate at the highest level of volatility and melodic abundance like last night's overture, concerto and symphony. "Febrile centrists" might look like an... Read more... |
Schubert Ensemble, Kings Place review - spot-on introductions, dazzling performancesFriday, 10 November 2017
To demonstrate what makes chamber masterpieces tick and then to play them, brilliantly, is a sequence which ought to happen more often. Perhaps too many musicians think their eloquence is confined to their instruments. Not violinist Simon Blendis... Read more... |
