cello
Ballake Sissoko & Vincent Segal, Roundhouse review - kora and cello combinedThursday, 27 January 2022
Malian kora master Ballake Sissoko is a griot steeped in the musical and cultural traditions of West Africa, whose duets with his cousin Toumani Diabate on the world music classic, 1999’s New Ancient Strings, are rightly celebrated.His duets with... Read more... |
Alban Gerhardt, Markus Becker, Wigmore Hall review - long shadows and rich soundsTuesday, 15 September 2020
It wouldn’t be true to say I’d forgotten what a solo cello in a fine concert hall sounds like; revelation of an admittedly sparse year will undoubtedly remain Sumera’s Cello Concerto played by young Estonian Theodor Sink at the Pärnu Music Festival... Read more... |
BCMG, Heinen, Brindleyplace Birmingham review - from the concrete canyons to the starsFriday, 21 August 2020
Birmingham emerged from musical lockdown with Stockhausen. It couldn’t have been anyone else, really. There’s something about Stockhausen’s fusion of modernity and goofy intergalactic romanticism that clearly strikes a chord in the Second City... Read more... |
Steven Isserlis, Fidelio Orchestra Café review – distilled reflection, joy and witThursday, 09 July 2020
What music would you choose to hear for your first live event after nearly four months of lockdown? For me, it would be Bach, and probably any one of the Cello Suites. Interpreter? Ideally, one of four living cellists – so the dream came true last... Read more... |
Classical Music/Opera direct to home 8 - from troubled royal rituals to a lone cellistFriday, 24 April 2020
Inventiveness waxes ever stronger, it seems, in quarantine, as do the number of faces and instrumental sounds gathered together at any one time. As the branches diversify, embracing pre-filmed concert and opera, solo and multiple livestreams from... Read more... |
The Cellist/Dances at a Gathering, Royal Ballet review - A grand love affair with a celloWednesday, 19 February 2020
The cello is the stringed instrument most closely aligned to the human voice. It has a human shape, too, so in theory it was a short step for choreographer Cathy Marston to give it a living, breathing presence in her ballet about the legendary... Read more... |
Gautier Capuçon, Yuja Wang, Barbican review - spellbinding moments in circumscribed programmeTuesday, 14 January 2020
Why go to hear a cello-and-piano recital in a large hall, and a rather unsatisfying programme (delayed without explanation for 15 minutes, incidentally) spotlighting a transcription of a work which was created for the violin? Two good answers would... Read more... |
Kanneh-Mason, LMP, Martín, Fairfield Halls review – modest mastery on showTuesday, 14 January 2020
The soap-opera saga of the House of Windsor may not have been what the executive director of the London Mozart Players had in mind when she announced from the stage that Sheku Kanneh-Mason “is completely relevant for us”. Four years on from winning... Read more... |
Wallfisch, Northern Chamber Orchestra, Stoller Hall, Manchester review - Weinberg UK premiereSaturday, 09 November 2019
Everyone’s doing Weinberg now, or so it seems. The Polish-born composer who became a close friend of Shostakovich was born 100 years ago, and there’s plenty of his music to go round. Raphael Wallfisch gave the UK premiere of his Cello... Read more... |
Mitten wir im Leben sind, De Keersmaeker, Queyras, Rosas, Sadler's Wells review - Bach-worthy geniusThursday, 25 April 2019
All Bach is dance, a teacher once told me. The justifiable exaggeration switched on a light; leaping to the Brandenburg Concertos followed. This great work of kinetic art is of a different order. Choreographer and performer Anne Teresa De... Read more... |
Classical CDs Weekly: Brahms, Haydn, SibeliusSaturday, 06 April 2019
Brahms: The Cello Sonatas The Fischer Duo: Norman Fischer (cello), Jeanne Kierman (piano), with Abigail Fischer (mezzo-soprano) (Centaur Records)Comparing Brahms’s pair of cello sonatas is like looking at the two piano concertos. There’s the... Read more... |
Biss, Philharmonia, Boyd, RFH review – compulsive life-forceTuesday, 26 March 2019
Mozart in E flat (the Overture to The Marriage of Figaro) and in G (the K.453 Piano Concerto), and Schubert in C – the “Great” C major Symphony, no less – ushered spring into the Festival Hall on a warm and sunny Sunday afternoon.Slimmed down to a... Read more... |
