Bush Theatre
aleks.sierz
The Bush Theatre is becoming a garden centre. Earlier this year, the venue staged Coral Wylie’s Lavender, Hyacinth, Violet, Yew, which featured an abundance of plant life, and now it’s the turn of talented novelist and screenwriter Danny James King, whose Miss Myrtle’s Garden has Wylie aptly listed as its botanical consultant. Directed by incoming artistic director Taio Lawson, it is a study of loss, love and ageing set initially amid the weeds and neglected plants of 82-year-old Miss Myrtle’s garden. She is the widow of Melrose, both being Windrush Generation migrants who have Read more ...
aleks.sierz
In a world tainted with racism and homophobia, the Bush Theatre is something of a refuge from prejudice. As one of the most queer friendly venues in London, it’s no surprise that this theatre is now staging babirye bukilwa’s … Blackbird Hour, a play which explores the experiences of a black queer woman who finds herself on the edge.This is the playwright’s first play, and it was shortlisted for a number of prestigious prizes in 2019 and 2020, so its staging is long overdue. However, perhaps the fact that it’s a tough watch has something to do with this delay. With a running time of about 85 Read more ...
aleks.sierz
Cryptocurrency is like the myth of El Dorado – a promised land made of fool’s gold. Despite its liberatory potential, it frequently attracts sharks or, as the title of Beru Tessema’s new play indicates, hungry wolves that gobble up defenceless sheep.After the success here of his 2022 play, House of Ife, the playwright returns to the Bush Theatre with a subject which is original and a cast which includes a cameo by Jamael Westman, star veteran of the original West End production of Hamilton. This time, however, some slack plotting and predictable consequences undermine the drama of a slightly Read more ...
aleks.sierz
Platonic love should be simple – basically you’re best mates. And without the complications of sex, what could go wrong? Waleed Akhtar, whose big hit The P Word was also performed here at the Bush, takes this idea and complicates it – by making it about a gay boy and a straight girl.The playwright then adds further complications: family, ethnicity, religion, life chances and career choices. The result, which stars It’s a Sin’s Nathaniel Curtis as well as Mariam Haque, is a fascinating account of mixed emotions and a sad story about the gradual decay of youthful idealism. As such, it Read more ...
Gary Naylor
Pete Waterman, responsible (some might prefer the word guilty) for more than 100 Top 40 hits, said that a pop song is the hardest thing to write. Boy meets girl; boy loses girl; boy gets girl back – all wrapped up in three minutes. Benedict Lombe’s Shifters takes longer – 33 Kylies longer – but it pulls off the same devilishly difficult trick and, as with the best earworms of the 1980s, it’s likely to stay in your head for years. Dre(am) is at his Nana’s wake when, late and unannounced, Des(tiny) is suddenly in the room, the impact of her arrival akin to his being hit in Read more ...
aleks.sierz
Following the huge success of Benedict Lombe’s Shifters, which transfers soon to the West End, the Bush Theatre is riding high. Now this venue’s latest exploration of the Black-British experience tells a really lively and emotionally deep story about Nigerians in London.Faith Omole, whose first and as yet unperformed play, Kaleidoscope, won the prestigious Alfred Fagon Award last year, arrives with bang with My Father’s Fable. Since Omole is also an actor, and has appeared in the Channel 4 comedy, We Are Lady Parts, it’s no surprise that her debut is both a comedy and an acute look at the Read more ...
aleks.sierz
For the past ten years, Black-British playwrights have been in the vanguard of innovation in the form and content of new writing. I’m thinking not only of writers with longer careers such as Roy Williams and debbie tucker green, but also of Inua Ellams, Arinzé Kene, Nathaniel Martello-White, Matilda Feyiṣayọ Ibini and Tyrell Williams.And every year they are joined by other talents. One such is Benedict Lombe, who won the Susan Smith Blackburn Prize in 2022 for her debut monologue, Lava, and now returns to the Bush Theatre with her latest, a 100-minute two-hander which is exquisitely written Read more ...
Helen Hawkins
Kwame Owusu’s 55-minute one-hander does just what it says on the tin: it features a young student who dreams he is drowning. But its brevity is no bar to its being a dense and intense experience, worthy winner of last year’s Mustapha Matura Award.Nineteen-year-old gay Malachi (Tienne Simon) has gained a place at university in Bristol to study English Literature. He adores reading, especially books by Black authors and, above all, sci-fi and fantasy. But his arrival at uni is blighted by a recurring dream that intensifies with each iteration: his room is at the bottom of the ocean, and a Read more ...
aleks.sierz
The Comedian runs, bounces even, onto the stage. The audience immediately applauds. He seizes the mic and makes self-deprecatory gestures. Then he rubs the mic stand suggestively. We laugh. When he turns around we can see a laughing mouth printed on the back of his shirt. It’s Samuel Barnett – former history boy and star of stage and screen – and the audience instantly warms to him. He’s that kind of guy. Which is just as well because the Comedian who delivers Marcelo Dos Santos’s 65-minute monologue, now at the Bush Theatre after opening last year at the Edinburgh Fringe, is not Read more ...
Matt Wolf
Rarely has a play's opening been so opportune. Just when it looked as if the West End was slipping into decline, along comes the smart, shrewd Backstairs Billy to allay mounting fears of late that the commercial theatre had lost all sense of quality control. (The offending titles know who they are.)It helps, of course, that Marcelo Dos Santos's royalty-themed play is getting a luxuriant production whose visual allure is evident from our first sight of designer Christopher Oram's spare-no-floral-arrangement recreation of the Garden Room of Clarence House. But just when you think you've heard Read more ...
Helen Hawkins
The revolution in the title of AJ Yi’s new play at the Bush is the one activists hoped to set in motion in Hong Kong in 2019, when China’s stewardship was increasingly restricting their civil liberties. The music on the playlist serves as an evocative backing track for the former colony’s 21st century makeover by China, a Western-influenced alternative. It’s also a call to arms. At least, that’s what Chloe Chang (Mae Mae Macleod) is hoping when she suggests creating a playlist to the young economics student, Jonathan Lau (Liam Lau-Fernandez), whom she meets on the last night of her visit Read more ...
Helen Hawkins
The Bond film theme plays and the lights go up at the Bush’s Studio space to reveal, not a tuxedoed superspy, but a slim figure in casual clothes sitting on a raised platform. He starts his first speech, then stops, makes asides to the audience, then restarts it. Then wishes it was a film, “which it isn’t”.The figure is Nikhil Parmar, writer of this 60-minute play, who peoples the little stage with a whole neighbourhood: his family, cousins, friends and fellow tenants. Usefully, he has given them all different ethnic accents to help us work out who is who. Scenes rapidly transform, cued by Read more ...